Aarakshan

Prakash Jha's Aarakshan has something for everyone: To an average viewer, Aarakshan would serve to be a decent offering made special by the presence of a stellar cast led by Amitabh Bachchan himself. Aficionados would find it to be good enough to be considered as a case study on India's socio-political system. The critics will find it too absorbing to merely regard it as a satire on the prevalent education system. Jha has a great understanding of the Indian socio-political setup having himself contested elections from the state of Bihar—the second most influential state in the Indian political context. This knowledge places Jha at a point of vantage in the purview of Indian cinema. Jha's penchant for depicting realism in cinema puts him in a very elusive list of Indian filmmakers. With Aarakshan, Jha succeeds at both the technological and emotional fronts and more than makes up for the shoddy display in his previous production, Raajneeti. Jha uses his stellar cast and camera to full effect in order to capture the audience's attention right from the onset. He builds up his plot slowly but rhythmically with a scalpel like precision that one seldom sees in Hindi Cinema. What makes Aarakshan unique is that it not only succeeds in posing serious questions about the sensitive issue of reservation but also manages to propose a common humanistic solution for it—one that follows a universal approach aimed at working at the very roots of the problem.

Prabhakar Anand (Amitabh Bachchan), a private college principal, has devoted his life to the ideals of equality, righteousness and self- sacrifice. His undeterred determination for his cause has elevated and evolved the education standards in a state that is plagued by casted- based politics. During his three decade long tenure as a principal of a private college, he has not only taken the college to new heights but has also shaped the lives of hundreds of underprivileged students from the backward sects of the society and is respected by everyone alike. One of benefactors has been Deepak Kumar (Saif Ali Khan), who also happens to be his favorite pupil. Deepak Kumar comes from an extremely backward setup and owes everything to Prabhakar Anand and worships him as a disciple. He has a strong liking for Prabhakar's daughter Poorbi (Deepika Padukone), who reciprocates it fully. Prabhakar is a staunch condemner of commercialization of education and wants to provide quality education to the poor and the needy free of cost. He is the sole target of all those who advocate commercialization of education. Mithilesh Singh (Manoj Bajpai), who runs a chain of coaching institutes, heads the nexus that aims to destroy Prabhakar and his followers.

Amitabh Bachchan shines in the portrayal of Prabhakar, a portrayal that is highly reminiscent of his 'Angry Young Man' days. He goes through an entire gamut of emotions with an ineffable sense of ease that makes the portrayal utterly memorable. As Prabhakar, he is a loving husband, a caring father, a faithful friend, a staunch idealist, an undeterred revolutionary and most importantly, a humanist par excellence. It is Bachchan's best performance in well over a decade and even surpasses his portrayal of an inexorably idealistic principal in Mohabbatein. In fact, it wouldn't be a hyperbole to say that one cannot think of many actors in the country who could fit into the shoes of Prabhakar Anand better than Bachchan. Saif Ali Khan is brilliant in his portrayal of Deepak and yet again proves his versatility as an actor. It's his most powerful performance since his Langda Tyagi in Vishal Bhardwaj's Omkara. Manoj Bajpai is ever so reliable in his portrayal of a conniving business mogul and offers a great contrast to Bachchan's portrayal of an outright righteous man. In fact, Bajpai seems to be the only actor in Hindi Cinema who has never been known to act badly. His previous full-fledged performance alongside Bachchan in Aks had earned him a flurry of awards and one wouldn't be wrong in expecting the same this time round. Deepika Padukone and Prateik Babbar offer great support to a cast that is studded with veterans like Saurabh Shukla and S.M Zaheer.

Overall, Aarakshan offers a great insight into socio-political scenario of the country while also focusing on the flaws in the existing educational setup. The movie celebrates the spirit of humanity and proposes a common humanistic solution to the paradox of reservation in our country based on principles equality and freedom. Despite the occasional lack of coherence, Aarakshan is a must watch for the fans of Amitabh Bachchan and Prakash Jha and all those who have a place in their hearts for good and healthy cinema. 8/10

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Aarakshan is a movie which again brings out the best of the Indian cinema. the movie describes the prevailing education system in India where due importance is given to coaching classes and rot learning rather than creating free thinkers in this evolving world of ours.

there was a time in our history when teachers were given due importance for their knowledge and wisdom, but in the current scenario, teachers are regarded as a means to just deliver the syllabus and walk out of the class after the completion of the scheduled topic. but than there is no alternative to that as the whole education system in India runs on the syllabus.

and then comes the minority people in the picture. there are reservations for them in most of the schools or colleges of the nation which creates a partition of another kind in the institutions resulting in a chaos. there is probably only one solution to this and that is strengthening the public education by the government from primary till graduation. this can't be done without cooperation from the general public as well as the private institutions help after looking at scenario in the government. government of our nation doesn't seem to be serious about this issue and so it is we who should take up the responsibility as citizens of the nation.

sometimes silence seems sufficient when words fail to describe your gratitude to someone. this is one of those movies. go for it! "no offense intended"

Prakash Jha is one filmmaker who doesn't mind taking controversial topics & this time too he has succeeded in adapting a relevant topic on screen.

Amitabh Bachchan & Manoj Bajpai are terrific with their characters & portrayals. Deepkia Padukone & Saif Ali Khan add to the fervor. Supporting cast supports well. I am mesmerized by the intuitive fast- paced screenplay for a drama without cutting the lines short. Music is apt & there is no single moment where it attenuates. With all the college atmosphere & the grave state of education system in India just makes it too interesting.

Personally, I enjoyed the whole movie which also is emotional, dramatic, romantic & lovable at times. Except for the foggy climax & the feeble conclusive plot lines, I rate it a good 8.4 out of 10.

BOTTOM LINE: Highly Recommended to youngsters & adults alike if they are looking for an answer on the education system in India. Not that it answers brightly, but you will enjoy for sure.

Can be watched with a typical Indian family? YES

Profanity: Mild | Sex/Nudity/Porn/Smoking/Alcohol: No | Violence: Strong | Gore: No

movie lost track in the 2nd half. it was a movie about aarakshan which was truly portrayed in the initial part of the movie but lost its track in the 2nd part. Aarakshan follows the same rules of the games, where the filmmaker attempts to take an incisive look at India's policy of reservation and its impact on the Indian education system. At least that's the issue he begins with and focuses on in the first half of the film.As long as the film concentrates on the key concern, it is full of high drama, with powerful encounters between the prime players.As a film on the issue of reservation, Aarakshan was rocking till the first half. But as an omnibus on the travails of India's education system, it flounders into no-man's land. Watch it for the intermittent high drama and the gritty performances, scattered as they are

How many times do you go to watch a movie with no or zero expectations... Never. There is always an acid test a filmmaker needs to go through for any movie. And even with Aarakshan, there would always be parallels drawn with Prakash Jha's Raajneeti. Although , quite a different subject and even if we don't compare this with his biggies like Gangajal, Apaharan and Raajneeti, still, Aarakshan is a 3 hour long duel filled with illogical set pieces, spineless storytelling and inappropriate casting that fails to convince and is impressive. Decent performances by Big B and Saif ,saves the day even as Mr.Jha fails to bring out a "Karaara Jawaab" like stellar performance from Manoj Bajpai.. Prateik Babbar hams a lot and needs to hone his linguistic skills and voice modulation ,though I strongly believe the lad will go a long distance. Deepika is simple and sober and the performance or whatever little we saw is fine.

The movie is very confusing in itself and it seems the director isn't sure what he wants to portray, a documentary, social drama,or just a comment on just the education culture. The first half shows how the long nurtured relations are destroyed and castrated even as the winds of reservation sweeps the nation ,but there's always a disconnect with the viewer and the emotions just don't come out gracefully. Although there are definitely some high voltage power packed sequences between Babbar and Saif and Saif and BigB /Bajpai..but the movie turns out to be a lecture in disguise. Even as you hope that the second half would bring in a spark of brilliance ,what you get is an inept story that dwindles to solving personal vendettas and one incessantly keeps staring at his watch as the movie drags on.. The movie deserves a 2/5 with an advice of Watch it only if you Must..or watch only if you have Quashed Each of your Desire (QED) { a mathematical formula that filmmaker has turned into a joke}