Sundays at Tiffany's

In general, if don't enjoy Cinderella stories, this movie is a pass. It's as unrealistic as they come, and leans on tried and true corny scripted fantasy love story lines.

IF however, you enjoy the daydream type love story (that could literally never happen, but would be wonderful if it could), this might be a real gem for you. The early scene in this film set in a restaurant with 10 year old Jane and Michael is worth the view alone - a clip of this scene went viral on social media a while ago. You might have seen it (or passed over it) in your feed on Instagram. Precious moment 🙌.

Not much else to say without giving away the story. It runs 88 mins edited originally to cut to commercials and with those would run 2 hours.

My "7" is like many reviewer's 8s, and means I'm giving it one thumbs up and a recommend to view with caveats I wrote above.

👍

Jane (Alyssa Milano) once had an imaginary friend when she was a little girl. An only child to a busy mother, Vivian (Stockard Channing), she needed Michael time and time again to help her in daily living. But, on the day the wee gal turned ten, Mother took her shopping for jewelry at Tiffanys and Michael said goodbye! He told Jane the rules of imaginary pals was written in stone, that is, after age ten, children needed to "grow up" and learn to solve their own troubles. Needless to say, Jane is heartbroken as she watches Michael disappear down the elevator. Flash forward 20 years. Now, Jane works in the theater business with her mother and is engaged to a successful but ego-driven actor, Hugh (the gorgeous Ivan Sergei). With the wedding weeks away, Jane is still having difficulty choosing a gown, flowers, a cake and more. What a surprise it is, then, that a grown-up Michael (Eric Winter) returns to help out! After realizing he is NOT a stalker, Jane accepts that he is indeed her former best friend and, wow, is he cute. Having him by her side makes it easy to choose the right dress and everything else. But, since Michael temporarily bunks on Jane's couch, having no "earthly" home, the two may be in danger of becoming more than pals! Meanwhile, Hugh is doing interviews, signing autographs, and focusing little attention to a supposed rival, haha. What will Jane's heart tell her in the end? This is one beautiful and funny romance, based on a book by James Patterson. Milano is lovely and comical as the lead character while Winter and Sergei are two of the most talented eye-candy actors around. For romcom fans, it doesn't get much better. Channing and all of the other cast members do fine work, too. The Manhattan setting, costumes, script, direction, and all other film amenities are most fine, despite that the film was a made-for-television movie. So, dear fans everywhere, try to grab hold of this winner, for it truly shines as brilliantly as a diamond from the well-known store of the stars.

I thought this was an enjoyable movie. Yes, the ending was fairly predictable, as most of these type movies are, but I enjoyed it. I didn't know this was based on a book and evidently it doesn't follow it very closely and most people who've read it didn't care for the movie. If you don't know about the book, the movie is good. I did notice several goofs (I'm not giving away anything at all about the storyline, so I don't consider these spoilers): in a scene where Jane goes to a restaurant to find Michael, she speaks with the hostess and as the camera flips between the two women, Jane's scarf is around her neck and then hanging down. It goes back and forth about 5 times during the conversation. Also, the previews for the movie show parts of scenes that don't actually happen in the movie. The preview of Michael in front of the cab has the cab driver saying "we can all see you" and he never says that in the actual movie. Also, the preview shows a brief clip of Jane and Michael dancing 'the robot' in a bar, and in the movie, she doesn't get up until he is done dancing.

The movie is so good, the romance and the friendship i love it too much

like every romantic comedy. because it is nothing more than only one of comfortable and soft romantic comedy, using the same recipes, the right cast, the seductive story. and this is it. the only spice who gives a shadow of different flavor is the imaginary friend. sure, a catch, not original but beautiful. for the reference to the childhood of many viewers. for the aspects of modern airy tale. so, a not bad film, a reasonable choice for the not admirers of romantic movies, a simple - simple story in sauce of humor, few drops of emotion and the expected /absurde end. and that is all.