Gold

Essentially, 'Gold' is an old fashioned adventure movie. A hostile environment, changing fortunes, shifting alliances, unexpected adversaries, a seemingly betrayed friendship: it's all there. But the setting is out of the ordinary: it's the financial world with millions of dollars pumped into promising mining stocks. But those millions can just as quickly be withdrawn when the prospects change.

The adventurer in the midst of it all is Kenny Wells, son of a Nevada gold prospector and heir to an almost bankrupt mining company. In an all-or-nothing attempt, he travels to Indonesia for a meeting with a legendary drilling expert. The next step is to find the money required for the drilling. What follows, is a roller-coaster ride of successes and setbacks.

Matthew McConaughey is amazing as Kenny Wells, a raving maniac with a fearless can-do mentality and a complete lack of respect for Wall Street hotshots or mining moguls. This is one of his best roles ever, and it's worth an Oscar. You can see the doubt in the eyes of everyone he meets: is this a madman who doesn't know what he's up to, or a go-getter who doesn't give up until he reaches his goal? Wells is both, and McConaughey makes his complex character completely believable.

There are some extra layers in the story underlining this complexity: the relationship with his wife Kay, and the friendship with his business partner Mike Acosta. The latter is responsible for the spectacular ending of the story, with a really nice surprise in the last seconds.

The whole story is based on the Bre-X scandal, which hit the worldwide headlines in the nineties. Some details are changed, but on the whole the story follows the real events pretty accurate. The scandal was a prime example of excessive capitalist greed, and the film is a nice reminder of it.

Inspired by the Bre-X scandal, it's 1988 Reno. Hard drinking Kenny Wells (Matthew McConaughey) and girlfriend Kay (Bryce Dallas Howard) are struggling. He's a lifelong wildcat prospector working for his respected father until his sudden death. With nothing left in business, he goes to Indonesia and connects with geologist Michael Acosta (Édgar Ramírez) who has a revolutionary theory. They head into the jungle and become gold mining legends.

I do remember Bre-X. Some of it came back to me along with the movie. I remember one of the reporters telling the story of a souvenir core sample. They handed out samples to reporters and investors. As the scandal broke, they went back to test those samples. I think there is a missing character. It needs an investigative reporter who uncovers the scandal. Kenny and Kay's breakup seems abrupt. The second half seems a bit rushed although the two hour running time probably forced some cutting. McConaughey may be trying too hard shooting for an award. There is a compelling character story here if not fully realized as a thriller.

What got me about this flick, was the whole risk element. When your at your very lowest, with nothing left to lose, then risking everything, isn't too difficult. Matthew McConaughey is brilliant as he always is. The mystery of his ability is different from other actors. He looks, talks and seems very much the same in all his roles, yet somehow makes you believe he is that person. Bryce Howard also gives a good performance. Her physical appearance is trans-formative, and you clearly would never recognize her. This movie combined the elements of a treasure hunt, and the allure and adventure of the find, with a corporate thriller. Realism, however, prevents me from going higher. I'm already stretching it with rating it an 8. The strange ups and downs that happened, along with the not so surprise of an ending, is the stretch that leaves it at the 8 point. Nonetheless, its highly entertaining, and I recommend it just as highly.

First of, Gold is better than its IMDb rating and meta-score. I feel this movie is a victim of the studio going wild with a pair of scissors, trying to make it short(er) (even at 2 hours) to please the mainstream audience, but while doing that, this movie loses a lot of substance. Character development is lacking, apart from our protagonist, so it doesn't really feel like we get to know them. One moment we have a new (seemingly an important) character, and then he or she will either disappear or roam in the background. I guess that happens when you start cutting. I suspect there's a great version of this movie out there, and I'd rather watch a 3 hour version with everything included, than this. The movie also takes place in the late 80's(?) or early 90's, but I don't feel like time was important here, which makes things a little confusing. I have no idea if they've been at something for a week, a month, or five years.

The whole movie also feels a little rushed in the sense that it tries to get to the end as quickly as possible. It lacks the details; Slow down a little, speak to us, breathe. I want to know more, I want to see more, but it ends up being a National Geographic article instead of a book.

It's far from bad though, and it's an enjoyable watch. Just don't go in expecting a masterpiece.

A few years ago a performance like the one Matthew McConaughey delivers here in Stephen Gaghan's based on a true tale Gold would've created quite a stir.

It's a credit to the actor, who resurrected his career from the doldrums of so-so romcoms, Surfer Dudes and other forgettable affairs to all of a sudden become an Oscar winning and HBO headlining legend but with that career revival has come an expectation that McConaughey going method and fully inhabiting his characters is the normal and therefore less of an event that it was, a mere few years ago.

No more so evident than in the fact Gold came and disappeared with very little fanfare in the awards season rush at the end of 2016, McConaughey chewing up the scenery wasn't enough to draw people into the cinemas, as the beer bellied, hair thinning and sweaty thespian found himself being the best thing about a so-so film that never feels completely assured of itself.

Telling the rather complex story of struggling 1980's American prospector/mining magnate Kenny Wells, who found fame and wealth by teaming up with prospecting master Michael Acosta in the jungles of Indonesia, Syriana director and Traffic screenwriter Stephen Gaghan never pieces together the many various elements of Well's story into a satisfactory whole as events come and go and Well's journey takes its twists and turns.

As is with any film in the vein of Gold, it's always a fine balance for a filmmaker to strike the perfect line between pandering to an audience or keeping them in the dark and unfortunately for Gold there ends up being too many times where we're left in the lurch a little by the plights affecting Well's while some scenes in the film that feel hugely important to the whole scheme of things, often feel underutilised or passed over which leaves the trials and adversities of this American mogul emotionally unengaging.

What can't be denied in the film however is the aforementioned work of McConaughey, who's a joy to watch as Wells, the car crash waiting to happen.

In a loaded cast that includes an underused Bryce Dallas Howard as Well's long-suffering girlfriend Kay, Edgar Ramirez as Acosta, Corey Stoll as Wall Street player Brian Woolf and Toby (needs a new agent) Kebbell as FBI investigator Paul Jennings, McConaughey stands head and shoulders above the rest and while its far from his best turn over recent years, it's a quality actor that can deliver such above average performances on cue, as McConaughey does here.

Sometimes clad in nothing more than some worn-out white underpants or looking dishevelled beyond belief, McConaughey's turn as Well's deserves a better film and showcases what might've been for Gold had it managed to match the chaotic nature of its main character and the commitment of its on form leading man.

Final say –

Digging up another memorable McConaughey turn, Gold doesn't strike it rich due to tonal issues and a lack of emotional engagement but Gaghan's slightly disappointing film is still an often intriguing true story made all the better by the work of its leading man.

3 pot bellies out of 5