The Observer le ha pedido a Steve Coogan que recorra los mejores restaurantes del país, pero después de que su novia se aleja de él, debe llevar a su mejor amigo y fuente de molestias eterna... Leer todoThe Observer le ha pedido a Steve Coogan que recorra los mejores restaurantes del país, pero después de que su novia se aleja de él, debe llevar a su mejor amigo y fuente de molestias eternas, Rob Brydon.The Observer le ha pedido a Steve Coogan que recorra los mejores restaurantes del país, pero después de que su novia se aleja de él, debe llevar a su mejor amigo y fuente de molestias eternas, Rob Brydon.
- Premios
- 2 nominaciones en total
- York Arms Receptionist
- (as Mercè Ribot)
Opiniones destacadas
8/10
(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.
6/10
I really just want to salute the movie as a triumph that says you don't need bombs, explosions or farts to make a film enjoyable. The conversations ran so smoothly. One would have thought them natural as in a cinema verite...........I knew nothing of the stars nor their UK experience and CV.............I just enjoyed listening to them without any prior historical context...........it also made me want to visit northern England to enjoy the food, scenes and outdoors. Worth a watch on a nice quiet peaceful American night. Maybe it will rub off on us.
"The Trip" has no real story. As explained in the first 10 seconds of the film, it's simply about Steve Coogan (played by Steve Coogan) who reluctantly invites his quasi-friend Rob Brydon (played by Rob Brydon) in on an assignment reviewing restaurants in northern UK.
What follows is 172 minutes of bizarre, awkward and painful humour which, like in the "Michael Caine" clip, centers around the 2 quirky characters and their polite antagonism of each other. If you haven't already seen the Coogan-Brydon schtick (as in "Tristram Shandy: A Cock & Bull Story") I can only describe it as classic. It's almost a throwback to Laurel & Hardy or Abbot & Costello but with intelligence rather than slapstick. Coogan plays the somewhat superior egotist while Brydon plays the clown (who always gets the better of his counterpart).
"The Trip" was originally a 6-part series that aired on BBC in 2010, strung into a feature film released in 2011. The whole show was largely improvised, and in the excellent bonus features on the film DVD we can see the evolution of their routines as well as some other gags that didn't make it to the final version (such as the hilariously surreal "C-NT SONG" and accompanying dance choreography).
The pacing of the film is somewhat slow, but that works to its advantage. It makes the whole experience flow realistically, not contrived. The gags are like islands of hilarity in a sea of Coogan's otherwise dreary life. Also note, even though I said there's no story, there actually is if you read between the lines. Ironically, it's a rather heavy story touching on the themes of loneliness, dissatisfaction and Shakespearean "sound and fury signifying nothing". I was extremely impressed that director Michael Winterbottom could make such a funny film within such a bleak premise.
Watch it closely and you'll be both entertained and affected. Films I'd compare this to are "Tristram Shandy" (another excellent Coogan-Brydon-Winterbottom collaboration), "Coffee and Cigarettes" (also featuring Coogan in a stylish, artistic comedy by Jim Jarmusch) and some of the Christopher Guest films, such as "A Mighty Wind" and "Best in Show".
90% of the film is just back and forth banter between the two British comedians, mostly impressions. They compare their Michael Caine impressions and they are amazingly spot on. They also try out Anthony Hopkins, Ian McKellan, Roger Moore, and a host of others. Intercut between these impressions and other comedic diatribes is a deeper and more personal story. Brydon has a wife and newborn waiting for him back in London but Coogan is in a rough patch with his younger American girlfriend and proceeds through a few one night stands during the trip. There are scenes showing his insecurity with her and a few which show the two friends comparing careers and who is more successful. Coogan is more internationally known but Brydon gets recognized more on the street in northern England.
The last film starring these two was Tristram Shandy: A Cock and Bull Story which was about how utterly hard it would be to film the novel Tristram Shandy. That film was comedic genius and still makes me laugh to think about it. The Trip does not rise to that Tristram Shandy's level, but there are plenty of moments to enjoy here, especially if you are at all familiar with Steve Coogan and Rob Brydon. If you have never heard of these guys before, you will not get too much out of The Trip except for some laughs at their impressions and a spectacular scene in their Range Rover about improving the line "We rise at dawn."
¿Sabías que…?
- TriviaThere is no credited writer. Majority of the film is improvised.
- Citas
Rob: You could have a costume drama here, couldn't you?
Steve: I would love-I'd absolutely-I'd just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, 'cause I've seen so many horrors that I'm sort of immune to them, and I'd say something like, "Gentlemen, to bed! Gentlemen, to bed, for we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime affliction."
Rob: Nice.
Steve: To bed, for we rise at daybreak!
Rob: Very good. Very impressive.
Steve: But they always, they always leave at daybreak. They never leave at, you know, nine-thirty. "Gentlemen to bed, for we leave at nine-thirty!"
Rob: Ish.
Steve: Ish. "Gentlemen to bed, for we rise at... What time is the battle? About, oh, twelve o'clock? Twelve o'clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?"
Rob: Eight-thirty for nine.
Steve: "Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after daybreak. Seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot."
Rob: Do you want to have a run, sire, in the morning? Just to loosen up, sire.
Steve: Yes.
Rob: Another thing they never say is, "Right! Well! We'd better make a move. I want to get back in daylight. We'd better make a move."
Steve: To bed! Tomorrow we ride! We leave at ten-ish.
- ConexionesEdited from The Trip (2010)
Selecciones populares
- How long is The Trip?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- El viatge
- Locaciones de filmación
- Cartmel, Grange-over-Sands, Cumbria, Inglaterra, Reino Unido(Steve and Rob go to L'Enclume)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,030,962
- Fin de semana de estreno en EE. UU. y Canadá
- USD 77,904
- 12 jun 2011
- Total a nivel mundial
- USD 3,945,217
- Tiempo de ejecución
- 1h 52min(112 min)
- Color
- Relación de aspecto
- 1.85 : 1