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5.2/10
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Agrega una trama en tu idiomaYears after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.
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"I'm not the same man you chased away all those years ago. Find my daughter!" Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem (Siddig) returns when he finds out that his daughter has gone missing. When he meets people from his past he is forced not only to confront his earlier life consequences but also find his daughter before its too late. This is a movie that is good, fast moving and worth watching, but also a little generic. There really isn't much to say about this one. Father finds out his daughter is missing, he is forced to seek help from those he has had previous problems with, encounters resistance. I did like the movie and I do think it's worth watching and while it is pretty tense I found that the daughter storyline seemed to have gotten lost in the jumble of what was going on. When you watch that will make sense. Overall, a movie that is good and well worth checking out but it is a tad generic. I give it a B.
It was such an emotional, fast paced ride.
Loved it, tells a personal story with Syria as a backdrop. I liked this. If you want more politics, go read a book - but if you want something that is emotional, a character study of an Arab man living in Canada - whose daughter goes missing, see this. A little bit of thriller, mystery, action - and so emotional.
The ending ripped my heart out. Loved it. Also looked like a big Hollywood movie, found out it was Canadian - which made even more sense. As its politics and the violence don't hit you over the head. Instead, it's a very universal story about how far a father would go and the past he needs to delve back into. Loved it.
Loved it, tells a personal story with Syria as a backdrop. I liked this. If you want more politics, go read a book - but if you want something that is emotional, a character study of an Arab man living in Canada - whose daughter goes missing, see this. A little bit of thriller, mystery, action - and so emotional.
The ending ripped my heart out. Loved it. Also looked like a big Hollywood movie, found out it was Canadian - which made even more sense. As its politics and the violence don't hit you over the head. Instead, it's a very universal story about how far a father would go and the past he needs to delve back into. Loved it.
After reading some other reviews of this film online, I was expecting to be slightly disappointed...but was pleasantly surprised by it. Having been a fan of Ruba Nadda's other films, (and a general groupie of anything involving Alexander Siddig), I was eager to see her newest film as part of the CIFF.
The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda's last major film, (the subtle and slow paced "Cairo Time") but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib's past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.
Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.
This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).
While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.
The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda's last major film, (the subtle and slow paced "Cairo Time") but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib's past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.
Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.
This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).
While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.
Adib Abdel Kareem (Alexander Siddig) lives a comfortable life in Toronto under an alternate identity. He has two daughters but has told them nothing about his past in Syria. He was a military intelligence officer but left under mysterious circumstances 20 years ago. His oldest daughter Muna has disappeared after going to Damascus behind his back. He sneaks back into the country with the help of ex-fiancée Fatima (Marisa Tomei). He talks to Canadian Embassy officer Paul Ridge (Joshua Jackson) and former fellow workmate Sayid (Oded Fehr) as he navigates the dangerous police state.
This movie seems to be caught between a realistic movie and a Bourne-like thriller. It fails as either and it struggles to be better. It's great to have Siddig as the lead. The problem is that I can't believe his character wouldn't be snatched up by any one of the random secret police agents. His supposed crime is too big to ignore. The daughter is too naive. It would have been more logical if she's researching in Turkey and gets kidnapped into Syria. Also having Tomei as an Arab does raise an eyebrow. A lot of little things limit the believability. It doesn't work as an action thriller either. It is terribly flat and has low intensity despite the exotic setting. The few action sequences seem weak and out of place. I would like a realistic take on the 2012 police-state Syria. I can't buy it here.
This movie seems to be caught between a realistic movie and a Bourne-like thriller. It fails as either and it struggles to be better. It's great to have Siddig as the lead. The problem is that I can't believe his character wouldn't be snatched up by any one of the random secret police agents. His supposed crime is too big to ignore. The daughter is too naive. It would have been more logical if she's researching in Turkey and gets kidnapped into Syria. Also having Tomei as an Arab does raise an eyebrow. A lot of little things limit the believability. It doesn't work as an action thriller either. It is terribly flat and has low intensity despite the exotic setting. The few action sequences seem weak and out of place. I would like a realistic take on the 2012 police-state Syria. I can't buy it here.
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- TriviaTodas las entradas contienen spoilers
- ConexionesReferenced in Cowboy (2017)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Không Lối Thoát
- Locaciones de filmación
- Johannesburgo, Sudáfrica(Wikepedia article.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- CAD 4,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,334
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,545
- 24 feb 2013
- Total a nivel mundial
- USD 6,334
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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