Exile
- Miniserie de TV
- 2011
- 1h
CALIFICACIÓN DE IMDb
7.3/10
2.1 k
TU CALIFICACIÓN
Una historia de padre e hijo, con un motor de thriller. Explora un misterio del pasado con una revelación brutal e impactante.Una historia de padre e hijo, con un motor de thriller. Explora un misterio del pasado con una revelación brutal e impactante.Una historia de padre e hijo, con un motor de thriller. Explora un misterio del pasado con una revelación brutal e impactante.
- Nominada a2premios BAFTA
- 3 premios ganados y 4 nominaciones en total
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Opiniones destacadas
A prime candidate for a 'If you've been affected by any of the issues raised in this programme' tag, Exile sees Simm's disgraced hack flee to his Lancashire hometown for the first time in 18 years, to discover his once idolised reporter dad destroyed by Alzheimer's – along with a hideous buried scandal.
Befitting the title, both father and son are exiles – from their careers, from sense, from truth; here, investigative reporting makes a fine metaphor for a crusade against the corruption of memory, and the pursuit of identity itself.
Essentially a three-hander between Simm (cornering the brooding everyman corner), the wonderful Colman (playing it straight) and the mighty Broadbent, the latter's portrayal of this terrible condition must be among the most devastatingly accurate ever placed on screen. Shocking and extremely moving, with a final scene that's – ironically – quite unforgettable.
Befitting the title, both father and son are exiles – from their careers, from sense, from truth; here, investigative reporting makes a fine metaphor for a crusade against the corruption of memory, and the pursuit of identity itself.
Essentially a three-hander between Simm (cornering the brooding everyman corner), the wonderful Colman (playing it straight) and the mighty Broadbent, the latter's portrayal of this terrible condition must be among the most devastatingly accurate ever placed on screen. Shocking and extremely moving, with a final scene that's – ironically – quite unforgettable.
This is a high quality, dark psychological drama, with the odd blackly comic moment thrown in, and well worth spending 3 hours on. It's beautifully shot with some stunning locations, and the performances of John Simm, Jim Broadbent and Olivia Coleman (particulary John Simm) are utterly compelling.
John Simm's character, Tom, spectacularly messes up his life and career as a journalist in London, and goes back home to Lancashire. He finds his retired journalist dad, whom he idolised as a child, to be suffering from dementia and being cared for by his sister. It turns out he had a sudden, violent and catastrophic falling-out with his dad many years ago which led to him fleeing to London, and now he is back home he becomes determined to get to the bottom of what happened to cause the fall-out. This proves more complicated that he thought, mainly due to his dad's mental capacity - however by the end, he does manage to piece the devastating truth together, and as with all the characters John Simm plays in such a believable, 'everyman' way, we root for him the whole time, even though his character is not saintly by any means.
My only beef with this would be that the script and plot do contain some real clichéd moments, and you do have to suspend a bit of disbelief about how relatively easy it is for Tom to locate some of the key characters and certain bits of information about the past. That being said, it's the excellence of the actors' performances that totally clinch this for me.
If, like me, you're a fan of Mr Simm, you will not be disappointed in this.
John Simm's character, Tom, spectacularly messes up his life and career as a journalist in London, and goes back home to Lancashire. He finds his retired journalist dad, whom he idolised as a child, to be suffering from dementia and being cared for by his sister. It turns out he had a sudden, violent and catastrophic falling-out with his dad many years ago which led to him fleeing to London, and now he is back home he becomes determined to get to the bottom of what happened to cause the fall-out. This proves more complicated that he thought, mainly due to his dad's mental capacity - however by the end, he does manage to piece the devastating truth together, and as with all the characters John Simm plays in such a believable, 'everyman' way, we root for him the whole time, even though his character is not saintly by any means.
My only beef with this would be that the script and plot do contain some real clichéd moments, and you do have to suspend a bit of disbelief about how relatively easy it is for Tom to locate some of the key characters and certain bits of information about the past. That being said, it's the excellence of the actors' performances that totally clinch this for me.
If, like me, you're a fan of Mr Simm, you will not be disappointed in this.
Given the well known actors involved in this drama, I had high hopes and they were not disappointed. All of the main characters were played fantastically well and it felt real. My mum has Alzheimers and I did wonder whether I would be "up" to watching something that was obviously so close to home, but the illness as a main strand of the story was treated with sensitivity and humour. Jim Broadbent was amazing in the role as the ill dad, and John Simm and Olivia Colman were both fantastic in their roles as wayward son and put upon daughter. The mystery surrounding the sudden departure of Tom to London 18 years earlier developed well as the storyline moved on. Similarly to another reviewer I did think that the ending was somewhat hurried, but all of the loose ends were well and truly tied, and it didn't detract from the overall quality. I'll be making a DVD purchase when it's released.
Exile did look very interesting, and of course I'd watch anything with Jim Broadbent in it. But in all honesty, I was not expecting it to be this good. Exile was both an intense and moving drama and actually one of my personal favourites of this year so far. It is beautifully and stylishly filmed, the story really gripped and moved me and the writing is superb, while it is always reflective and involving with the more intense parts genuinely so it also makes some good relevant points without feeling too unsubtle. The direction is also very good, it helps move the drama along nicely-Exile I found very well-paced from the start- and some of the camera shots are among the best I've seen in any drama so far this year. The characters are also very rich and well-written and realised, especially with Nancy and you do feel a lot of sympathy for Sam too. The acting is outstanding, here John Simm breaks away from his typecast persona and delivers a more gritty, hard-nosed and intense performance which he does splendidly. Olivia Colman has a ball playing her rich character and Shaun Dooley and Timothy West are great to watch. But special mention has to go to Jim Broadbent, based on personal experience Broadbent's portrayal of an Alzheimers-sufferer is just heart-wrenching. All in all, brilliant drama with outstanding acting and strong emotional impact, not to mention a harrowing ending which profoundly affected me even long after the drama was over. 10/10 Bethany Cox
¿Sabías que…?
- ConexionesFeatured in Breakfast: Episode dated 28 April 2011 (2011)
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