The Door

When at the beginning I saw the 'Reality' footage added in, I thought immediately that I was NOT going to like this (I HATE 'Reality Shows' and most 'Found Footage' films) But, I must say, that it was actually used very judiciously throughout the movie.

I don't usually care for Dallas Roberts that much either, but I must admit that he did a decent job in his role. Every time I see the guy, I get this eerie feeling that John Ritter has been resurrected! DAMN! Also, as you actually get to see the real people here involved in the 'True' case, it does have a sneaky way of drawing you into the film.

With such a simple concept, the way it was done was decent and moderately effective. When I saw the REAL guy I truly felt quite sorry for him, especially when they show the credits at the end (not to give anything away) I really just felt bad for him.

I think the thing that I appreciated most was that the way it was put together and the way it was put across, you never get the feeling that the film makers are exploiting the idea like so many other 'True' stories. Especially with the footage of the real guy, you get a strong sense that they are honestly trying to portray events as they actually 'happened'.

A surprisingly interesting and mildly effective film that somewhat surpassed my earlier expectations...

What was enjoyable about this movie for me was that the (HD?) camera work was clean and nicely composed, the direction and acting was entirely competent and the editing was cool too, in what I imagine was a film with a relatively modest budget. A pleasant change from average Hollywood. It was made by people with a real feeling for film. Mariah Bonner as the librarian was a bonus who definitely did not hurt the eyes. Shame she was an early victim.

The story wasn't great, though it exploited common enough fears of things that are half-seen (or were they there at all?), and move in the night (as opposed to go bump in the night). And the placebo effect is undoubtedly real, though whether it's killed anyone is questionable, I'd say, certainly in Western cultures.

I did once see a shadow person in bright daylight (or did I?). I was about three at the time, and lying in bed. The shadow of a figure ran across the wall, flowed into a shallow recess, slid behind a wardrobe, came out the other side, and vanished. It was more scary than Shadow People, and as you can tell, I haven't forgotten it. However, the good news (for anyone who's worried) is that it hasn't reappeared since, and 70+ years later I'm still here.

This film chills with ideas and suggestions more than with visuals and gore or straight action.

The director, IMO, does a great job with a modest budget and pulls out a bag full of skillful director's tricks (lighting, camera angles, shadows, color variations, etc) to achieve his ends. When there is an effect, it happens in shadowy spots of the screen image, reinforcing a spooky ambiance in the film.

One of the best low-budget/minimal-FX films I've seen in years.

It worked for me.

My hat is off to the director/writers and actors for a job well done.

Rarely do I come across anything in my viewing of horror movies that makes me jumpy or paranoid after turning the TV off. Most times I enjoy the film and then go on about my business with no worries. However, every once in a while a true gem of fear comes along and leaves its imprint on me as I shut off all the lights in the house and head to bed. Matthew Arnold's "Shadow People" had me searching the walls and windows for ghastly spots of unexplained darkness after watching it.

Participants in an experimental sleep study in the 1970s report seeing strange shadowy figures. They and several hundred other individuals die in their sleep soon after. The phenomenon was given the name SUNDS, which stands for "Sudden Unexplained Nocturnal Death Syndrome." Doctors wouldn't talk about the shadows.

In the present, failing radio talk show host Charlie Crowe begins receiving calls from a teenager claiming shadowy intruders are coming for him. At first, Charlie believes the kid is mentally ill. His theory is challenged when the boy dies in his sleep. Things get even weirder when listeners of his talk show and people he tells about the mysterious shadowy figures begin dying in their sleep. Are these clusters of deaths a coincidence or are there sinister nocturnal forces at work?

"Shadow People" takes the sort of ideas our nightmares are made of and puts them in a visual package. Everything you've ever thought about someone or something watching you in your sleep is brought to life in this creepy little indie film.

Director Matthew Arnold shows great promise through his mastery of timing. He has a knack for setting up what you would expect to be your typical jump scare and somehow delivering it in an off-tempo manner that leaves the viewer surprised and shuddering.

I can't say I completely agree with every choice of filmmaking he used for "Shadow People." The movie is presented in the manner of many true crime TV shows are. It's a re-enactment of "true events" with the actual people involved giving their commentary along the way. The concept is interesting but gets a bit distracting as the terror unfolds.

Many religious individuals would express their belief that shadow people are demons or evil spirits. Much like in "The Possession" or "The Exorcist," the person has brought something into their house that allowed the entity access. I am of that mindset more so than any other concept brought up in this.

If I were to compare "Shadow People" to other movies out there just as a way to spark people's interest, "The Ring" and "The Apparition" immediately come to mind. By no means is this a carbon copy of either of those films. They just came to mind as I sat watching it.

"Shadow People" is that rare horror movie that leaves a lasting impression on its audience. The fear might wear off over time, but you'll never completely stop thinking about it. We all wake up in the middle of the night gasping for air, feeling like something is sitting on us, or thinking we're being watched. Is it just our imagination or could it be the shadow people?

A radio talk show host (Dallas Roberts) unravels a conspiracy about encounters with mysterious beings known as the Shadow People and their role in the unexplained deaths of several hundred victims in the 1980s.

I had never heard of shadow people before this film, but a little search turns up two things: they were featured in "John Dies at the End" and on the radio program Coast to Coast AM. Now, I will have to assume that the "John Dies" is a coincidence, but there is obviously a Coast to Coast connection since this film focuses on a late night talk host... nicely done, folks. And thank you for not making him as wacky as Art Bell.

This is a fine effort from Matt Arnold, who has not really made a name for himself in film just yet. Could this be his big break? Perhaps. I missed an opportunity to chat with Arnold, and that is unfortunate... I would love to know about his work on "Jackie Brown".