Modern Love Mumbai

Modern Love Mumbai (2022) Review :

Amazon Prime's latest anthology series, Modern Love Mumbai, has multiple love stories combined together. It's a nuanced take on modern issues like homosexuality and acceptance, a modern-day millennial love, a mother-son Asian duo, lost-love and grief, finding independence and breaking free; all set against the backdrop of love.

1) My Beautiful Wrinkles - A poetic tale that teaches young ones to believe in themselves, and seniors to be proud of their wrinkles.

My Beautiful Wrinkles is about a widow, Dilbar (Sarika), who has lost her lover in a car accident. She has closed all the two uses of love in her life. She even tells her old-age girlfriends this. In one of the dialogues, she says, "Somebody should tell her that she is 63." Her friend (Navneet Nishan) replies, "There's no age for love." Dilbar regularly meets a young boy, Kunal (Danesh Razvi), to build his confidence for job interviews. After several meetings, he opens up to her and shares his feelings towards her. What happens next is all revealed in this 37-minute short film. My Beautiful Wrinkles gives a good message to both young and aged people about love and affection. This isn't the first time we've seen it. We saw the same theories in Dil Chahta Hai (2001) and Cheeni Kum (2007), but here the conclusion is different and effective, too. Sarika and Danesh look very natural throughout the narrative. Sarika looks gorgeous and stays relevant even with those pauses and slow motion scenes that haven't got any dialogue. Danesh is damn organic in some scenes, especially the very first scene when he has to sound nervous. Alankrita Srivastava's tale is pure at heart and noble when it comes to urban people who actually go through such crises in their lives. The poetic narration with that constant score playing in the background makes the viewing experience rich. As a whole, My Beautiful Wrinkles is a beautiful tale that deserves to be watched by two different generations together.

RATING - 7/10*

2) Baai : An LGBT romance goofed up with Baai's ultimate tragedy.

Hansal Mehta's Baai is about a young musician and singer, Manzu (Pratik Gandhi), who happens to be gay. He finds a perfect partner in the form of Ranveer (Ranveer Brar), who is a famous chef. Manzu's parents are ashamed of his sexuality and they prevent him from telling this to Baai (Tanuja), the owner of the house. The 42-minute short film is set in the Muslim Ghetto and had the potential to explore religious hatred, but because of its sexually advanced love story, it avoids the socially challenging topic. The climax doesn't really prove anything that can be called fulfilling because the pre-climax portion very much sums up things for the viewers. The narrative is slow and boring on occasion, but the performances of Pratik Gandhi, Tanuja and Ranveer Brar keep it steady. Mehta's direction is fairly decent, but doesn't offer anything up to the level. Overall, Baai is a decent watch for adults, but nothing too great.

RATING - 5/10*

3) I Love Thane : Just another age-gap love story with a beautiful reference to nature.

Set in the gorgeous locations of Thane, Dhruv Sehgal's I Love Thane is about Saiba (Masaba Gupta), who is 30+ and single. She is fed up with being alone and starts dating boys of different age groups but finds no one perfect. Then, she meets Parth (Ritvik Bhowmik), an audit officer at BMC who was once her junior, and love blossoms between the two. I Love Thane is a very simple tale and a bit trite in its content. Love with a small age-gap is too mainstream, and maybe that's why it hasn't got anything else to show. The English dialogues capture the urban culture very well, and Masaba Gupta looks like a proper city girl. She does look dull in a couple of scenes, but the rest of the time she is fine. Ritvik Bhowmik hasn't got a challenging role to play here, but he is quite simple in that simple role. Sehgal's vision to make a regular story set in urban characters is more about its beautiful scenery than its script, so as a whole it makes nothing but a one-time watch experience.

RATING - 5/10*

4) Mumbai Dragon : A traditional tale of a mother's unconditional love set against a modern community battle in Mumbai.

Vishal Bhardwaj's Mumbai Dragon is set in dark Mumbai - at least that's how it looks on screen because most of the scenes take place in Night. Sui (Yeo Yann Yann) loves her son Ming (Meiyang Chang) too much and is very possessive about him while being one of the rare left Indo-china species who is trying to keep the community alive. Despite her extra care, Ming falls in love with a Gujju girl, Megha (Wamiqa Gabbi), and they continue a live-in relationship. Mumbai Dragon is all about a mother's unconditional love for her kid, while the rest of the narrative tries to push in an outdated zone of 70s tragic family dramas. However, Vishal Bhardwaj makes sure that he ends it on a positive note and does not forget to pull off the best from the actors. Yeo Yann Yann is hilarious as a protective mother, whereas Meiyang passes with decent grades. Wamiqa Gabbi's glamorous avatar and accent will make you fall in love with her. In the meantime, you have Naseeruddin Shah appearing in a sweet cameo. In a nutshell, Mumbai Dragon is a nice, modern attempt at the old theories of mother-son relationship issues.

RATING - 6/10*

5) Raat Rani : Fatima Sana Shaikh rises twice like the Sun and the Moon in a single narrative that has a great inspiring message of woman empowerment.

Lalzari, played by Fatima Sana Shaikh, is a loyal wife to Lutfi (Bhupendra Jadawat), but she is a little weird and wild. She has a fire inside her but never realises it, until one day when Lutfu abandons her. She, then, discovers a new life of her own and makes a free, self-reliant woman out of herself. Fatima Sana Shaikh has a blast playing Lalizar. Just like Jasmine, she spreads her aroma through the Raat Raani and gives one of the best performances of her career to date. There's a quote, something like, "Rise twice in a day like the sun and the moon," that unknowingly describes her character and her performance as well. Bhupendra, as her husband, looks natural, and Dilip Prabhavalkar is pleasant. Shonali Bose delivers an inspiring tale of female empowerment, but more than others, it's about realising it by yourself. That makes it special. A few flaws in the middle put it down for a while, but then Raat Raani rises again at the end. In short, an encouraging tale of finding independence and breaking free.

RATING - 6/10*

6) Cutting Chai : The most relevant, compatible, and happening love story in the entire series.

Written and adapted by Devika Bhagat, and by Nupur Asthana, Cutting Chai is about Daniel (Arshad Warsi) and his wife, Latika (Chitrangda Singh), who have been married for 17 years. Latika is an aspiring writer and wants to finish her novel, but she hasn't got time to do so in 17 years of marriage as she was too busy with housewife things. Daniel loves Latika, but he's too busy to give her quality time and is always late for everything. This is quite a happening story for every married couple nowadays. That's why it makes a quick connect. I was literally out of the race during the middle of the narrative as the psychological stuff and backdrop were looking too unconvincing, but then came a terrific conclusion that made me fall in love with Cutting Chai. Chitrangada Singh and Arshad Warsi share great chemistry in this short film, and that's one of the best reasons to recommend Cutting Chai to you. Asthana's direction is a little messed up in the middle, but overall gives justice to Devika's writing - especially the climax. As a whole, Cutting Chai is arguably the best short in the entire series and unarguably the most relevant and happening tale.

RATING - 7/10*

OVERALL RATING - 6/10*

Modern love:mumbai is a comedy romance show consisting of 6 different stories. Here are the positives and negatives.

Raatrani: it is directed by shonali bose. Fatima sana sheikh has given an outstanding performance. She got a sweet and naive kashmiri character and did full justice to it. Her accent was well worked upon and she didn't miss a beat in the runtime. The metaphor of crossing a bridge and moving on is so beautifully and artistically done. And if you are stressing upon the title watch it and you will get to know.

Baai:it is directed by hansal mehta. Who wouldn't want to see the jodi of pratik and hansal together again?(laughs) they have done it again together. Pratik gandhi has touched upon the nuances of a gay character beautifully. Does not come as stereotypical or cliche but just genuine. Ranveer brar too as his partner is so so good. The dialogues are so well written. The one shot sequence of the 1992 bombay riot was excellently done.

Mumbai dragon:this is directed by vishal bhardwaj. Yeo yann yann is so brilliant man. Such a pure character and she has played it beautifully. Meiyang chang and wamiqa gabbi do their roles as given. The humour was on point in this episode. Also it has given such a poke on the racism that is present towards the mongolian face-cut people. This is a brilliant story with an ever so brilliant ending. Just keep your brain working towards vishal sir's craft.

My beautiful wrinkles:it is directed by alankrita shrivastava. Such a mature take on the sexual desires of two individuals from two different age groups. Brilliantly acted by sarika as well. Danesh razvi also did his best portraying a nervous yet bold character. There are some problems in the screenplay though, it stretches a bit.

I love thane:-this is directed by dhruv sehgal. Masaba gupta is growing and growing as an actor. Such an understated performance. Ritwick bhowmick is just brilliant all along. He can be a star in the upcoming years. But the story here looks a bit superficial i would say.

Cutting chai:this is directed by nupur asthana. Arshad warsi and chitrangada singh do a fine job here no doubt but the story lacks the punch. There is a brilliant conglomeration too between all the leads from all the stories but still is not enough. This needed some more good writing tbh.

This is altogether a wonderful show. I rate it 8 out of 10.

Nice stories.

Realistic and very relatable.

All stories are unique, some a little offbeat but worth watching Individual stories, woven together at the end.

Would love to watch more of these.

All stores in this series start with good subject but slowly looses the plot. Except for the peppy and hilarious Mumbai Dragon & a bold but realistic My Beautiful Wrinkles, there's nothing much going on in the rest of the stories.

Vishal Bhardwaj does an awesome job with the age old subject the relationship between a mother her son and the son's partner.

Alankrita Shrivastava also beautifully handles the topic of love and romance and the expectations around it especially when there is a big age gap between the participating couple.

All actors have tried to give their best but its the writing and the overall treatment that a let down.

I would say its an honest attempt to show something fresh but still lacks the emotional punch.

This series could have been any city. Why did they name it Modern love mumbai ? Nothing mumbai about the series. Good attempt . But if you are naming it mumbai - expected more of the city in stories.