Luego de años de reclusión, el Rey del Sueño emprende un viaje a través de los mundos para recuperar lo que le robaron y restaurar su poder.Luego de años de reclusión, el Rey del Sueño emprende un viaje a través de los mundos para recuperar lo que le robaron y restaurar su poder.Luego de años de reclusión, el Rey del Sueño emprende un viaje a través de los mundos para recuperar lo que le robaron y restaurar su poder.
- Nominada a1 premio BAFTA
- 10 nominaciones en total
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Resumen
Reviewers say 'The Sandman' series is lauded for its captivating narrative, stunning visuals, and faithful adaptation of Neil Gaiman's comic series. The show explores dark fantasy, psychological drama, and the human condition, with standout performances, especially Tom Sturridge as Dream. However, it faces criticism for uneven pacing, inconsistent writing, and deviations from the source material. Some express dissatisfaction with character portrayals and diversity representation. Despite these issues, many find the series engaging and eagerly anticipate future seasons.
Opiniones destacadas
It's fair to say I've always been somewhat of a fan of the distinctively whimsical, quintessential eccentricity imbued within famous author Neil Gaiman's writing (ever since - in 2011 - first being introduced to it as a child in BBC1's 6th season of "Doctor Who", with his critically acclaimed episode "The Doctor's Wife") & therefore, as a long-time admirer of his impressive portfolio of work, growing up alongside his growing number of flourishing projects, I'd previously made consistent efforts to acquaint myself with his prior TV adaptations "Good Omens" & "American Gods" but admittedly, had never yet had the pleasure of reading the much beloved "Sandman" graphic novels (of which this series is based upon, widely considered to be his best) before. Hence, I personally went in to this season with no preconceived expectations & thus, I must concede - after viewing the first 3 installments - that this Netflix series has completely blown me away & ironically surpassed even my wildest dreams.
Of course, I can only comment as a casual viewer (& am unable to ascertain the faithfulness to the source material, present within these episodes), but within the first 3 hours, we as an audience are introduced to a rich, layered, enchanting world of pure imagination that is creatively borne, masterfully realised & the sheer scope & scale captured from beginning to end is honestly mesmerising. Indeed, it's no surprise to witness peculiar & cerebral fantastical wonders on screen - in a fantasy constructed from the inspired mind of such a quirky, ingenious scribe - yet nonetheless, I still found myself utterly confounded by the sheer regality & majesty of this grandiose, unconventional & wholly epic tale.
It's a credit to all of the cast & crew members involved, who've respectfully & lovingly brought such a breathtaking universe to life & I'm hopeful the quality established here in the preliminary chapters will continue throughout... Because from what I've seen, I'm seriously floored. It is utterly remarkable, beautifully dark & haunted & unlike anything I've had the opportunity to previously binge on the streaming service, in its history.
There's a palpable sense of history & mythology to it which immediately draws you in & I cannot wait to see more. What a major achievement!
Of course, I can only comment as a casual viewer (& am unable to ascertain the faithfulness to the source material, present within these episodes), but within the first 3 hours, we as an audience are introduced to a rich, layered, enchanting world of pure imagination that is creatively borne, masterfully realised & the sheer scope & scale captured from beginning to end is honestly mesmerising. Indeed, it's no surprise to witness peculiar & cerebral fantastical wonders on screen - in a fantasy constructed from the inspired mind of such a quirky, ingenious scribe - yet nonetheless, I still found myself utterly confounded by the sheer regality & majesty of this grandiose, unconventional & wholly epic tale.
It's a credit to all of the cast & crew members involved, who've respectfully & lovingly brought such a breathtaking universe to life & I'm hopeful the quality established here in the preliminary chapters will continue throughout... Because from what I've seen, I'm seriously floored. It is utterly remarkable, beautifully dark & haunted & unlike anything I've had the opportunity to previously binge on the streaming service, in its history.
There's a palpable sense of history & mythology to it which immediately draws you in & I cannot wait to see more. What a major achievement!
I thought the show was really great the first episodes, dark setting and interesting characters. Somewhere along the way I grew bored by the show however. I will probably watch the second season if it ever comes out since I am a fan of the novels. This was entertaining but the stark difference to how it started and how it ended made it less interesting for me. I hope the next season will focus on what made the first episodes so good. I think maybe sandmand will have a hard time to compete with all the upcoming franchises coming out this fall, I hope I am wrong though!
On another note, 600 characters requirement for a short user review is too damn long!
On another note, 600 characters requirement for a short user review is too damn long!
I knew nothing of the graphic series before watching this,, so I have no preconceived ideas of what this should or should not be.
It feels dark and gritty like a good graphic novel come to life. As one who enjoys a visual feast, I thoroughly enjoy the sets and details within each scene. I have watched the entire season at least 3 times and notice little things in every episode each time I watch.
I think that Tom Sturridge plays the part in an otherworldly spectacular way. I love the evolution of his character from distant, and godly, to one with a care for humanity. The premise of the "nightmares" is highly intriguing. Boyd Holbrook plays his character flawlessly. I despise him, but, at the same time can't stop watching when he is on the screen.
There are possibilities for growth and change within the series. I can't wait for season 2.
It feels dark and gritty like a good graphic novel come to life. As one who enjoys a visual feast, I thoroughly enjoy the sets and details within each scene. I have watched the entire season at least 3 times and notice little things in every episode each time I watch.
I think that Tom Sturridge plays the part in an otherworldly spectacular way. I love the evolution of his character from distant, and godly, to one with a care for humanity. The premise of the "nightmares" is highly intriguing. Boyd Holbrook plays his character flawlessly. I despise him, but, at the same time can't stop watching when he is on the screen.
There are possibilities for growth and change within the series. I can't wait for season 2.
As someone who has read the comics - The Absolute Sandman 1-4 and Absolute Death proudly sit on my shelf - I approached this adaptation with cautious optimism.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
Netflix's The Sandman is a great adaptation of the original comic-books (please don't call them graphic novels, they're comics).
Sadly this adaptation also fails to deliver the most important and strikingly emotional stories from the comics. The fate of the two angels in Hell, The Inn at the end of the world, Barbie's story, and many more.
I understand they've skimmed down the story to the bare minimum and essential to tell the fate Dream. However with it, they have disregarded precisely what the comics are all about, the stories of Morpheus and his Realm.
Hopefully, somebody else will have another go in 30 years.
That been said, the cast is spectacular, the photography is beautiful, and the whole atmosphere captures perfectly the tone and feel of the original comics.
I see some reviews complain about it being slow or too elaborate, ehem, The Sandman is proper mythology and a very deep family drama, not another one of Snyder's mental puke. It actually requires you to THINK.
Sadly this adaptation also fails to deliver the most important and strikingly emotional stories from the comics. The fate of the two angels in Hell, The Inn at the end of the world, Barbie's story, and many more.
I understand they've skimmed down the story to the bare minimum and essential to tell the fate Dream. However with it, they have disregarded precisely what the comics are all about, the stories of Morpheus and his Realm.
Hopefully, somebody else will have another go in 30 years.
That been said, the cast is spectacular, the photography is beautiful, and the whole atmosphere captures perfectly the tone and feel of the original comics.
I see some reviews complain about it being slow or too elaborate, ehem, The Sandman is proper mythology and a very deep family drama, not another one of Snyder's mental puke. It actually requires you to THINK.
¿Sabías que…?
- TriviaDave McKean, who created the covers for the comic series, came out of "Sandman retirement" to design the credits sequences for this series.
- Créditos curiososThe Warner Bros and DC Comics logos are formed from shifting sands.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Geeked Week for Freaks (2021)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Sandman
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 45min
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD
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