The Thompsons

I quite enjoyed "The Hamiltons" of which "The Thompsons" is a kind of follow up, as they have fled away from th States to Europe, where they're up to no good.

They describe the difficult life of modern day vampires. With nowadays surveillance cameras it's not easy to get a drink of blood. After Running away from the US they go looking for their ancestors in Europe, from where Hamiltons origin, the Mandersons. And you could say that they find them. But the foreign visitors aren't politely received.

If you didn't know; you shouldn't be ashamed of being a vampire. In this film we get to know vampire life as the most common thing there is, being a vampire and a killer. And it's a disgrace to not be a real vampire.

It's a modern vampire story well told. The production values is once again very good. The Butcher Brothers knows how to tell their vampire stories, so that we almost start to believe them. It's gory, funny, disgusting and bloody, as a vampire slasher has too be. When the Butcher Brothers decide to do something really serious, they'll know how to do it.

However this story is told so disjointed and without any car, then it falls short from the original one. Too many stupid coincidences and plot holes makes this far off what it should have been. Sloppy, you could say. And that becomes boring and annoying.

You won't miss out if you stop watching this half ways, as the quality falls from there.

The only thing you miss out, is that they sympathetically drive off in an Audi S-line. A pity it'll have to be blood spattered...

I haven't seen The Hamiltons so I can't comment on its relationship to this movie. The story of The Thompsons isn't told linearly but it starts more or less in the middle and then backtracks. I'll summarize the story linearly.

An American family of vampires (one girl, 2 guys, 1 kid) try to mind their own business and are driving around the desert when the kid gets shot accidentally when a bunch of thugs hold up a diner. Now the family is seeking help. Someone tells them to go to Europe and also gives them a name. One of the guys, Francis, travels to the English country side to look for this person who can help them. The twins (guy and girl) end up in Paris having fun. While the other guy watches over the kid.

Francis drives around, his car breaks down but he makes it on foot to some family pub where he draws the attention of the locals. The daughter who works there is attracted to him. But it turns out the owner and their two sons are vampires. They take him to the main vampire who offers to help if Francis calls his entire family to meet him in England. They make the trip but things turn ugly. The main vampire and his family don't have the Thompsons best intentions in mind.

A lot of the movie is told in Francis' voice overs. The filmmakers know how to put the creepy small town English country side to good use. I really enjoyed most of the movie, but when things become physical near the end, the movie loses steam. The main problem is that Cory Knauf who plays Francis (and co-wrote the script) is just too laid back. Even when he's being attacked and his life is at stake, he never loses his cool. He does a good job with the voice overs, but acting in dramatic situations is entirely beyond him. A huge plus is the attractive girls, and there are many here- all of them actually. Elizabeth Henstridge is particularly lovely, attractive and hot. What a gorgeous girl. She basically steals the show. There's some nudity too. The special effects despite being CGI are pretty good and the fangs for once look convincing. There's a lot to like here, the creepiness, the English locations, the story overall, the women. There are some plot holes and details that make no sense. I look forward to the third one and will have to check out The Hamiltons. This movie is a good effort and a very good entry into the vampire genre which has been so mercilessly abused.

Francis (Cory Knauf), the central character in The Butcher Brothers' The Thompsons (the sequel to their 2006 movie The Hamiltons), is something of a tortured soul, a vampire troubled by his bloody lifestyle, searching for a meaning to his existence. Having fled the US with his bloodsucking family, he now wanders the UK looking for others like him so that he can learn about his heritage and perhaps even find love among his own kind.

The photogenic cast; the oh-so-serious emo sensibilities; the romance between vampire clans; the film-makers desperately striving for a sense of cool: The Thompsons might easily be confused for an installment of the Twilight series if it wasn't for all the graphic sex and violence on display. I doubt very much that Bella Swan would ever get it on with an absinthe addled Parisian whore, or whether Edward would savagely tear the throat out of his victims, drenching himself in blood in the process, but the vampires in this film have no such qualms, narrowly preventing it from being another worthless piece of PG-13 horror-lite and just about earning it a recommendation from yours truly.

I'm reviewing this strictly as the sequel to The Hamiltons, which I did see first.

Ok, my hopes were dashed pretty quickly after witnessing 8 minutes of digital effects, digital blood, and digital fangs. Then the title card came up.

The story of The Thompsons revolves around the same character as in the first movie, and that would be Francis. Only now, he is this assertive, brooding, badass? Talk about a 180. I was assuming this movie would pick up where the last one left off, as the ending to The Hamiltons screamed "there's more coming!" Nope, this one starts off in England, and primarily takes place there, but the family has splintered (er, just hiding out) to different regions of the world.

What follows is a whole bunch of timeline shifting. 2012. How popular was Quentin Tarantino in 2012? I would say he's the master of interweaving timelines. Here, in The Thompsons, it comes off as really unnecessary.

The crux of this movie is intriguing. Francis is sent to England only with a name and a town, to try and track down an ancient vampire clan, and maybe find some place that they can call home. Oh, they're real hospitable. And this is where it gets predictable. Wait, Francis was in a box... Damn you timeline! What is interesting, is that these particular, more powerful, vampires descended directly from the Thompson/Hamilton bloodline. Now, why it was crucial to breed with the Thompson's (weaker) daughter, did not make any sense to me (well, she is real foxy...). There is a good twist at the end, when David shows up in England with their dying youngest.

Do you need to see The Hamiltons first to enjoy this movie? Besides the fact that The Hamiltons is a superior movie, especially with character depth, the answer is absolutely not. Their entire story is rehashed, through a series of flashbacks and voiceovers in The Thompsons. One thing I really enjoy in sequels, are all the "references" that you can only pick up on only by seeing the original. No such luck here.

This is not a real review, it should be taken more as a collection of impressions on the film.

Considering first of all that there are enough vampire films now and this is just the umpteenth but at least do it well, the film is very very mediocre and doesn't seem to commit, it seems like they simply wanted to make a vampire film because vampires usually sell but without adding anything else. The plot is very banal even if the plot twist isn't that bad and really surprised me, I dare say that this is the only positive thing about the film. However, we must also talk about the ending which is very far-fetched because it seems they wanted to hurry up and close the film and therefore made an ending that was a little too incongruent with the story just to give a happy ending to the events.