Turn Me On

Under the control of a pill that eradicates human emotion, a young couple skip doses and discover new feelings, but realize that comes with emotional baggage to deal with.

I found this film to be a bit like Lord of the Flies: a case could be made easily to prove it is utopian, as well as dystopian. I guess the idea is that utopia exists by ensuring 'vitamin' taking by everyone takes away all of the emotions that lead us to be 'not content', therefore making our lives great.

But as Joy (Bel Powley) finds out, not taking the so called vitamin -in reality some kind of SSR drug- can actually lead to feelings and enjoyment and excitement and love, all the things that we enjoy about being human.

So the conundrum is, take the pill and be forever content without ever really knowing or experiencing anything? Or don't take the pill and enjoy all that life has, but including the bad bits.

Sadly it does not offer that much in terms of thought provocation and most of what it does offer has been done very ably many times in the past.

It's a great part for Bel Powley, not so much for the rest of the cast. Production was pretty average as was directing, putting this firmly into B movie territory except for Powley's performance which is always A list.

I gave it a 5 but it's not a film I'd ever bother watching again.

This movie gives Logan's Run vibes, mashed up with the book Brave New World, and then introduced to Black Mirror. I also feel a resemblance to the TV series Severance.

Acting, sets, costumes, concept, and plot are all great. I like the characters and their development. Well executed. I'll be watching this again on my own another time.

If you enjoy a Thought Experiment, this one's for you. It is Dystopian and has a hard to place historical time line. It feels like it might be a commentary on Capitalism as well as a social critique on drug usage to numb difficult Growing Pains and Adult Emotional Growth.

I thought it was okayish at first, but then when I started writing this review, I considered few additional things and I must say it actually exceeds what I initially thought about it.

It has a mystery, it explores important social topics, it makes assumptions about human future and our possibilities.

Everyone probably imagined at least once how they could leave their life behind and just emerge in another place.

But why would people want to always feel content?! Honestly, even uneducated or silly people know that life is a rollercoaster and you can't really experience joy without knowing what sadness is.

I think nature in its most basic wisdom will prevent humanity from going down this portrayed way, instead of getting rid of these things we all should just learn to handle them better.

Many people nowadays abuse anxiety drugs, tranquilizers - they basically give this same effect - make people content, but I really don't think it's good for you unless it's a targeted medical attack on a psychological problem person has.

Initially I was disappointed in the ending, I thought it was abrupt and lazy. But then I thought about what was said earlier in the movie and what actually happened.

This is a spoiler-free review, so I will not give away the details, but I think now that this ending is quite much smarter, that I expected.

Yes it's low budget, yes an old theme like everybody drugged up. It's sort of a remake of Brave New World. Clearly designed for an American audience so no goof about pronunciation (vitamin, elevator, faucet etc.) but not that bad. And worth a watch. It's an interesting take on an old idea. It can seem slow but that's the point when you are taking the vitamin your "off".

A good twist at the end, stay with it, it has a very good ending if predictable. Enjoy the 90 odd minutes it long enough to tell the story but unlike a lot of modern two hour plus films does not have any scenes that seem to be there just to pad out the story.

In low-budget, self-satisfied Dystopian drama "Turn Me On" Bel Powley & Nick Robinson (both rising stars btw) are paired in an experimental society where past-life memories & meaningful emotion are suppressed by a daily drug, resulting in a permanent 'pleasant contentedness' that's drama-free yet as blandly drab as the society's deadly dull surroundings - but then Powley stops taking the drug... Its theme isn't original, but unlike the likes of "Logan's Run" or "The Island" it sinks into the very bleak blandness it's intending to decry. Writer Angela Bourassa & director Michael Tyburski screwed the pooch on this borefest. "Turn Me On" it did not. A turd. Flush it.