Simon Killer

Simon Killer is the new Psychological thriller by Antonio Campos, the film follows Simon (played by Bradley Corbet) as he travels in Paris trying to forget about his girlfriend, whom he had just broken up wit, after staying together. One night as he wonders about he comes to a strip club, where he meets the stripper/prostitute Noura. (Played by Mati Diop.) Simon quickly falls in love with Noura and finds it difficult to spend time away from her and becomes jealous of the fact that she has to sleep with other men for her job. So to try and fix the situation he proposes that she should black mail one of the married men that come for her services. She reluctantly accepts, and they start their working on their trap, needless to say things do not go according to plan.

Simon Killer is a very slow film, and sometimes it's pace works and other times it doesn't. Antonio Campos tries to lull you in with a slow hypnotic pace, working mainly through repetition and dream-like passage of time. The film does a good job of bringing you in with its pace, but unfortunately starts to lose its audience around the half way point. The film becomes very tedious with its repetition and we're not quite sure who we're supposed to be rooting for. The characters motivations become muddled and you're not sure what's going on or why. This works for some films, like Caché or The Virgin Suicides, but films like the ones previously mentioned always give the audience enough to peak there interest and make them want to figure out the rest of the film. Simon Killer doesn't ever do this, so most of the film ends up being pretty forgettable.

But I should give credit where credit is due. First of all Bradley Corbet does a great job as the introverted Simon. He is able to create this character that just doesn't feel right, from the second we see him we can tell that something is just wrong. Antonio Campos also has some excellent camera work, for most of the scenes the camera is set almost completely still, and if there is movement it's typically a slow zoom in/out, or a slow pan to the left or right. The effect is something unnerving, and the cinematography in general is very similar to the cinematography in Francis Ford Coppola's The Conversation. i.e. creates a sense of paranoia. Overall I'd say Simon Killer had some good ideas, they just need to be more developed. If you're into slow dark psychological films I'd say it's worth checking out.

5.5/10

Remarkably well constructed film, subtle yet powerful.

Interesting character study of a nauseating sociopath, immersed in his delusional narcissistic fantasies. A well made film, but disturbingly realistic in this portrait of a thoroughly unpleasant character. People like this do exist, of that one can be certain, which is what makes this production more than a bit disturbing.

This is a psychological thriller of sorts . . . no action scenes, just a bit of violence and sex (which is integral to the story). If you're looking for a simplistic, by the numbers action film, this isn't it, it will be too "slow" for you.

On the other hand, if a detailed character study with an unusual set of circumstances from which an engaging story emerges, you might find this well worth the time to watch it.

"Simon Killer" may the toughest film I've ever tried to categorize. It's not a horror film, it's not a thriller, it's not a romance, and it's not a drama. And yet, in another way, it *is* all of those. From the very title of the movie to the closing scene, this film defies all common conventions.

"Simon Killer" is the story of Simon, played brilliantly by Brady Corbet, who has just graduated from college and comes to Paris to get over a bad breakup. We never meet Michelle, his ex, but based on Simon's e-mails to her and her reply, it was not a happy breakup, and maybe even worse than that. While there, he meets a drop-dead gorgeous hooker (Mati Diop) and they start a relationship.

I could discuss more of the plot -- and there is definitely more, involving blackmail attempts and other events -- but really, it's irrelevant. The film basically invites us to watch Simon and what he does. And it's engrossing. And the question is, what IS Simon, really. He's not really a pleasant guy. Why is he doing what he's doing? Is he a pathological liar? Or just a confused kid telling small lies in a foreign land. Does he hate women and think they are only for sex? Or is it the opposite, and he gets deeply emotionally involved. "Simon Killer" is fascinating and potentially frustrating as it invites you to watch and yet refuses to give pat answers and instead, seems to raise more questions.

Film, like all art, is subjective, and I found "Simon Killer" absolutely riveting. You may find it disturbing and uncomfortable, but I think it's worth the ride.

"Simon Killer" is an odd, bleak and deeply unsettling film that I simply could not get to grips with. It tells the story of a young American neuroscience graduate, Simon (Brady Corbet). Simon leaves the United States and goes to Paris in an attempt to get over the somewhat traumatic break-up of a five-year relationship with his girlfriend Michelle (a character who does not appear in the film). There is something not quite right about Simon. He is a bit like Patricia Highsmith's well-known anti-hero Tom Ripley: cold, unfeeling, amoral and emotionally unintelligent. He is also a compulsive liar.

Soon after his arrival in the French capital (where he initially stays with a cousin of his - who is, in fact, not really a relation but a friend of the family), Simon goes into a sex club where he pays for sex with one of the resident prostitutes, Victoria (Mati Diop). As a result of that encounter, he develops a relationship with her and later moves into her small flat. Victoria opens up to Simon and tells him intimate details of her past, including the fact that she miscarried some time ago. Simon is less willing to disclose information about himself to Victoria. Indeed, one of the many problems with the film is that the viewer is given little or no hint as to what actually motivates Simon and why he frequently behaves so oddly. Part of that oddness is his attitude to women, whom he seems to view as nothing more than objects of sexual desire. At the same time, he attempts to blackmail some of Victoria's "customers" in order to finance his stay in Paris. He later meets another attractive young woman, whom he had bumped into earlier in his stay, and begins a brief relationship with her. This understandably upsets Victoria. Things move on from there.

"Simon Killer" is a very unpleasant film. It is full of graphic sex scenes, many of which are quite unnecessary in that they add little or nothing to plot or character development. In addition, Simon is a deeply unsympathetic character. It is left to the viewer to decide why he is like he is. There are hints that he has some sort of Oedipus complex or perhaps a personality disorder (or both). What is clear is that he is an extremely selfish and shallow person who lacks any sort of empathy for other people. Much of the plot has the feel of improvisation about it. And it's really not at all clear what the message of the film is. In addition to all that, I was simply not convinced by the relationship between Simon and Victoria, in particular why, of all her many "customers", she would choose him as someone with whom to have a serious relationship. Although the conclusion of the film is well done, much of what precedes it is ponderous and lethargic and, as a result, extremely boring. The soundtrack, however, is one of the best of any film that I have seen. But when all is said and done, "Simon Killer" is an unsatisfactory film that is difficult to recommend. 5/10

"Superficial charm and average intelligence. Untruthfulness and insincerity. Poor judgment and failure to learn from experience." All the attributes of a psychopath are handled brilliantly by Antonio Campos and executed flawlessly by Brady Corbet. This film has been on my mind for a few days as I remember the edgy scenes with actors half off the screen and my wishing I could just nudge the camera a little bit to see what's going on... although it would not have mattered. The story here is powerful and tells a tale of a manipulative and mentally unbalanced character, but that's not really why I liked the film so much. What blew my mind is the visual treatment, the blasts of audio, the unforgiving sex and the feeling I was looking at an accident I could not turn away from. Lots of similarity to the films of Haneke and Dumont but taken to the next level with an uncompromising cellphone video sensitivity.