Styria

An occasionally wooden Stephen Rea plays studious Dr. Hill, whose daughter Lara (Eleanor Tomlinson) glares at people from beneath thickly made-up eyelids: she listens to Joy Division and attempts, in quiet moments, to self-harm (Lara's mum suffered from post-natal depression and committed suicide). During one such time, she witnesses a car crash, in which another young girl is ejected. That her name is Carmilla should get alarm bells ringing. Carmilla (Julia Petruchia) is bewitching and, as you might imagine, somewhat sinister.

'Angel of Darkness', or 'Styria' as it is sometimes known, is a retelling of the Joseph Sheridan Le Fanu vampire story that pre-dates even 'Dracula', but that's not to say interesting new things aren't done with the theme of vampire seduction.

Directors Mauricio Chernovetzky and Mark Devendorf really lay on the atmosphere here, from the beautifully decaying Hungarian castle in which Hill is hurriedly conducting his experiments in the short amount of time available to him, to the wonderfully gothic surrounding gardens and woodlands. This is a modestly budgeted film - in fact I understand it was completed thanks to a Crowdfunding campaign - but it looks superb throughout, with the effective scares taking second place to rich ambience.

The two girls tread that line between mischievous and dangerous, but so skillfully are they played, they never come across as bratty which would be the case in less talented hands.

Sluggish in places it may be, but this is a highly enjoyable excursion into rich, atmospheric horror and provides a very worthwhile and enjoyable new take on the Carmilla story. My score is 8 out of 10.

Lots of potential but no PUNCH. It does not follow through. The actors seem to be sleep walking through their roles. Probably fault of the director. Completely unsatisfying ending. Filled with clichés and scenes that done better in other movies. I kept thinking the movie was finally going to make the viewer jump but did not. Ultimately not worth the time or effort.

I just saw this movie on Hulu Plus. I hadn't heard of it. But I love Stephen Rea, so I decided to see what it was all about. Needless to say, I was not disappointed! This is not your typical supernatural horror movie. It's a slow burn. But there's so much beauty in every image. And there are a lot of visual references and historical layers. I very taken by Eleanor Tomlinson's performance as Lara. And after watching I did some research and realized it is an adaptation of a novella called Carmilla. Now I know what I'll be doing this weekend! I wish more movies were made like this today, atmospheric, beautiful, and full of interesting details!

'Styria' is a very different kind of vampire film. In fact, its so different, I didn't realize it was a vampire film until the halfway mark.

It is a slow-paced, character-driven movie. Dr Hill (Stephen Rea) has been granted access to murals in an old castle. Tagging along, is his young daughter, Lara (Eleanor Tomlinson). She has a back story, but it is not clearly defined or explored, and I wasn't sure whether I was supposed to root for her. She is suicidal, but unconvincing - not sure if the character or the acting is to blame; probably a bit of both.

Sitting in the forest, a car speeds past Lara, crashing into a tree. A young woman emerges and starts running. Another person in the car (who is not shown) tries to run her over, but then drives away, leaving the woman dirty and petrified. This is Carmilla (Julia Pietrucha). Lara decides to help the girl, and takes her to the castle. She doesn't tell her Dad, who is incredibly ignorant in not noticing her. Carmilla keeps coming back every night, and the girls wander into the forest for a bit of adventure.

The two girls soon bond and there's lesbian inclinations, but - as with everything else in this movie - it is not well explored. From the beginning one notices something weird about Carmilla, but the viewer is kept guessing almost until the third act. While the film has some eerie moments, most of these moments are diminished when the girls start chattering.

The narration and the plot are uneven. Moments in the film looks like it is more suited for medieval times, and personally I think it would have worked better had it been set in another time. It doesn't work so well in present time.

Ultimately, I found the film a bit on the boring side. I don't think I'm going to remember this. There are far better vampire movies out there.

Made by Foreign Directors, Mauricio Chernovetzky, Mark Devendorf, in a Foreign Land, this Update of Carmella looks and Feels Foreign when Compared to Stateside Movies of its Type.

It is Better because of it. The Film is Dark, Dank, and Depressingly Decaying with its use of a Remote Castle in a Far Away Land of an Era Gone by. The Good Cast also Lend some Eeriness to the Proceedings.

The Organic Sets, that needed No Embellishment, and the Classic Story of a Lesbian Vampire is right at Home in the Undergrowth. The Movie always seems Disconnected from Modern Times, even though the Soundtrack, the Troubled Teen, and other things are Distinctively Today.

More like a Crack in Space-Time Existing Simultaneously. This lends the Film an Other Worldly Template that befits the Gothic Subject Matter. It Echoes Universal and Hammer Horror at Times.

The Third Act opens up to some Serious Bloodletting and the Storytelling may Lose a bit Over the Course of the Movie. But, Overall it is an Oddity of a Film that is surely Worth a Watch for Vampire, and Horror Movie Fans in general.

Others Might Even Enjoy it because it is Anything but Typical.

Note...Also known as "Angels of Darkness".