Él es un viudo en París que no habla francés. Ella es una instructora de baile el doble de joven. ¿Podrán convertirse en una familia, o sus hijos adultos separados detendrán su amistad?Él es un viudo en París que no habla francés. Ella es una instructora de baile el doble de joven. ¿Podrán convertirse en una familia, o sus hijos adultos separados detendrán su amistad?Él es un viudo en París que no habla francés. Ella es una instructora de baile el doble de joven. ¿Podrán convertirse en una familia, o sus hijos adultos separados detendrán su amistad?
- Dirección
- Guionistas
- Elenco
- Premios
- 4 nominaciones en total
- Madame Dune
- (as Michèle Goddet)
- Sleeping Student on Bus
- (as Julien Petit)
- Maitre D' Chez René
- (as Ian Fénélon)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is such a poignant and well meant movie it's hard to not like it and its intentions. What it fails to do is "rise above." It is a heartfelt look at finding meaning at the end—and the beginning—of life in Paris, and yet it remains somewhat prosaic, missing a beat now and then. I loved it at times, but only very much liked it by the end.
I love without reservation "Mostly Martha," the most successful movie by the director, Sandra Nettlebeck. In that one, she makes her understanding of being German, and its limitations, an important part of the movie. Here we are in France, in a plot based on a French novel, with a British actor playing an American and a young French woman. Michael Caine is nor ordinary actor and he's actually wonderful here. And indeed the young woman who plays his muse, in a way (the woman who creates the "crack" in his world that is the key to the movie), is also very good, if common (played by Clemence Poesy—she appears in a couple Harry Potter movies).
What succeeds beyond these very good performances is the idea of a man near his last days in Paris, after the death of his wife, and a young woman who befriends him out of some unexplained loneliness. What they form is an odd but believable friendship. Their family and other friends do not understand or approve, but it makes sense to them, even when it's awkward. It's a kind of brave and interesting subject.
What it lacks is exactly the right feel and touch, the sense of trueness to spirit and character that people might actually have. There are moments that are just great, a rebellion or a quiet look, and then there are moments where the characters act, well, out of character. A hair.
If this seems like picking on nuances you have to understand that the movie is about such emotional and psychological nuances. It sets its own bar high, and so suffers from that. Sometimes.
See it? Yes. I liked it wholly. But see also "Mostly Martha" for a similar sense of finding what matters, of pan-European feelings, of crossing normal boundaries with romantic flair.
Through a bit of lost in Translation in and you have a very fine movie. It's weirdness might either attract you more to it or appall you a bit. Whatever the case you can't fault it's story, about lost love and maybe even lost hope. Family is a big part of life and it is here too. A bit of Song of Marion is in here too. So good ingredients, not perfect but very good movie still
This is a must to see movie.
¿Sabías que…?
- TriviaThe line spoken by Sir Michael Caine, which is a constant theme in the movie, "There's a crack in everything, that's how the light gets in", is lyrics from the Leonard Cohen song "Anthem".
- ErroresMichael Caine's American accent comes and goes.
- Citas
Pauline Laubie: Why did you stop loving life?
Matthew Morgan: Well, you don't love life itself. You love, uh, places, animals, people, memories, food, literature, music. And sometimes you meet someone... who requires all the love you have to give. And if you lose that someone, you think everything else is gonna stop too. But everything else just keeps on going. Giraudoux said, you can miss a single being, even though you are surrounded by countless others. Those people are like... like extras. They cloud your vision, they're a meaningless crowd. They... They're an unwelcome distraction. So you seek oblivion in solitude. But solitude only makes you wither.
Pauline Laubie: So I'm an unwelcome distraction. I'm a cloud?
Matthew Morgan: You are the only part of my life I haven't figured out yet.
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Last Love
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,200,000 (estimado)
- Total a nivel mundial
- USD 2,967,122
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido