Morden i Sandhamn

Everyone in the series seems to be nice and pleasant. Even the murderers don't seem to be truly evil. There's nothing in Viveca Sten's universe that offends. People we know barely nothing about are the ones who die and subsequent crimes are always attempted murders of characters we've got to know a bit about and are generally saved from death in the nick of time.

There are back stories to the main characters whose lives mesh seamlessly with each other although true romance is always an on/off affair. They have their problems, of course, but these don't generally interfere with the denouement of the plots.

The setting in the archipelago is stunning. I've only been there a couple of times and the series makes me want to go back again one day. It's all so perfect just as Sweden is portrayed abroad.

I've seen all seven seasons and am eagerly awaiting an eighth. It's absolutely not Scandi Noir, more Rosemary and Thyme, but that's not a reason to be critical - the genres are different, that's all. I like them both and this series is a great example of an easy watch that holds the attention.

If you're looking for gripping Scandi Noir this isn't it ... it's lightweight but easy on the eye and once you accept that it's thoroughly enjoyable. Island hopping in your speed boat, standing at the wheel with your hair streaming out behind you (if you have it) seems to be one of the favoured ways to get around ... or maybe a bicycle in Nora's case as you head off for a clandestine meeting over a coffee in the village to discuss the latest crime, suspected crime ... whatever! It's all rather good fun and each hour and a half episode drifts by you in no time at all.

Nicolai Cleve Broch has been a worthy addition to the series and like Nora is quite vapid much of the time but very at home in their roles as are all the cast. :)

/refers to Seasons 1-5/

I am fond of Scandinavian crime series, but as the recent decade has seen so many high-level ones, I have become picky to watch something "around" e.g. Bro/Broen or Millennium... In advance, I was also cautious about the fact that crimes would happen in a limited space, a small and cosy area making it the one of the most violent places in the world (as often perceived in Miss Marple or Lewis, although skillfully accomplished). But no, the felonies committed were rare, suitable and seasonable, and the main emphasis was mainly on human aspects and issues prevalent in a wealthy Western society. The crimes handled were not over-sophisticated, rather realistic, and exiting viewers' interest improved during the seasons (Season 1 crime and it's solution were most trivial).

All the performances were good at least, if not more, most I liked Alexandra Rapaport as Nora Linde and Lotta Tejle as Claire. Moreover, this series helped me better to acknowledge the popularity of Jacob Cedegren (he has participated in several films I have seen but, for me, somehow always remained in the shadow of other male actors). Here, his character's nature was perfectly in harmony with the general mood of the creation and the qualities a Swedish policeman working in a small recreational area could and should have.

Thus, Morden i Sandhamn is a more-than-okay drama, with lots of human aspects and some crime in the background. As for crime level and depiction, it is in the line of e.g. Maria Wern or Anna Pihl, for example.

PS More or less, Seasons 6 and 7 follow the same path. Yet, in Season 7, Nicolai Cleve Broch as a new leading character is a step forward.

PPS Seasons 8 and 9 are just pleasant again, but no next level. But as more seasons are planned, I would still continue to watch them.

PPPS Season 10 shows some signs of fatigue, and I am not sure than a certain addiction would provide additional value to the cases.

This is a miniseries in three episodes that is based on the novel "I de lugnaste vatten" by the Swedish detective writer Viveca Sten.

The series is professionally made. It utilises the idyllic scenery of the Stockholm archipelago to good effect and the cast does as good a job with the script as they can. The main performers, Cedergren and Rapaport, do have some chemistry, even if the former is overdoing the "manly-male-who-suffers-in_silence" thing.

The let-down is in the plot, however. It is a rather cliché story featuring a silent cop who keeps on breaking all the rules of policing and yet never gets suspended. His young side-kick still has to learn that a real cop goes by gut feeling and does not bother with methodical work with such boring stuff as, ehm, evidence? By simple elimination the viewer can soon figure out who is the culprit, if only because the plot does not present enough possible candidates, which is deadly for the suspense. Hence, the story very soon fails to engage.

In Sweden the series was a success nonetheless.

Swedish summer murders on an idyllic island sounds familiar, doesn't it? The everyday mysteries in this series are well plotted and believable. Like Midsomer, Sandhamn has an amazingly high murder rate per head of population but there's something else at work in this Swedish series, a life lesson playing out from seasons 1 to 9.

A prosecutor with a house on the island, Nora is an attractive, sympathetic and likeable lead. The always reliable Par, with his sartorial individualism, is also very likeable as her assistant in her work life. But her love life! That's another story. Perhaps the real story. The Norwegian police detective is a breath of fresh air after the rather dull Swede, Thomas. For each love story, there's the will they or won't they game as events manage to interrupt their interludes together.

Cruellest of all is how the message - to take risks, be true to your feelings and seize the day - is finally driven home to us. With the presence of death in each story, we are reminded to live life.