CALIFICACIÓN DE IMDb
7.8/10
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TU CALIFICACIÓN
La historia de una amistad inusual entre un oso, Ernest, y una ratoncita llamada Celestine.La historia de una amistad inusual entre un oso, Ernest, y una ratoncita llamada Celestine.La historia de una amistad inusual entre un oso, Ernest, y una ratoncita llamada Celestine.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 15 premios ganados y 15 nominaciones en total
Lambert Wilson
- Ernest
- (voz)
Léonard Louf
- Léon
- (voz)
Dominique Maurin
- Chef de clinique
- (voz)
- (as Dominique Collignon)
Perrette Pradier
- Infirmière en Chef
- (voz)
- (as Perette Pradier)
Pierre Baton
- Juge Rat
- (voz)
Vincent Grass
- Chef policier Ours
- (voz)
- (as Vincent Gras)
Opiniones destacadas
Reviewed by: Dare Devil Kid (DDK) Rating:3.8/5 stars
Simplistic, sublime, superlative. Classic hand-drawn animation set against a picturesque Parisian background that is filled with an ambiance of great human divide and strong social references. At the heart of this wonderful tale is an endearing story of true friendship that withstands all odds to not only emerge triumphant but also infuse others around them and even the cynics who watch the film to have a change of heart. This soaring tale of friendship also brings forth a profound social commentary told with subtle metaphorical actions, which resonate brilliantly with our own state of human affairs.
Simplistic, sublime, superlative. Classic hand-drawn animation set against a picturesque Parisian background that is filled with an ambiance of great human divide and strong social references. At the heart of this wonderful tale is an endearing story of true friendship that withstands all odds to not only emerge triumphant but also infuse others around them and even the cynics who watch the film to have a change of heart. This soaring tale of friendship also brings forth a profound social commentary told with subtle metaphorical actions, which resonate brilliantly with our own state of human affairs.
a splendid link between use of water colors and the story. a delicate manner to use a book adaptation for remind, in a precise, gentle, lovely style importance of relationship. a film who must see it not only for its message but for the fascinating art to resurrect the childhood flavor in old fashion manner. a movie about friendship , meeting between humor and drama, a form of fable and a lesson about image of the other. a small gem because the voices, the images, the story are not more important/beautiful/realistic but only part of an unique state of soul. an isle in middle of 3D waves, it is honest and warm and nice. but, more important, it is a kind of travel out of reality pressure as a reading fairy stories book in evening. in fact, a remember about small details who defines humanity.
Ernest And Celestine is a fantastic story that presents us a friendship that shouldn't happen, but against all odds prevails. Celestine is a young mouse that is curious about the world above and has a knack for art. Unfortunately for her, the mice around her wish to see her become a dentist as it is more her position in society. Almost alike, above the sewage an oaf like bear named Ernest longs to become a performer, but upon his family's wishes to become a judge, he ultimately ends up living in poor conditions and with his aspirations frowned upon. When they meet they will shake the foundations of the place they live in. This tale is classic storytelling and features interesting characters to root for. This friendship seems very real because the personalities involved are genuinely kind and don't agree with the way life is lived. The animation is very simple yet beautiful. Against more grand animation works, Ernest And Celestine still stands out with its endearing story and overall is a pleasure to watch.
Rating: 7,5/10
Rating: 7,5/10
Anybody who loves animation and just want to see one that warms your heart and moves, charms and entertains you, you have met your match with Ernest and Celestine. With me, out of all the films, animated and otherwise, viewed recently Ernest and Celestine stood out as one of the most beautiful. The animation, with its water-colour/ story-book look, is just lovely to look at and is imaginative while keeping things simple. The is sensitively orchestrated and unobtrusive, one of those music scores that you can listen to more than once and still find it memorable and appealing. You can't argue with the way Ernest and Celestine is written, it has a poetic simplicity that children and adults alike can understand with no problem. The unlikely friendship angle is a familiar one but that doesn't matter when Ermest and Celestine deals with it with so much warmth and heart. You can genuinely feel the relationship/friendship between the characters, and throughout the simple but never too simplistic story is both charming and touching, cute as well(I admit it that I did feel a lot of emotion watching). The characters are just as engaging as the writing, you can identify with them and their friendship and situation and it is easy to like them. They are nimbly voiced too. Overall, a sublime animated film that takes a familiar concept and does it with simplicity and doesn't rely on fart jokes, profanities, slapstick or crude toilet humour, instead allowing the story and friendship between the titular characters to come through and come through they do, and marvellously. 10/10 Bethany Cox
10RforFilm
It's interesting how studios and creative people would assume they know what people want. Disney knows that people want to see fairy tale stories and grand animation making the way for memorable characters and catchy songs. Warner Brothers knows that people want to see really fast animation alongside some good visual gags as perpetrated by unique charters with a lot of heart. Most other studios seem to copy either formula in their own projects. It's not too bad of an idea as long they can make their movies just as original and unique (projects like Despicable Me or Cloudy With a Chance of Meatballs).
But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.
In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.
She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.
As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.
Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.
I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.
But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.
In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.
She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.
As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.
Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.
I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.
¿Sabías que…?
- TriviaIn the little bear's room that Celestine finds her way into towards the beginning of the movie, there is a poster for the director's previous film Panique au village (2009).
- ErroresWhen the stolen van's camouflage paint job washes off and the van rolls back into town, it leaves a trail of paint that leads the police right to Ernest and Celestine's house. The rain, however, should have washed away the trail of paint, too, and left no way to follow it back.
- ConexionesFeatured in Troldspejlet: Episode #50.13 (2014)
- Bandas sonorasErnest's Song
Music by Vincent Courtois
French lyrics by Thomas Fersen
English lyrics by Todd Edwards
Performed by Forest Whitaker
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- How long is Ernest & Celestine?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Ernest & Celestine
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 9,600,000 (estimado)
- Total en EE. UU. y Canadá
- USD 262,075
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,078
- 2 mar 2014
- Total a nivel mundial
- USD 8,170,333
- Tiempo de ejecución1 hora 20 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Ernest et Célestine (2012) officially released in India in English?
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