CALIFICACIÓN DE IMDb
5.3/10
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TU CALIFICACIÓN
Inculpada de asesinato tras destapar un escándalo de privacidad, una hacker ética debe eludir a la policía.Inculpada de asesinato tras destapar un escándalo de privacidad, una hacker ética debe eludir a la policía.Inculpada de asesinato tras destapar un escándalo de privacidad, una hacker ética debe eludir a la policía.
- Dirección
- Guionistas
- Elenco
Géza Weisz
- Thomas Deen
- (as Geza Weisz)
Kyra Isako Smith
- Yu-Jin
- (as Kyra Smith)
Opiniones destacadas
Entertaining little Dutch thriller which doesn't outlast it's welcome. Holly Mae Brood plays Mel, a computer hacker who annoys the wrong people. She's framed for a murder she didn't commit and the only person who can help her is Buddy (Frank Lammers). It's all about facial recognition and what can happen when the technology gets in the wrong hands. Mel and her boyfriend Thomas (Geza Weisz) have to get the information that will prove her innocence to the police. She's chased by the murderous Rogers (Lawrence Sheldon) but gets away before the police capture him. It all ends in a runaway driverless bus and Mel and Thomas save the day before the bus crashes. Enjoyable little film, been done before but likeable all the same.
Good lord is this bad. The acting is painfully forced, the hacking scenes are not even remotely realistic. Like a scrolling terminal that is too quick to read, and the guy is hammering away at a keyboard. I'M HaCKinG!! Ugh so bad.
At one point the protagonist say's she is going to have dinner with "a guy" and her lady friend (Who we never see again) ask's "is it a creep?". The protagonist then shows a mere photo of the guy at which point the lady friend says: "Oh, so not a creep" It is suggested that because the guy is cute, he's not a creep. Good lord...
The tropes, the cliches, It's all just painful to watch. I did it, so you do not have to. Skip this one.
At one point the protagonist say's she is going to have dinner with "a guy" and her lady friend (Who we never see again) ask's "is it a creep?". The protagonist then shows a mere photo of the guy at which point the lady friend says: "Oh, so not a creep" It is suggested that because the guy is cute, he's not a creep. Good lord...
The tropes, the cliches, It's all just painful to watch. I did it, so you do not have to. Skip this one.
No pun intended - also numbers not taking over ... I think. But my impossible to follow train of thoughts aside, the movie is quite easy to follow. Actually so easy that some got bored (I see you and I totally understand) - this is not really a movie that will have many surprises for most viewers.
If you like thrillers though you may not care too much. European thrillers - now there are way better ones than this one. Still there are some interesting choices in story and characters development. Cliches are being thrown at us, but that is something to be expected. As is the ending and many other things here ... again, do suspend your disbelief and go with the flow ... if you can.
If you like thrillers though you may not care too much. European thrillers - now there are way better ones than this one. Still there are some interesting choices in story and characters development. Cliches are being thrown at us, but that is something to be expected. As is the ending and many other things here ... again, do suspend your disbelief and go with the flow ... if you can.
I've tried so hard lately to find good movies on Netflix or Hulu and most stuff I've seen is just crap, especially nearly all action movies. For The Takeover I thought the plot and story were good, the pace was good, and it stayed interesting from beginning to end. The acting was fine and did not distract. This was an entertaining movie with a great central actress.
The criticisms I'm skimming through are uninteresting to me. I don't care about the authenticity of "the hacking scenes." I was expecting something cringe-worthy but it never came.
It's not winning any Oscars but I found this interesting and entertaining for what it is. As long as you don't come in expecting Mad Max Fury Road you can have a nice 85 minutes. I liked it.
The criticisms I'm skimming through are uninteresting to me. I don't care about the authenticity of "the hacking scenes." I was expecting something cringe-worthy but it never came.
It's not winning any Oscars but I found this interesting and entertaining for what it is. As long as you don't come in expecting Mad Max Fury Road you can have a nice 85 minutes. I liked it.
The Take Over (2022) presents a riveting techno-thriller centered around an ethical hacker who finds herself framed for murder after uncovering a privacy scandal. As she becomes a target of both law enforcement and the criminals blackmailing her, the hacker must navigate a treacherous landscape, evading the authorities while striving to uncover the truth and bring the perpetrators to justice.
The plot weaves a compelling tale of suspense, intrigue, and high-stakes cat-and-mouse games, keeping audiences on the edge of their seats throughout. The protagonist's portrayal, brought to life by the talented lead actress, captures the character's resilience and determination as she grapples with the daunting challenges thrust upon her. The supporting cast delivers strong performances, adding depth and tension to the narrative as the protagonist races against time to clear her name and confront the shadowy forces working against her.
Visually striking, The Take Over captivates with its portrayal of the hacker's digital world, seamlessly blending sleek cinematography with a pulsating musical score that heightens the film's tension and urgency.
Director Simon Kinberg adeptly crafts a narrative that delves into the ethical dilemmas inherent in the digital age, skillfully combining elements of suspense, action, and psychological thriller. The film's well-paced storytelling and seamless editing maintain an electrifying momentum, ensuring that viewers are fully immersed in the protagonist's harrowing journey.
In conclusion, The Take Over is a captivating exploration of technology, power, and the resilience of the human spirit in the face of overwhelming odds. With its compelling characters, intense thrills, and a plot teeming with unexpected twists, The Take Over is a must-see for fans of gripping, high-tech thrillers.
The plot weaves a compelling tale of suspense, intrigue, and high-stakes cat-and-mouse games, keeping audiences on the edge of their seats throughout. The protagonist's portrayal, brought to life by the talented lead actress, captures the character's resilience and determination as she grapples with the daunting challenges thrust upon her. The supporting cast delivers strong performances, adding depth and tension to the narrative as the protagonist races against time to clear her name and confront the shadowy forces working against her.
Visually striking, The Take Over captivates with its portrayal of the hacker's digital world, seamlessly blending sleek cinematography with a pulsating musical score that heightens the film's tension and urgency.
Director Simon Kinberg adeptly crafts a narrative that delves into the ethical dilemmas inherent in the digital age, skillfully combining elements of suspense, action, and psychological thriller. The film's well-paced storytelling and seamless editing maintain an electrifying momentum, ensuring that viewers are fully immersed in the protagonist's harrowing journey.
In conclusion, The Take Over is a captivating exploration of technology, power, and the resilience of the human spirit in the face of overwhelming odds. With its compelling characters, intense thrills, and a plot teeming with unexpected twists, The Take Over is a must-see for fans of gripping, high-tech thrillers.
¿Sabías que…?
- TriviaThe character Mel B is not based on the real life Spice Girl, Mel B.
- ErroresIf Mel's Trojan Horse disabled all companies connected to the Chinese front, it should have disabled the bus company's as well.
- Citas
Janey van Ierland, Director Content Acquisitions Benelux & Nordics: The Takeover is our first Netflix Original action film from Dutch soil. Under the direction of Annemarie van de Mond, we are very much looking forward to launching a new Dutch film in this genre about a very topical subject.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Takeover
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 200,000 (estimado)
- Tiempo de ejecución1 hora 27 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.4 : 1
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