Dos amigos inesperados, una stripper adolescente de Londres y un payaso traumatizado, intentan ayudarse mutuamente en un mundo incierto.Dos amigos inesperados, una stripper adolescente de Londres y un payaso traumatizado, intentan ayudarse mutuamente en un mundo incierto.Dos amigos inesperados, una stripper adolescente de Londres y un payaso traumatizado, intentan ayudarse mutuamente en un mundo incierto.
- Premios
- 7 nominaciones en total
Rae Olivier
- Mandie
- (as Rachel Marie Lewis)
Stephanie Domini
- Alexa
- (as Stephanie Domini Ehlert)
Grace Campos
- Party Kid
- (as Grace Anne)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
So... the negative first, because that is how I roll. This movie is a mess. The writing is all over the place. The supporting actors, many of them, seem like they have never actually acted in a movie--or anywhere else, for that matter-before.I would give this movie tow stars. But! One thing absolutely saves this thing, and that is the lead. Pinassi is just stupidly good. I'd be very curious to see him on stage, because his subtle, nuanced performance plays perfectly on the big screen. Wonder if that would transfer to a live performance. Just... the stillness. The ability of this guy to express so much in a *look*. That is rare.
Whatever, I hope to see more from Pinassi. Will be on the lookout.
Whatever, I hope to see more from Pinassi. Will be on the lookout.
Erik Peter Carlson's "Transatlantic Coffee" is anything but your typical boy-meets-girl story. Alex (Kevin Pinassi), the guy in this tragicomic love story set in post-9/11 New York, is a middle-aged Brooklynite who's seemingly got some major problems. Life improves big time when he hooks up with Mandie (the delectable Rachel Marie Lewis), a teen-aged stripper from London. The results are thought-provoking and anything but predictable. This highly polished effort reveals a filmmaker and a young actress of some promise, and it's no surprise to me the film is being well-received on the festival circuit. Unlike so many films out there, it's fresh and original, and doesn't play like a rehash of something you've seen before.
Watched this film on Prescreem.com the other night after hearing about it from a Twitter friend. I usually don't do reviewes on movies but I thought this film deserves to be heard.
In an American market of highly commercial, audience appealing pictures with typical subject matters, special effects and bland characters (just look at today's movie listings) this film takes all of that and flushes it. It's obvious that the filmmakers had a vision and went with it, not worrying about what the American public is familiar with. This film is something to be experienced and I mean that.
As the film starts, you'll notice the unique way the story will be told, with it's long takes, allowing the actors on screen to become real. The writing is deep and has so many moments of "Wow, that is so true". The actors in the film, Kevin Pinassi and Rachel Marie Lewis, whom I have never seen before on screen. do a tremendous job. They are fearless in their approach.
As other reviews mentioned on this page, the music and visuals are something you usually don't see in a low budget movie. Everything down to the costumes and the setting of the main character's apartment are so real, you feel you've been living there yourself by the end of the movie.
The direction and writing of the movie is very well done. The ending, although a great surprise to me, may have others catching on somewhat early in the film, but the way the story is told, the way it's designed as a whole, simply convinces you that these are real people, in a real world, experiencing real subject matters. I give this credit to the director, Erik Peter Carlson and the producers who have accomplished something that proves that independent film is something you need to be involved in, for no other reason than to realize that there is much more than special effects in cinema.
The movie is very intense with scenes that make you shiver, for many reasons. However, I never feel it's done in bad taste, but to bring you into the moment and into the lives of these characters, mostly the main character.
To conclude; it's an extremely well done movie that has all of the elements any great movie should contain; a great story, compelling characters, it stimulates many emotions, has the compelling "wow" factor and forces you to watch it again. Great job.
In an American market of highly commercial, audience appealing pictures with typical subject matters, special effects and bland characters (just look at today's movie listings) this film takes all of that and flushes it. It's obvious that the filmmakers had a vision and went with it, not worrying about what the American public is familiar with. This film is something to be experienced and I mean that.
As the film starts, you'll notice the unique way the story will be told, with it's long takes, allowing the actors on screen to become real. The writing is deep and has so many moments of "Wow, that is so true". The actors in the film, Kevin Pinassi and Rachel Marie Lewis, whom I have never seen before on screen. do a tremendous job. They are fearless in their approach.
As other reviews mentioned on this page, the music and visuals are something you usually don't see in a low budget movie. Everything down to the costumes and the setting of the main character's apartment are so real, you feel you've been living there yourself by the end of the movie.
The direction and writing of the movie is very well done. The ending, although a great surprise to me, may have others catching on somewhat early in the film, but the way the story is told, the way it's designed as a whole, simply convinces you that these are real people, in a real world, experiencing real subject matters. I give this credit to the director, Erik Peter Carlson and the producers who have accomplished something that proves that independent film is something you need to be involved in, for no other reason than to realize that there is much more than special effects in cinema.
The movie is very intense with scenes that make you shiver, for many reasons. However, I never feel it's done in bad taste, but to bring you into the moment and into the lives of these characters, mostly the main character.
To conclude; it's an extremely well done movie that has all of the elements any great movie should contain; a great story, compelling characters, it stimulates many emotions, has the compelling "wow" factor and forces you to watch it again. Great job.
This is supposed to be a character driven movie, but the main character seems too twitchy and bizarre to relate to at times. Pinassi plays a man-child called Alex that falls for a teen girl from London. Alex is a loser with no life, which SHOULD make us all relate to him on some level.
Overall, this is not a Hollywood cookie-cutter movie, which is the exciting part. It does many times have really sincere and personal moments that are very enjoyable. The ending offers a huge impact. I give the film some credit for being different and original with some scenes of fantastic performances and direction.
Overall, this is not a Hollywood cookie-cutter movie, which is the exciting part. It does many times have really sincere and personal moments that are very enjoyable. The ending offers a huge impact. I give the film some credit for being different and original with some scenes of fantastic performances and direction.
A dark and hypnotic drama that simultaneously explores the ecstasy of new found love and the wrenching pain of loss. Transatlantic teeters on the edge of a fever dream, but never falls off giving it a thrilling undercurrent, even when its pacing is deliberate and almost meditative. All of this while exhibiting an eroticism and honesty about sex that is all but nonexistent in mainstream American cinema. And I would be remiss if I didn't point out the beautiful and hardened lines of New York City serve as the perfect backdrop to the story. Transatlantic Coffee is another reminder that independent film is alive and well and worth finding.
¿Sabías que…?
- TriviaA character in the script who was eventually cut, was played by an actor who passed away during the shooting schedule.
- Bandas sonorasAngel Eyes
Written by Earl K. Brent and Matt Dennis
Performed by Alix Paige
Courtesy of Music Sales Publishing Group
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Kawa Transatlantyckie
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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