CALIFICACIÓN DE IMDb
4.3/10
1.4 k
TU CALIFICACIÓN
Sigue a un grupo de personajes mientras sus caminos se cruzan en el transcurso de una velada en un restaurante de Los Ángeles.Sigue a un grupo de personajes mientras sus caminos se cruzan en el transcurso de una velada en un restaurante de Los Ángeles.Sigue a un grupo de personajes mientras sus caminos se cruzan en el transcurso de una velada en un restaurante de Los Ángeles.
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Opiniones destacadas
Ryan Phillippe more or less reliably speaks his lines aloud in this bizarre, inexplicable production.
This film ambitiously attempts to meld a desperately stretched social justice revenge flick with an absolutely nonsensical drug heist crime flick, applying all the formidable knowledge and experience of a high school film class to the endeavor. Jim Gaffigan was apparently lost in the vicinity while they were shooting.
The resulting "thriller" is nearly unwatchable as such, eschewing traditional notions of pace and tone in favor of a straightforward series of scenes, presented neatly and entirely devoid of emotional substance. There are brief moments where it nearly finds comedic legs, awkwardly lurching through through the stilted dialogue, but the tragic absence of subtlety looming over the film makes it all too clear - they never meant for it to be funny.
This film ambitiously attempts to meld a desperately stretched social justice revenge flick with an absolutely nonsensical drug heist crime flick, applying all the formidable knowledge and experience of a high school film class to the endeavor. Jim Gaffigan was apparently lost in the vicinity while they were shooting.
The resulting "thriller" is nearly unwatchable as such, eschewing traditional notions of pace and tone in favor of a straightforward series of scenes, presented neatly and entirely devoid of emotional substance. There are brief moments where it nearly finds comedic legs, awkwardly lurching through through the stilted dialogue, but the tragic absence of subtlety looming over the film makes it all too clear - they never meant for it to be funny.
Who is giving this 10 out of 10 here's 1 out of 10 to counter. Bad film save yourself lost time don't bother. Dreadful film simply appalling. Anyone rating this 10 out 10 need to rounded up and sent round to master ass clown the legend manipulation creature allcock n bull.
I tried to finish this but I really don't want to waste the next 17 mins it would take to get to the end. To be honest I just don't care about any of the story lines or people. I like the actors but feel like I'm watching community theater with a hand held camera. Just bad writing I think is the problem? I've seen stories of affairs, oppression, and drug heists and this feels like maybe the film club at high school got the chance to write a script and someone filmed it. Not sure why Gaffegan or Phillipe took on these roles. The gal who plays Tamira is hard to watch. Back to Hulu search on a Friday night.
All the actors were game. Even Drea De Matteo who got NOTHING to do. The tones of the three stories didn't mesh well. Kat Graham's tragedy porn storyline with Ryan Phillipe went SO hard that it veered into camp. Or maybe it started off campy - hard to say. Cackled several times at parts that were not meant to be funny. Not bad for a Five Dollar Tuesday experience in a half full theater. I appreciate the IDEA of Kat Graham continuing to get acting roles even though the outcome is always dicey. I miss her aspiring pop music era.
This takes place in and around an L. A. restaurant over one night. Various people are dealing with their own dire issues which culminates in a devastating incident.
Some stories are better than others. None of them are perfect. Jim Gaffigan's story is trying to be too secretive. It takes too long to reveal. The whole movie is like that, but his story is particularly frustrating. The drug story is probably the most compelling, but I'm not sure why they are hidden there. As for Ryan Phillippe and Kat Graham, I don't buy that story. He wouldn't buy it. That story makes this whole enterprise too contrived.
Some stories are better than others. None of them are perfect. Jim Gaffigan's story is trying to be too secretive. It takes too long to reveal. The whole movie is like that, but his story is particularly frustrating. The drug story is probably the most compelling, but I'm not sure why they are hidden there. As for Ryan Phillippe and Kat Graham, I don't buy that story. He wouldn't buy it. That story makes this whole enterprise too contrived.
¿Sabías que…?
- ErroresThe first three times the countdown device under Hunter's chair is seen, the times are 81 minutes, then 49 minutes, then 74 minutes.
- Bandas sonorasClose to You
Written by Stan Beverly
Performed by The Hollywood Saxsons
Courtesy of Resnik Music Group/Lode Publications/BMI
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Detalles
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
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