Nebraska

"Nebraska" offers viewers an unstinting view of some very unpleasant things: extreme decrepitude, boundless stupidity, greed and ignorance. There is also very deep, and very painful, love on display in this portrait of an embittered working class eking out a meaningless existence in a dysfunctional and remote place. "Nebraska" oscillates between cynicism and schmaltz, pulling off a wondrous kind of emotional alchemy that few films aspire to, let alone attain.

All of the acting is first rate, though the characterizations are rather broadly drawn. Will Forte plays a dutiful, sensitive, repressed son with seemingly unlimited patience for the eccentricities of those around him. He's the perfect foil for Bruce Dern's semi-catatonic, alcoholic ramblings (both verbal and spatial). June Squibb serves up hilarious venom to spice up the mix.

There were scenes in the movie that so perfectly captured the narrow, soulless, deadening ethos so prevalent in small-town America that I could hardly stand to watch them. It was almost as if the tire stores, bars, gas stations and motels of every desolate corner of America were rolled up into one set of visuals here, captured in stunning black and white cinematography.

I highly recommend "Nebraska."

Director Alexander Payne is currently one of the best dramatists in cinema right now simply because he makes films about realistic people in realistic situations. Payne seems to see no value in fantasy elements, far-fetched circumstances, or overly-comedic nonsense. His accomplished filmography includes the uproariously funny and poignant Sideways, The Descendants, which I went on to name my favorite film of 2012, the bold satire Election, the humble and depressing About Schmidt, and the daring abortion comedy-drama Citizen Ruth.

Now with Nebraska he adds another incredible film to his filmography. Heavy on the drama, smart with its character depictions, but never schmaltzy nor self-satisfying, Nebraska paints a bleak and depressing portrait of Midwestern life centering on a broken family with little to live for. One day, however, Woody Grant (Bruce Dern in a career-making performance) finds something to live for. Senile, an alcoholic in denial, and not one for long conversations, Woody receives a letter in the mail telling him he won a $1,000,000 prize and should come to Lincoln, Nebraska to collect it. His son, the quietly-sad David (Will Forte), informs him that the letter is a shameless piece of scam mail that requires the subscription to multiple magazines to even qualify for a raffle to potentially win the jackpot.

Woody doesn't care. He believes that people or an organization wouldn't say something that wasn't one-hundred percent true. Residing in Billings, Montana, Woody abandons his long-suffering, brutally honest wife (June Squibb) numerous times by aimlessly walking (sometimes trudging) down interstate highways and side-streets to venture out to Lincoln to collect his supposed earnings. At first, David can't fathom his father's logic. He has informed him several times this is a hopeless scam, that he is in no condition to travel long distances (he can't drive), and he doesn't even need $1 million to begin with. Woody, stubborn as a mule (or is he?), offers very little reasoning for his actions. He simply does what he wants. But when people in Woody's hometown get wind of this, along with distant family members that maybe should've remained distant, Woody now owes everyone money and a favor.

Director Alexander Payne and writer Bob Nelson work wonderfully with Nebraska, especially Nelson, who is sure to paint the characters as realistic as they are relatable to the audiences. Consider Woody's rather large family, made up of codgers who speak in disjointed sentences and delightfully funny souls who like to complain every chance they get. One of these people in particular is Woody's wife Kate, portrayed by a fearless June Squibb where almost everything she says is a laugh riot. A key scene comes when Woody, Kate, and David are visiting the gravesites of Woody's family members and for every person buried six feet under, Kate has a smarmy remark for them.

It's all the more surprising to note that Will Forte, usually known for playing characters in goofball comedies, does tremendous work in a serious, darkly funny, but also depressing drama film. Forte embodies an everyman quality that will make him familiar to some, and the way he tries to live in the boundaries of reality while giving his father something to live for is easily relatable to someone who wants the best for their own parents. However, the performance of the two hours is easily given by Bruce Dern, who has the rare ability to play detached and clueless with a true sense of believability. I can only think of Paul Dano's requirements for his character in Prisoners, released about two months back, where Dano had to always bear a facial expression that rendered him dazed and almost entirely out of touch with reality. Dern uses the effect to true emotional heights in Nebraska, with the uncanny ability to sit with a blank stare on his face and look as if he's about to burst into tears.

That precise quality of Nebraska is why I was so drawn in (along with the excellent black and white photography); its lack of milking its story for emotions. It has the very ingredients to make a person cry from the senile father who never really was one to his children, the broken family, and the unremarkable rural life that seemingly offers no hope outside of a desolate landscape. However, just like Woody, the film looks on the brighter side of life, optimistic about the peculiar instances and finding solace in a practical adventure. It doesn't have time to waste on sappy musical cues and actors phoning in emotion; it's much too concerned for articulating the characters and the adventure at hand.

It's also wonderful to see Will Forte in a pleasantly different role, alongside his frequent collaborator and friend Bob Odenkirk as siblings in Nebraska. The last time Forte and Odenkirk teamed up, if I recall correctly, The Brothers Solomon happened and such a film doesn't even deserve a mention in this review.

Starring: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, and Stacy Keach. Directed by: Alexander Payne.

" Nebraska " is :

1- Heart-breaking , how and when: you don't get to know , it just breaks your heart in many moments and also along the general themes .

2- Very thought-provoking , especially if you're in your 20s or 30s .

3- Too deep without even getting near to being complicated and with very little dialogue .

4- Too realistic and too believable , although unpredictable in the least sense with top-notch performances , mainly Bruce Dern who completely swept me off my feet and is too absorbing , thanks to Director Alexander Payne .

One of the best movies I've ever seen , thought about and deeply felt . It will make you wonder about and feel many things , maybe for the first time , like what it is like to get old or have traumas and never talk about or even try to explore the inside of you after them , not loving your children enough and realizing that too late , being hopeless and leading a meaningless life at one point , what ambitions and hope do to a man's soul and many more ..

Strongly recommended for whoever wants to feel and explore genuine themes , which , I warn , are really sad , hopeful , depressing , happy , hilarious , strong and beautiful all at the same time .

For those of us not from the Midwest, there is something strange about the place. Its people are taciturn but full of character; its landscape is wide, foreboding and sends the viewer into silence. "Nebraska" sits somewhere between "The Last Picture Show"; monochrome and a sad town full of back stories; and "Fargo", black humor, caricatures and illusions.

Nebraska has many wonderful moments and all of them come along without fanfare, building one on another; little piles of sand mounting to bring the whole piece in one. The structure of this movie is as near to ideal as it gets. It adds and adds layers and events and meaning to the relationships within a family and between a son and his rather hapless father.

The actors make this work so well. The comedy, the idiotic humor, the awkward silences and bitter stories out of the past are alive with humanity. The whole cast is superb. Dern's performance is almost like an old man from a Beckett play; white-haired and selfish, bitter and sad.

The photography and design really add texture. The geometry of the towns and house on the landscape; the broad emptiness of the country create a sense of place. Alexander Payne has made a film to watch again.

Director Alexander Payne "Sideways" (2004) and "About Schmidt" (2002) deftly handles the road-movie plot structure once again with dark humor and satirical depictions of contemporary American society, yielding fantastic results yet again, as a heartfelt journey to examine his frail and flawed characters. Payne himself is a Nebraska native who felt strongly that the movie be filmed black and white to capture the mood of the old American heartland, and in order for the film to receive funding from Paramount, he had to settle for a smaller budget. As a result, Payne films and casts the movie in local communities with actual residents which provides a realistic texture to the family bonding tale. "Nebraska" is a humorous and heart-rendering story of family, but it also sheds a light onto the people of America's heartland, and our countries economic, moral, and cultural decline.

"Nebraska" starts as a road movie, with a father and son traveling from Billings, Montana to Lincoln, Nebraska. David (Will Forte) has decided to indulge his father Woody (Bruce Dern), who is struggling with dementia and thinks that he can pick up his $1 million in winnings from a magazine distributor in Lincoln. En route, they stop for the weekend in Hawthorne, Dern's hometown, where they're joined by his wife (June Squibb), and his other son (Bob Odenkirk) amidst your stereotypical Midwestern relatives and friends, all of whom are extremely interested to learn that there's now a millionaire before them.

The central relationship between Dern's stubbornly gullible dad and Forte's passively irritated son gradually deepens as the movie makes its way through middle America. What makes the film such a delight to watch are the individuality of its characters. Each one is fun to watch in their own right; the father's relentless determination, the mother's humorous outbursts, and the son's sympathy and desire to bond with his father. "Nebraska" reaches an emotional conclusion that echoes of "About Schmidt" and "The Descendants" (2011) with an underlying sense of lives largely squandered, but handled with grace and finesse that feels innately genuine. "Nebraska" is another finely tuned, superior slice of cinema crafted by Alexander Payne who achieves a more mature, sentimental tone than previous films. The all-around marvelous performances from the cast and supporting non-professional actors add an unmistakable authenticity to this slice of Americana.