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IMDbPro

Jayne Mansfield's Car

  • 2012
  • R
  • 2h 2min
CALIFICACIÓN DE IMDb
6.3/10
3.9 k
TU CALIFICACIÓN
Kevin Bacon, Robert Duvall, John Hurt, Billy Bob Thornton, Robert Patrick, John Patrick Amedori, Katherine LaNasa, Frances O'Connor, Shawnee Smith, Ray Stevenson, Ron White, Marshall Allman, Carissa Fowler, and Karli Barnett in Jayne Mansfield's Car (2012)
Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
Reproducir trailer2:32
4 videos
48 fotos
DramaDrama de Época

Alabama; 1969: La muerte de la esposa y madre separada de un clan une a dos familias muy diferentes. Las cicatrices del pasado, ¿ocultan diferencias que los separarán, o exponen verdades que... Leer todoAlabama; 1969: La muerte de la esposa y madre separada de un clan une a dos familias muy diferentes. Las cicatrices del pasado, ¿ocultan diferencias que los separarán, o exponen verdades que podrían llevar a colisiones inesperadas?Alabama; 1969: La muerte de la esposa y madre separada de un clan une a dos familias muy diferentes. Las cicatrices del pasado, ¿ocultan diferencias que los separarán, o exponen verdades que podrían llevar a colisiones inesperadas?

  • Dirección
    • Billy Bob Thornton
  • Guionistas
    • Billy Bob Thornton
    • Tom Epperson
  • Elenco
    • Tippi Hedren
    • Kevin Bacon
    • Ray Stevenson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    3.9 k
    TU CALIFICACIÓN
    • Dirección
      • Billy Bob Thornton
    • Guionistas
      • Billy Bob Thornton
      • Tom Epperson
    • Elenco
      • Tippi Hedren
      • Kevin Bacon
      • Ray Stevenson
    • 39Opiniones de los usuarios
    • 59Opiniones de los críticos
    • 48Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos4

    U.S. Trailer
    Trailer 2:32
    U.S. Trailer
    Jayne Mansfield's Car: The Car
    Clip 1:26
    Jayne Mansfield's Car: The Car
    Jayne Mansfield's Car: The Car
    Clip 1:26
    Jayne Mansfield's Car: The Car
    Jayne Mansfield's Car: Take Him Away
    Clip 1:13
    Jayne Mansfield's Car: Take Him Away
    Jayne Mansfield's Car: What Changed?
    Clip 1:03
    Jayne Mansfield's Car: What Changed?

    Fotos48

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    Elenco principal53

    Editar
    Tippi Hedren
    Tippi Hedren
    • Naomi Caldwell
    • (sin créditos)
    Kevin Bacon
    Kevin Bacon
    • Carroll Caldwell
    Ray Stevenson
    Ray Stevenson
    • Phillip Bedford
    Robert Patrick
    Robert Patrick
    • Jimbo Caldwell
    Robert Duvall
    Robert Duvall
    • Jim Caldwell
    John Hurt
    John Hurt
    • Kingsley Bedford
    Billy Bob Thornton
    Billy Bob Thornton
    • Skip Caldwell
    Frances O'Connor
    Frances O'Connor
    • Camilla Bedford
    Katherine LaNasa
    Katherine LaNasa
    • Donna Baron
    Marshall Allman
    Marshall Allman
    • Alan Caldwell
    Shawnee Smith
    Shawnee Smith
    • Vicky Caldwell
    John Patrick Amedori
    John Patrick Amedori
    • Mickey Caldwell
    Ron White
    Ron White
    • Neal Baron
    Irma P. Hall
    Irma P. Hall
    • Dorothy Lambert
    Carissa Fowler
    Carissa Fowler
    • April Baron
    • (as Carissa Capobianco)
    Karli Barnett
    • Autumn Baron
    Wester Joseph
    • Connell Lambert…
    Melody Smith
    • Terri
    • Dirección
      • Billy Bob Thornton
    • Guionistas
      • Billy Bob Thornton
      • Tom Epperson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios39

    6.33.8K
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    Opiniones destacadas

    10jonederland

    One of the best character studies in years

    I thoroughly enjoyed this movie. The characters were fleshed out and I felt the pain and joy of each one. The attention to detail as far as representing 1969 gave me a flashback. I have always loved the leads, Robert Duvall, Kevin Bacon and Billy Bob Thornton, but I think this was an exceptional portrayal by each person. The Brits, John Hurt and his children were also played with such passion. The statement this movie made about war and marijuana use were not in your face, but makes you think and that is not a bad thing. The music was exceptionally well made. Set in a beautiful home and beautiful scenery did not hurt in any way!
    5larrys3

    Dark & Bizarre Family Dynamics Play Out in Thorton's Latest

    Set in the small town of Morrison, Alabama, in 1969, the film has an all-star ensemble cast but I felt that the bizarre and dark family dynamics that play out, although well acted, just never congeal into an entertaining or meaningful story. Billy Bob Thorton directs here, and also has a lead role in the movie, as well as co-writing the screenplay with Tom Epperson.

    It's set against the backdrop of the Vietnam War, which is still raging, and the hippie drug culture that emerged in the 60's. The plot revolves around the rich patriarch of the Caldwell family, Jim Caldwell, portrayed by the great actor Robert Duvall, getting a call from England that his ex-wife Naomi had died, and that per her wishes her new family will accompany her body for burial to Alabama. Naomi had traveled to England many years before, met a man there, and came back to Alabama to leave Jim and the family suddenly and remarry in England to Kingsley Bedford, played by another great actor John Hurt.

    This will set up a number of sub-plots as the Bedfords meet the Caldwells for the first time. As mentioned, there's an all-star cast here, with the three sons of Jim being played by such screen notables as Kevin Bacon, Robert Patrick, and Billy Bob Thorton himself, while Jim's daughter is portrayed by Katherine LaNasa. Kingsley is accompanied to the States by his son Ray Stevenson and his daughter Frances O'Connor.

    So with all this talent on screen what's the problem? Well for me, it was that the various strange scenarios that play out mostly didn't work, in my opinion. Some were humorous and interesting, while I thought the majority could be mean-spirited and trying too hard to be over-the-top and strange. The ultimate result for me was that, as mentioned, the movie just never meshed together into anything more than segmented pieces of a film.
    9nar8008

    Well played and exceptionally directed

    So good to see Billy Bob Thornton back in the director's chair. I don't think anyone has as pinpoint an accuracy to the south of the United States as Thornton does in the modern idiom of film. The ensemble cast is amazing and authentically played by all. Loved the truth of characters with inseparable bond; so much organic glue like the humidity of the time and setting.Each character is fully formed, carrying with them a wealth of circumstances that we understand almost from the first introduction, furthermore, develops to full intricate discovery. I loved the juxtaposition expressed between the despairing union of opposing cultures.How wonderful the interplay between John Hurt and Duvall, the likeness of familial hierarchy they wear so naturally.
    8richardchatten

    Transportation Kills a Lot of People

    People who have bottled up emotions for decades or have barely been introduced open up remarkably quickly in the course of just a couple of days in this incisive, well-acted, if unlikely multi-character drama reminiscent of Robert Altman.

    It comes as a shock to realise the 1960's were now so long ago that elderly patriarchs Robert Duvall and John Hurt both served in The Great War (as Hurt calls it) and the emotional baggage their particular generation is carrying gives them more in common with each other than with their then still relatively young offspring (now ironically revered as the Greatest Generation) than their accents divide them.

    The misleading title refers to a minor plot thread; and you'll have watch the film to find out what prompts Frances O'Connor (in a scene worthy of Russ Meyer) at one point into sportingly reciting 'The Charge of the Light Brigade' nude.
    8bob_meg

    Fathers, Sons, War, Death

    I was a bit shocked at how much negative press Billy Bob Thornton's latest effort has received in the mainstream critical media. It's been called racist, homophobic, grating, and stereotypically one-note. Perhaps these reviewers couldn't take the time to appreciate the delicate patina glazed onto the top of this heavy Southern Gothic brew, not only by some stellar star turns, but from Thornton and Tom Epperson's sly, knowing script that bravely refuses to villainize any of the array of characters, no matter how crass or pig-headed their behavior first appears.

    I have to admit, I was a bit skeptical of Thornton when he first appeared with the break-out "Sling Blade," even though the short it was culled from was anything but slight. I thought he'd be one of these rural "artistes" who falls back on sentimentality and clichéd characters when he didn't have much to say. Jayne Mansfield's Car, however, proves that glib assessment was dead, dead wrong.

    The strongest aspect of this film is it's script, which does what every extraordinary movie does well: drops you into another place and time that---at first glance, anyway---you'd ordinarily shrug your shoulders and walk away from, then gives you every reason you shouldn't: it's populated with people who are confused, conflicted, and multi-faceted to the point where they don't seem to recognize each other any more, even after living in the same house for decades.

    The casting is impeccable and Thornton has an incredibly light-touch with all of them. Robert Duvall does what he does best: providing the anchoring figure of Jim Senior with an authority and gravitas that he can express with a lift of an eyebrow. His three sons are wrought over a nice spectrum of angst: Thornton's Skip, the ne'er do well middle son who did everything right but was always a bit too "off" to be dad's shining star. That honor went to Jimbo (Jim Jr., a ferocious Robert Patrick) who played closer to the mold but never saw combat as Skip and Carroll (Kevin Bacon) did, thus considering himself a failure. Skip and Carroll live with scars and resentments from their own tours of duty in WWII and Vietnam, respectively and their anti-war sentiments continue to draw them further from Duvall, in every sense of the word.

    Even though the crux of the drama revolves around the return of Duvall's wayward recently deceased wife (Tippi Hedren, a pretty darn good corpse), who divorced him for Englishmen John Hurt 15 years before, the canvas of this film is really about the tortured relations between fathers and sons, and the cost of war and death and what it "means to be a man." The War angle is particularly intriguing in that it plays out in the heart of Alabama in the late-sixties, where the malingering odor of Vietnam melts into the residues of a century of warfare, the star of which is the ghost of the Civil War.

    The culture-clash aspect is amusing and well-played, but not even remotely why you should see the movie. The script ensures you know the characters so well, that all that formulaic hicks-meet-Brits stuff quickly goes by the wayside.

    Thornton and Epperson's script gives each character a suitable bravura moment and most hit them out of the park, in particular Thornton, in a touching monologue delivered to Frances O'Connor in the forest and Bacon, whose hippie malcontent faces off with Duvall with quiet dignity and aplomb.

    This is not a film to hang on for forced drama, but it's one you'll have a difficult time turning away from and an even harder time leaving, from the place where you so unceremoniously were dropped.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Mariska Hargitay (the daughter of Jayne Mansfield), who was in the back seat when the crash killed her mother, said that she found the name of this movie "horrible" and wished they had asked her permission to use this title beforehand.
    • Errores
      Alabama did not issue front license plates in 1969. The numbers shown are not correct for Alabama plates.
    • Citas

      Skip Caldwell: I just want to fly up there - in the quiet and still. I was a navy pilot. How 'bout that? It wasn't quiet and still though. It was loud and crazy and scary. But you went up every time you were supposed to. Did what you were supposed to do. And I went up with three minds. One mind was always thinking, "One way or the other, I'm gonna get back. I'm gonna make it back." And then another mind was always thinking, "This is probably gonna be the last day of my life." And then your third mind was right down the middle, and didn't think about anything. It wouldn't let the other two in.

      Skip Caldwell: You know, people say they don't like to talk about war because it brings up the bad memories and nightmares and everything. I don't believe that. I believe they don't talk about it because nobody wants to hear it.

    • Conexiones
      Referenced in Vecherniy Urgant: Dmitry Kharatyan/Ekaterina Skulkina (2013)
    • Bandas sonoras
      Evil Woman (Don't Play Your Games With Me)
      Written by David Waggoner, Larry Wiegand and Richard Wiegand

      Performed by Crow

      By arrangement with musicsupervisor.com, Yuggoth Music (BMI)

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    Preguntas Frecuentes18

    • How long is Jayne Mansfield's Car?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de agosto de 2013 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Rusia
    • Idioma
      • Inglés
    • También se conoce como
      • Infierno en Alabama
    • Locaciones de filmación
      • Cedartown, Georgia, Estados Unidos
    • Productoras
      • AR Films
      • Aldamisa Entertainment
      • Media Talent Group
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 14,836
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 9,320
      • 15 sep 2013
    • Total a nivel mundial
      • USD 79,178
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 2min(122 min)
    • Color
      • Color
    • Mezcla de sonido
      • SDDS
      • Dolby Digital
      • Datasat
    • Relación de aspecto
      • 2.35 : 1

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