19-2

If you appreciate great writing, excellent acting and impeccable direction this is the series for you.

19-2 lures you in, grabs ahold of you and doesn't let you go until the end. You become engrossed in the day to day lives of these officers and their families and their stories.

And the acting is some of the best I've seen anywhere, truly superb!

While you travel with these officers on patrol, encountering some of the saddest, silliest, darkest, and scariest situations imaginable, you can't help but see and feel exactly what they are experiencing as they try to keep some semblance of order in such a messed up world. Their camaraderie as a team and as a family feels exquisitely real, and you can't help but feel it as well.

The storyline threading through all episodes of all 3 seasons is gripping and heartrending as it pulls and tears at the characters in life altering ways.

Just watch it - you'll see what I mean.

If your looking for a cop show that is well crafted, well acted and well written. Then you found your perfect dream, this show is absolutely wonderful. The story progression & cinematography is superb. A far cry from those lame shows like SVU or Chicago PD, this is the type of show they want to be.

I can't believe I'm only stumbling onto it now, but more than happy to have been able to go back and watch all the seasons. The show's that good, something needed in the crime TV genre. I haven't felt this much realism or intriguing grit since NYPD Blue, and still I would come back to this one every time.

I'm seriously stoked to see what season 4 has in store, whatever it is, I'm sure it will be great! Once again if you're looking for something entertaining but yet, serious and well-crafted then this is it!

All the performances here are topnotch but the real stars are director Daniel Grou's facile direction and cinematographer Claudine Sauvé's imaginative camera work. So many shows on Netflix have terrible cinematography, where camera operators lack the talent to keep subjects in the frame. Not so with Grou and Sauvé, who give this series a sense of you-are-there excitement. It's a thrilling ride, helped by solid storylines and sharp, incisive scripts. There's an underlying intelligence that permeates every scene. Some of the tracking shots are breathtaking.

It's not all perfect. The green-hued palette is overdone and gives everything a uniform sickly appearance. Also, one could argue the soap opera elements at times overwhelm the impetus of the plot but that would be griping because, unlike so many Hollywood shows, the romantic moments are usually intertwined with the plot.

The only reason this series is not far better known is that it is a Canadian production and the setting is Canadian - Montreal from 2011 to 2015- instead of American. But if you want three dimensional characters instead of cardboard heroes and villains, realism about the tragic and sad lives of those who encounter the police, story lines that make every episode memorable, and first rate acting all around, then this is the police drama you want to watch. No one is written off in this drama- even those officers who commit despicable acts- their actions are not sugar coated but you feel you have a deeper understanding of why they did what they did. The interplay between the two central characters is never dull- never cliched. I have watched both the French and the English versions of this show- While I was enthralled by both , I found the French version grittier, deeper, and ultimately more satisfying. And I say this as an anglophone.

Unlike many I don't mind reading subtitles when the colloquialisms substitute for the French language as it evolved in Québec. This is a riveting and addictive series. The portrayal of the relationship between Berrof and his mother paints a classic picture of a dysfunctional middle class family of the region and one that seems to be repeated in old French-Canadian families right along the fur-trade route from Québec through Detroit and Sault St. Marie is much more common than one might suppose in kind if not in degree. The promiscuity between couples and open relationships is also more commonly visible in Montréal than elsewhere in Canada. The behaviour of the police in solving internal problems like the wife-abuser or the dealing with cops personal problems, alcoholism, and the tendency to sweep misdemeanors under the carpet is accurate. I am disappointed to have learned that it is being remade in English with a different cast. The language is one I am familiar with having spent some of my formative years in the city. Some of the local jargon I picked up during the show was quite funny and a lot of that nuance may be lost in translation in the "anglais" version, but I will try to keep an open mind. If it gets (typically) "sanitized" in order to appeal to the English Canadian audience, it will be a totally different series, and I may prefer to go on watching the Québec version if it was available.