Agrega una trama en tu idiomaA documentary analyzing the furor which so-called "video nasties" caused in Britain during the 1980s.A documentary analyzing the furor which so-called "video nasties" caused in Britain during the 1980s.A documentary analyzing the furor which so-called "video nasties" caused in Britain during the 1980s.
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Opiniones destacadas
That's not to say I, or any right minded parent, would purposely seek out the likes of I Spit On Your Grave, Driller Killer et al, and then sit down our six year olds in front of the TV, "hey kids, watch this, it's really cool", but the moral panic whipped up by the press and politicians not fit to actually run the country, was at the time like some sort of hysteria. It was like The Sex Pistols saying a rude word on the television was seen as the starting point for the break down of civilised society!
Jake Wests' documentary could quite easily have been a loaded piece just arguing about freedom of choice, artistic integrity etc, in fact when you see that respected purveyors of British Horror like Chris Smith, Neil Marshall, Kim Newman and Andy Nyman are lined up for comments, it lends one to think that might be the case. However, and of course they have their own opinions and spleen venting towards the whole thing, West deals in facts, deconstructing the figures and viability of supposed research into what our youngsters were watching back then. And if you believe Tory MP Graham Bright, our dogs as well!
Led by the key player, Martin Baker who still to this day is happily awaiting for the government to try and sue him for exposing the truth, this documentary lays it down true. Complete with old footage, stills and newspaper reports, the time period is brought vividly to life (remember those top loading video recorders!), so yes there's obviously a big nostalgia factor for myself and my luminaries; Messrs Marshall etc. This shouldn't detract from the core issue of censorship and the abuse of such, making this an essential viewing for any horror film fan.
Hey! Don't get me wrong, in truth 90% of the films that made the infamous banned list were, and still are, pretty naff, where quite often the cover of the VHS was far more scary than anything in the film! But that's not the point is it? 9/10
In the last few years or so, I have caught up with most of the infamous video nasties and on an alarmingly common basis wondered how in hell they were ever considered obscene in the first place. Of course, I don't refer to all of them when I say this; movies such as Cannibal Holocaust and The House on the Edge of the Park remain deeply troubling movies, while Faces of Death is guaranteed lasting infamy for its real death footage. But when viewing films such as Funhouse or Visiting Hours, amongst many others I just couldn't get to grips with how they could have fallen foul of the law to such a massive extent. As it turned out the 72 nasties were eventually whittled down to 39 'true' video nasties that were considered the extreme of the extreme Although when you consider that this final list included the innocuous The Werewolf and the Yeti you are still left wondering about the thought process that produced this final list.
This documentary looks at the thinking behind the panic and the way the authorities acted. It was driven by politicians, puritans and Mary Whitehouse. The tabloid press were possibly the most influential of all though, informing the public that the sadistic videos were not only pernicious but that some were even genuine snuff movies. All of this was eaten up of course and titles with tabloid friendly, memorable names such as The Driller Killer became poster boys for all that was wrong with the new home video entertainment. Although most of us never actually thought about it at the time but the reason the market was flooded with low budget horror titles in the first place was that when the home video format first emerged, the big American studios refused to release their movies onto it seeing it as a competitor to their cinematic offerings. Consequently, lots of small traders emerged and bought up packages of cheap films, often very obscure and with a large percentage being horror flicks. And with this historical context, the early 80's home video horror boom was born.
In fairness, it isn't very surprising that the Video Recording Act happened. It does seem insane that these films weren't age certificated in some way. It's also not hard to understand why a lot of folks were uncomfortable when they were presented with lurid promotional posters for the likes of S.S. Experiment Camp. We have been desensitised these days to film violence and you really have to take into account the historical context to understand the genuine shock that these films engendered. So the documentary looks at why the furore happened and it allows both sides of the argument fair air time to present their case. It would only be fair to say that the film is clearly on the side of the defenders but I did think that it allowed the other side of the argument a fair hearing and didn't make them look silly with cheap editing or anything. We get to see short clips of all the 72 films but in the final analysis, this is not about the films themselves. It's about what caused the Video Recordings Act of 1983 to come into place. If you have knowledge of the subject there probably won't be too much new here although I am certain you will learn a few new nuggets of information. If, on the other hand, you have no, or limited knowledge, of the whole video nasty phenomenon then this is as good a place to start as any.
It starts by evoking the feeling of how it was to get and see those gruesome horror movies when VHS first came out in the late 70s. It also repeatedly degrades the picture quality to a crummy low-fi picture that is very authentically VHS-like. Then it goes down to business and we get a history lesson about how the video nasties list came to be, the censorship and VHS burnings in the UK,... People from both sides are interviewed, those who fought against the censorship but also those who wanted to enforce it, everything for the sake of recreating those events. For some good measurement some British young horror filmmakers and Kim Newman are thrown into the mix talking about how they perceived it and how those films even influenced their movie making. It's not about the individual video nasty movies, though, although you get to see some bits and pieces from them throughout. Balanced, well-made and works well as a time capsule bringing you back to your childhood. The 3-DVD-box set is available now...in a VHS case.
*** 1/2 (out of 4)
The second documentary after the BAN THE SADIST VIDEOS! series that takes a look at the "video nasties" and the BBFC's attempt to ban horror movies that they felt would ruin the minds of young people and turn them into killers. We get interviews with people involved with the banning or fight against the banning as well as historians like Marc Morris and Kim Newman.
If you watched BAN THE SADIST VIDEOS! then you're not going to see anything here that you don't already know but this is still very much worth viewing simply because the subject matter is so interesting. It's amazing to watch the archival interviews as well as the newspaper headlines, which were pretty much brainwashing people into thinking that if you watched ZOMBIE or MANIAC then you'd turn into a murderer or if you saw I SPIT ON YOUR GRAVE you'd turn into a rapist.
If you're unfamiliar with this era then you're certainly going to be in for a treat as a great number of films are discussed as well as clips from the various battles that happened on television as those against these movies would sometimes go up against those for them. We even get to see clips of all the movies as this documentary starts off, which was fun.
Now something interesting here is that thanks to my good friend Duncan from the Podcast Under the Stairs, I knew most of the information. I've listened to most of his shows from the TPUTS Collective of Doing the Nasty where they were covering the films from all three lists. The introduction pulls soundbites and this theme song from this documentary. That still didn't diminish my enjoyment of this. I was born in the 1980s and in the United States, so when this was going on, I had no idea. It is quite interesting.
What I like most about this documentary is that it tells both sides of the story. We are getting great film critics like Alan Jones, Kim Newman, Julian Petley and Stephen Thrower telling their side. What is interesting then to go along with them is hearing from British filmmakers like Christopher Smith and Neil Marshall. Then on the other side of this, we hear from people who were in favor of the ban like Graham Bright, who introduced the Video Recordings Act 1984. The best documentaries try not to be completely biased so I give credit here.
This is also a well-made documentary. There is a funny part in the beginning when they talk to people who used to seek these films out. They talk about how you could tell when a gory part or nudity was coming because the quality would dip. Having grown up with VHS tapes, I do remember that. What is fun is that the quality of what we're watching mimics that. This does well in editing in footage to help show things they were talking about. I'm glad I finally sought this out. This definitely gives an interesting introduction to this period of British history and to this list of wild films, which were added for a variety of reasons.
My Rating: 8 out of 10.
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- TriviaAvailable as part of Nucleus Films 3 disc DVD set "Video Nasties: The Definitive Guide".
- Citas
Martin Barker: And I think... the most interesting thing to me is just how little historical memory we have. The next time there's a panic, we won't remember just how stupid the last one was and how people get away with things. And that to me is the most important lesson about this campaign. The evangelicals got away with murder. They got away with fraud. They got away with deceiving people. They now laugh it off and the fact that all these films, almost all these films are now available uncut in the public domain... they don't care. Because they move on, because what they want to do is dominate the present and they don't care about history. Critical voices have to care about history. We have to care about the way in which things got controlled in the past because that's when the damage gets done. And if we don't keep that historical memory, we will allow them to do it again next time.
- ConexionesFeatured in Half in the Bag: Censor (2021)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Video Nasties: The Definitive Guide
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 12min(72 min)
- Color
- Relación de aspecto
- 1.78 : 1