Sigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo ... Leer todoSigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo de Suzie.Sigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo de Suzie.
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First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
Ok, seen a lot of negative reviews which I don't get. I like this show, it works for me and I look forward to the next week's episode. It's not predictable, doesn't follow the usual recipe and explores a stranger in a strange land with unfamiliar customs, at least where a loved one is lost in mysterious circumstances as an American wife coming to grips not knowing her Japanese husband's secret work life. And yakuza thrown in to make it interesting.
It has a fair bit of quirkiness, which I like. Yes a lot of it is in Japanese, but it's got subs, so that's okay. I'm giving 7 for now, maybe give it more at the end of the season.
It has a fair bit of quirkiness, which I like. Yes a lot of it is in Japanese, but it's got subs, so that's okay. I'm giving 7 for now, maybe give it more at the end of the season.
The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
I'm only through 5 episodes but am pleasantly surprised. I tuned in because of Rashida Jones but have stayed for its delicate moments. For a sci-fi thriller this show takes a softer hand and is more creative than I expected. The plot is nicely decorated with philosophy and culture, of which none is overtly stated. The plot develops nicely and preserves its mysteries but it's the scenes in between that are memorable. My favorite so far comes at 23 minutes into Ep 5 and prompted me to write this review. No spoilers from me so if you can handle its loose grip then you may be as pleasantly rewarded as I've been for staying tuned.
Apple have done it again. Their content is often quirky and unusual and Sunny is no exception.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
Rashida Jones's Suzie is a great character, spiky and sarcastic. As her relationship develops with Sunny her robot it becomes normal watching them interact.
Having Japan and Japanese culture, mixed with an American protagonist, and the difficulties this brings when a tragedy happens is interesting.
The futuristic elements are also really well conceived as they are believable, and not too unlike our present world.
I love to watch foreign films and series as subtitles don't bother me. Don't let it put you off.
¿Sabías que…?
- TriviaThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- ConexionesReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- Bandas sonorasSukiyo Aishite
Performed by Mari Atsumi
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- How many seasons does Sunny have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Dark Manual
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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