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6.9/10
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Exmiembro de la banda de atracadores conocida como "Los lioneses", Edmond, alias "Momon", vive retirado del mundo del crimen. Cuando recibe la noticia de que su compañero Serge ha sido deten... Leer todoExmiembro de la banda de atracadores conocida como "Los lioneses", Edmond, alias "Momon", vive retirado del mundo del crimen. Cuando recibe la noticia de que su compañero Serge ha sido detenido, se plantea sacar de la cárcel a su amigo.Exmiembro de la banda de atracadores conocida como "Los lioneses", Edmond, alias "Momon", vive retirado del mundo del crimen. Cuando recibe la noticia de que su compañero Serge ha sido detenido, se plantea sacar de la cárcel a su amigo.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Valeria Cavalli
- Janou Vidal
- (as Valéria Cavalli)
Opiniones destacadas
This is the story of Edmond Vidal, better known as Momom, a boy who spent his entire childhood in a poor gypsy camp. With a strong sense of family and loyalty, he and his childhood friend Serge began committing petty thefts and ended up involved in organized crime. In the 1970s, the two formed the Gang des Lyonnais, becoming recognized as the greatest criminals of the time. After an arrest in 1974, Momom and Serge drifted apart. Today, almost 60 years old, Edmond wants to forget his past and live his life with his family... But the past will come knocking on his door again, in the form of Serge.
The plot has a very good premise, based on real events, which I really love. However, I started out feeling motivated, and the motivation didn't come during the film, although there were several interesting scenes and a few disgusting ones of torture, a beautiful story of love between bandits, society, friendship, complicity and betrayal, great elements for a good thriller, which didn't captivate me as much as I thought it would... A good film about the life of crime and redemption of Edmond "Momom" Vidal...
The plot has a very good premise, based on real events, which I really love. However, I started out feeling motivated, and the motivation didn't come during the film, although there were several interesting scenes and a few disgusting ones of torture, a beautiful story of love between bandits, society, friendship, complicity and betrayal, great elements for a good thriller, which didn't captivate me as much as I thought it would... A good film about the life of crime and redemption of Edmond "Momom" Vidal...
Entertainment at the highest levels of engagement. All the emotions are triggered and captured over and over again as we visit with 35 years of a friendship that was tested to the limits. Did it or does it hold is one good question. When it comes to crime, one never knows what to expect as crime doesn't play by the rules but by its own rules. One has to remember that as violent as a gang wants to be, there is always someone more violent that wants to prove that point. Both are motivated but only one can prevail. Everyone knows the police are restricted, dumb and don't catch on quickly, but what if they are not? Furthermore, what about human nature which proves to be unreliable time and again when things get dicey. Good acting, tense direction, clear cut story that makes several points and then does one good thing. It lets you be the judge of the outcome. This is as it should be. Tasty drink and finger foods recommended and this draws you in so no distractions to interfere with that or you will ruin the ten rating for yourself
Thrilling and intelligent thriller about a powerful thief gypsy , now retired and living peacefully . A stylish , complex movie driven by a main character , dealing with a known delinquent called Edmond Vidal, aka Momon (Gerad Lanvin) whose life radically changes when appears an old friend and he would like to forget that part of his life . After growing up in a poor gypsy camp , Momon, a known robber has retained a sense of family , honesty , camaraderie , unfailing loyalty and pride in his origins . Proud Momom is 60 years old and a veteran leader of a band called Les Lyonnains . Most of all, he has remained friendship with Serge Suttel . The two of them created a dangerous gang who carried out bold robberies . The team they formed, inevitably got involved in organized crime , they are called the Gang Des Lyonnais, made them the most famous armed thieves of the early 1970s . Their irresistible rise and sudden fall ended in 1974 with a surprising arrest by a denouncement proceeded by a traitor . Today nears 60 , he has found peace by retiring from the "business" and taking part in weddings , parties and family celebrations . He protects to his spouse Janou (Valeria Cavalli) , who suffered so in the past a penalty in prison , and to his children and grandchildren , all of whom have great respect for this person of simple and universal values, so clear-headed and full of loyalty , friendship , comradeship and kindness . But then there appears Serge Sutte (Tchéky Karyo) , who has disowned nothing of his past, as he comes back into his quiet life and emerges violence , pursuits , betrayal and relentless vendetta .
This exciting film contains action , violence , thrills , treason , suspense and plot twists . Top-notch thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways, it feels like a tribute to ¨Polar¨ genre or French Noir Cinema , full of attractive characters and edge-of-your-seat intrigue . The story is narrated by means of flashbacks about past and present , realizing a complex as well as interesting crossover . The film was noteworthy for casting some of the finest actors in France . Exceptional acting by Gerard Lanvin as Momon , a notorious criminal who would like to forget that part of his life , as he has found peace by retiring from the "business" and sensational Tchéky Karyo as Serge Suttel, with whom he first discovered prison life - for stealing cherries . The film was dedicated to Bernard Giradeau , a good French actor who played several Noir flicks . Good production design , the prison seen in the film is actually a combination of three filming locations : the exteriors are that of the real prison, and the other interiors . The picture achieved big success and was nominated various prizes César and considered to be one of the best thrillers of the year in which you'll leave the cinema shaken and moved . Excellent soundtrack by Erwann Kermorvant that elevates the emotion and the intensity of the scenes to new heights . Colorful as well as evocative cinematography filmed on location in La Boisse, Ain, La Valbonne, Balan, Ain, France , Tassin-la-Demi-Lune, Rhône, Rhône-Alpes, France and Lyon, Rhône, Rhône-Alpes, France .
Olivier Marchal did a formidable job with Les Lyonnais (2011) . He then wrote the first draft of the screenplay himself, and so on ; being based on Edmond Vidal book titled "Pour Une Poignée de Cerises¨ . Olivier is a notorious writer/director and he formerly was a police officer . As Olivier Marchal started taking acting lessons when he still was a police officer. He began his career in television, appearing in supporting parts or writing scripts for detective TV series. In 1989 when Yves Rénier resurrected his TV series Commissaire Moulin (1976) he became his partner as scriptwriter, series supervisor and sometimes actor . In 2000 he starred as Commandant Pierre Rivière in his own TV series "Police district" (1999), written by novelist Hugues Pagan, himself also a former police officer . Olivier Marchal , an actor/writer/director has directed sensational French thrillers , just like "36th Precinct" , ¨Diamond 13¨, ¨Mr73¨ as good as this and ¨Gangsters¨ .
This exciting film contains action , violence , thrills , treason , suspense and plot twists . Top-notch thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways, it feels like a tribute to ¨Polar¨ genre or French Noir Cinema , full of attractive characters and edge-of-your-seat intrigue . The story is narrated by means of flashbacks about past and present , realizing a complex as well as interesting crossover . The film was noteworthy for casting some of the finest actors in France . Exceptional acting by Gerard Lanvin as Momon , a notorious criminal who would like to forget that part of his life , as he has found peace by retiring from the "business" and sensational Tchéky Karyo as Serge Suttel, with whom he first discovered prison life - for stealing cherries . The film was dedicated to Bernard Giradeau , a good French actor who played several Noir flicks . Good production design , the prison seen in the film is actually a combination of three filming locations : the exteriors are that of the real prison, and the other interiors . The picture achieved big success and was nominated various prizes César and considered to be one of the best thrillers of the year in which you'll leave the cinema shaken and moved . Excellent soundtrack by Erwann Kermorvant that elevates the emotion and the intensity of the scenes to new heights . Colorful as well as evocative cinematography filmed on location in La Boisse, Ain, La Valbonne, Balan, Ain, France , Tassin-la-Demi-Lune, Rhône, Rhône-Alpes, France and Lyon, Rhône, Rhône-Alpes, France .
Olivier Marchal did a formidable job with Les Lyonnais (2011) . He then wrote the first draft of the screenplay himself, and so on ; being based on Edmond Vidal book titled "Pour Une Poignée de Cerises¨ . Olivier is a notorious writer/director and he formerly was a police officer . As Olivier Marchal started taking acting lessons when he still was a police officer. He began his career in television, appearing in supporting parts or writing scripts for detective TV series. In 1989 when Yves Rénier resurrected his TV series Commissaire Moulin (1976) he became his partner as scriptwriter, series supervisor and sometimes actor . In 2000 he starred as Commandant Pierre Rivière in his own TV series "Police district" (1999), written by novelist Hugues Pagan, himself also a former police officer . Olivier Marchal , an actor/writer/director has directed sensational French thrillers , just like "36th Precinct" , ¨Diamond 13¨, ¨Mr73¨ as good as this and ¨Gangsters¨ .
The irony of an ex-cop Olivier Marchal, co-writing, directing and acting in a somewhat true tale of real life French criminal Edmond Vidal aka Momon is something some, like me will find irresistably attractive. Surprisingly, although we are left in no doubt that Vidal and his compatriots are mired in the underworld and its sins, this film paints quite a sympathetic and humanistic portrait of its central players.
There is nothing really original about Gang Story (including the title). It's a story we've seen before (rise and fall of a career criminal and his associates), told in a semi-linear style combining plentiful flashbacks to pivotal past moments with present day events (The Godfather Part 2 and Goodfellas). Marchal frequently acknowledges and pays homage to Coppola and Scorsese throughout the film, but I personally would have preferred to have seen him, as Coppola does, use longer sequences before changing time periods. It does get unsettling, if not annoying and confusing, when some of these intercut scenes last all of 10 seconds, before changing time periods. I also would have appreciated an elaboration on the childhood relationship between Momon and Serge, which I think would have strengthened the story even more. Onscreen, it's all over within a minute, before we move on to when they were young adults. And the storyline to this movie, is its real appeal; the bonds of loyalty between crime boss and sidekick stretching over generations and examining how far those bonds can be stretched, before risking permanent dislocation. Gerard Lanvin (Momon) and Tcheky Karyo (Serge) are well cast in the contemporary lead roles, though the film, as mentioned earlier is seen from the former's perspective.
The film claims to be based firmly on true events and characters, though I have no idea how close to reality, the depicted events actually are. For all of that, Marchal presents a story, that is never less than compelling, culminating in a climax, which, while some may have predicted, is nevertheless full of pathos and feeling. Gang Story is worth your acquaintance.
There is nothing really original about Gang Story (including the title). It's a story we've seen before (rise and fall of a career criminal and his associates), told in a semi-linear style combining plentiful flashbacks to pivotal past moments with present day events (The Godfather Part 2 and Goodfellas). Marchal frequently acknowledges and pays homage to Coppola and Scorsese throughout the film, but I personally would have preferred to have seen him, as Coppola does, use longer sequences before changing time periods. It does get unsettling, if not annoying and confusing, when some of these intercut scenes last all of 10 seconds, before changing time periods. I also would have appreciated an elaboration on the childhood relationship between Momon and Serge, which I think would have strengthened the story even more. Onscreen, it's all over within a minute, before we move on to when they were young adults. And the storyline to this movie, is its real appeal; the bonds of loyalty between crime boss and sidekick stretching over generations and examining how far those bonds can be stretched, before risking permanent dislocation. Gerard Lanvin (Momon) and Tcheky Karyo (Serge) are well cast in the contemporary lead roles, though the film, as mentioned earlier is seen from the former's perspective.
The film claims to be based firmly on true events and characters, though I have no idea how close to reality, the depicted events actually are. For all of that, Marchal presents a story, that is never less than compelling, culminating in a climax, which, while some may have predicted, is nevertheless full of pathos and feeling. Gang Story is worth your acquaintance.
I expected a lot from this film as Lanvin and Karyo are big names in cinema no matter where you live. It surpassed my expectations by miles. The dialog is thought provoking, the plot contains enough twists to keep you hooked, but does so with finesse rather than going over the top. All the actors/actresses are well cast at no point did I feel anyone was in the wrong part or unconvincing. The action was perfectly balanced with the plot, too much would have spoiled it, too little and it wouldn't be much of a crime film. The settings were good, as was the style in which it was filmed. I don't want to describe the story as I think it's so good that it is worth watching with no preconceptions. For me a standout film, one of the best I have seen in a long time and the director should be applauded. Its subtitled but they were flawless and at no point did it occur to me that the lack of English sound was a problem. I would heartily recommend watching.
¿Sabías que…?
- TriviaBased on life events of real life French gangster Edmond Vidal aka Momon.
- ConexionesReferenced in La gardav (2024)
- Bandas sonorasLes Genoux qui Craquent
Written by Nat Russell
French lyrics by Pierre Saka
Performed by Dick Rivers and Les Chats Sauvages
© 1961 Editions et Productions Pathé Marconi.
(p) 1961 Capitol Music
avec l'autorisation de EMI Music France
tout droits réservés
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- How long is Les Lyonnais?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- A Gang Story
- Locaciones de filmación
- La Boisse, Ain, Francia(Suttel's evasion from hospital)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 10,249,599
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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