Mentiras mortales

Arbitrage is the first motion picture by New York University graduate Nicolas Jarecki. It tells a story of magnate who almost fails in selling his own trading empire. But before that, he rules a huge family consisting of wife (Susan Sarandon), a son - who seems to be very unimportant person, so that director tells almost nothing about him and a daughter Brooke - skillful professional in business and probably the only person who's able to catch up with father's "mistakes". Robert also deals with young, passionate lover Julie.

But everything goes wrong when Julie dies in car accident when Robert was driving and Brooke finds his father in fraudulence.

Now Robert Miller has to struggle against two people: detective Michael Bryer (Tim Roth) and his own daughter and none of them is going to step back.

I am not going to tell how well Gere's character manages this but I can definitely tell you that Richard, as an actor, did a great job. Possibly it's the best performance of his career. Anyone can name his memorable roles but this one is no doubt the best. He delivers an emotional, stressed and very precise acting and looks very natural which makes his work really brilliant.

But the best part of this movie is Nicolas Jarecki. It's not easy to write and direct the film at the same time, especially when it is your first time. He wrote a beautifully crafted script and transferred it professionally on the screen. The more you watch bigger the tension gets and you want to know whether it will end up in a good way. The writer has intelligently stuck surprising details throughout the story and that made whole movie more dynamic.

So, I found Arbitrage to be an attractive, smart and well produced movie and believe that it could be a perfect star for Nicolas's directing or writing career.

"What's your price?" The question haunts Richard Gere's character of Robert Miller, a vain hedge fund manager married to Ellen (Susan Sarandon) and preparing to hand down his business dynasty to his daughter Brooke (Brit Marling). That is, until a freak accident with his mistress coincides with a self-perpetrating fraud scandal. Now confronted with unprecedented stress, Miller has to fight to keep his family and business intact.

Richard Gere's absence on the Oscar nomination stage for the entirety of his career will hopefully be ended with this stunning character study. Gere is in perfect form, personifying a complicated man who for once sees the results of his narcissistic actions. While his empire crumbles, his personal life goes the same way. Every scene Gere is in brings to light just how powerful an actor he is.

But an actor would be nothing without a powerful script. The author of the film's screenplay is also the film's director, Nicholas Jarecki, the co-author of the 2009 film adaptation of the Bret Easton Ellis film "The Informers". In his largest film yet, Jarecki keeps with themes of arrogance that comes with power. The script moves at a brisk pace, keeping your attention and leaving you nearly breathless once you've reached the conclusion.

Cinematography and setting blend easily into the background of these character's actions. New York City is brought to live, as she has countless times before, as the epicenter and culmination of the good and the bad. But what sets the screen apart from any other NYC-set film is the fact that nothing seems to be done to make NYC any more like NYC. The film's version of the city is exactly how it is in real life.

Susan Sarandon, still as beautiful as ever, steals her scenes as Miller's powerful wife. As does Brit Marling and especially Nate Parker, newcomers full of promise. The sole weak spot is, surprisingly, the performance of Tim Roth, the detective. His character starts the film with a Brooklyn-type accent. In his second scene Roth seems to attain his native Cockney accent, then lose it as the film progresses. He ends with a bizarre jumble of both.

"Arbitrage" is an intelligent, engaging thriller about the depths of bad decisions made from the arrogance of power. It is a must-see of the 2012 film season.

Nobody does make believe billionaire as well as Richard Gere, something about the way he carries himself encourages audiences to believe he really is that rich, powerful and connected.

Robert Miller is a hedge fund magnate with it all, money, beautiful wife (Sarandon) who dabbles in charity work and a son and daughter (Marling) who both work for him, to differing levels of competency.

Miller has decided to sell his firm to a financial company desperate to plug a gap in their suite of services and products. Talking of gaps, Miller is desperately trying to paper over some financial cracks of his own, borrowing the odd $400 million to ensure pre-sale audits go well.

When presented with the first few images and sentiments, those with a healthy dose of cynicism are just waiting to be introduced to Miller's other life. Enter stage left, the struggling beautiful art dealer, who is being kindly helped by Miller to negotiate her way through the perils of small business ownership. Such assistance being mainly bedroom based will come as no surprise.

Of course modern thrillers are like buses, there is always another one around the corner. What sets this apart is the supporting cast, including Tim Roth as Detective Bryer, desperate to nail at least one bad guy protected behind expensive lawyers. Nate Parker as Jimmy, the person Miller calls when he really needs help and of course his wife played by Susan Sarandon, supportive, self aware and enjoying the fruits of his labour.

Central to the film is Gere, who has not always chosen parts wisely in the past but here plays a character he can really sell to the audience. Morally ambiguous, ruthless yet loyal, he manages to make a character we really should not like, somehow likable. Arguably encouraging questionable and morally perplexing empathy from the viewer, as his choices dwindle to rock and hard place territory.

Gere can act and does so here, Roth manages to convey the woes of the world and is especially good in the first scene with Gere. Not so much a modern fable but a story that evokes that feeling afterwards, how far would you go to protect what you have. Also rather curiously, why would you end up rooting for the bad guy?

Not perfect, Britt Marling perhaps not making the most of her emotional scenes. At times the film lacks a harder edge, would Jimmy ever really be that reasonable. However overall, a cut above the mainstream and well worth two hours of your time.

Summary

A smart, deliciously amoral tale with a strong turn from Gere, choosing a role that suits his talents. Ignored at the box office but hopefully finding a well deserved following at home.

Good script, pacing and an interesting ending to this financial based thriller that does not require you to know that Arbitrage means to 'take advantage of a price difference between two or more markets'.

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It seems quite a letdown that Richard Gere's impressive performance in this handsomely mounted 2012 thriller has been relegated to On Demand, but the same fate befell 2011's "Margin Call", another effectively Machiavellian Wall Street-set thriller, probably because the mechanics of cutting big financial deals just doesn't feel all that cinematic despite being terrific showcases for able actors. With his trademark élan in check, he plays Robert Miller, a billionaire Wall Street investment executive whose silken imperturbable manner can charm and kill at the same time. Miller's company is in the middle of a federal audit as he tries to sell it. The problem is that he has illegally borrowed more than $400 million, well beyond the true value of the company. The lender threatens to take his money back, but Miller stops at nothing to keep the fraud under wraps, his family and the IRS in the dark, and his firm functioning more or less as usual.

Miller is simply unflappable no matter what the circumstance is, whether it's negotiating an unethical high financial deal, attending his 60th- birthday party, or spending a few tempestuous hours with his mistress, a French art gallery owner whose neediness makes Miller vulnerable to a moment of truth he cannot control. An unexpected event literally leaves blood on his hands, and a web of deception drops him further into an abyss. Instead of seeking absolution, Miller moves from chilly manipulation to unrepentant criminality. The evolution feels seamless because Miller never sees anything wrong with what he does, and first- time director Nicholas Jarecki does quite a capable job of maintaining the pace and momentum of an internally driven thriller that allows the main character to unravel in a series of dialogue-heavy scenes courtesy of Jarecki's insightful screenplay, an excellent sophomore effort (his first was co-writing 2008's "The Informers" with Bret Easton Ellis).

Although he was a last-minute replacement for Al Pacino (who would have brought an earthier dimension to the role), Gere is smartly cast here because his screen persona has often provided a glacial veneer over a seething core of anger and resentment. Playing Miller allows him to do just that in a most arresting manner that makes him both morally repellent but oddly sympathetic. As the detective intent on getting Miller convicted, Tim Roth is quite effective down to the Columbo-like inquisitiveness and Jersey Shore accent. Nate Parker brings unexpected depth as the moral center of the story, a Harlem kid whom Miller previously helped out of a jam but who now faces much bigger consequences returning the favor. Indie breakout Brit Marling ("Another Earth") affectingly plays Miller's sharply analytical daughter, the chief accountant of his firm who slowly realizes her father's true nature. Susan Sarandon has relatively few scenes as Miller's insulated wife Ellen, but her steely intelligence comes through in the climax. It's worth seeking out.

Greetings again from the darkness. Most of us don't tread in the world of corporate greed, deceit and fraud that defines the now four years ago financial crisis. Twenty five years ago Gordon Gekko in Wall Street put a face to corporate greed. Writer/Director Nicholas Jarecki now gives us Robert Miller, as portrayed by Richard Gere, for the face of Wall Street fraud ... the step beyond greed that Bernie Madoff made famous. Toss in a Chappaquiddick-type tragedy and it's abundantly clear that Robert Miller is no modern day saint.

No matter how much we would prefer it to be otherwise, there is something to the charisma and emotional power of the few who seize control as politicians, CEO's and cult leaders ... all subjects of recent films. During this film, we never once doubt that Gere's Miller is a scam artist with power. He is not a good guy, despite his warm smile as he says all the right things to his family and close circle of advisors. We are sickened that he is able to fool so many. Yet, the reason this story is so familiar is that it rings so true.

Watching Miller's house of cards slowly crumble is both fascinating and nerve-racking. We aren't rooting for him, but we still get caught up in his web of deceit. His demented sense of "responsibilities" guide him down the path of betrayal ... a path that stomps on his all-knowing wife, his ultra-trusting daughter, his sensitive mistress, and a young guy just trying to get his life in order.

The supporting cast is strong led by Susan Sarandon as the wife, Brit Marling (Another Earth) as the daughter, and Tim Roth as the crusty NY Detective trying to catch the big fish. However, this is Gere's film and he delivers his best in years. It's also great to see Stuart Margolin, who was so entertaining as Angel in The Rockford Files back in the 70's. Another interesting casting choice has long time "Vanity Fair" editor Graydon Carter as the head of the financial institution looking to purchase Miller's company.

Again, the individual pieces of the story are all quite familiar, but filmmaker Jarecki does a nice job of assembling the pieces in a manner that keep us engaged. It's a nice example of how the rules are different for the rich, and show how the worst of them even think they can get away with murder! (www.MovieReviewsFromTheDark.wordpress.com)