Bekas

Written and Directed by Kurdish director, Karzan Kader, Bekas (means parentless in Kurdish) is inspired by real life events which happened in Kurdistan region of Iraq in 1990. The movie narrates the story of two orphaned shoe-shine boys - six year old Zana (Zamand Taha) and the elder Dana (Sarwar Fazil). While the young Zana is feisty, the elder Dana, on the threshold of adolescence, is more worldly wise. After stealing a few glimpses of Superman from a hole in the wall of a movie hall, both Zana and Dana are in awe of Superman's powers. At once, they intend to go to America, where they believe Superman resides, to befriend him and live with him. They also plan to bring Superman back to their home to punish their tormentors and to resurrect their deceased parents. Zana even makes a hit-list of his tormentors topped by Saddam Hussein. They fashion their own innocent - yet, innovative - solutions to overcome the real world constraints they face like arranging passports, funds or border crossings. For their transport, they procure a donkey which sports a BMW logo on its forehead and christened by Zana as (yes.. oh yes..) Michael Jackson.

Thus unfolds a road movie which captures the eventful journey of its two young protagonists through a bleak landscape that is poised on the brink of war. In this journey, the young duo rendezvous with a bevy of varied and interesting characters representing a veritable microcosm of humanity in its myriad natures and predispositions. It is also a journey which would test and retest the resilience of their brotherly bond only to reinforce it stronger. There is also a minor sub-plot involving Dana's liking for a Helliya, a Professor's daughter.

Writer-Director Karzan Kader successfully juxtaposes the sparkling and almost immaculate innocence of his two young leads through their journey presented as a poetic pursuit of their dreams with the harsh realities of a world they inhabit which is torn by strife and poverty. In Zamand Taha (Zana) and Sarwar Fazil (Dana) who play the two brothers, he finds a set of non-actors who are complete naturals and play, nay, live their roles to perfection. They share a warm chemistry and charm their way effortlessly into our hearts. He peppers his narrative with several small characters which leave an imprint in the viewer - be it Baba Khaled (father figure), Mr. Osman (a friend of their father) or the old man they meet on the road.

Kader's movie presents his homeland as a place populated by essentially good and simple people who are roughened by the ravages of war, oppression and limited means. Cinematographer Johan Holmquist deserves a special mention for capturing the bleak landscapes with a surreal beauty.

A road movie that captures the strong bonding of love, affection and togetherness between its two young protagonists, this is also in equal parts a tale of hope, love and loyalty that is laced with delightful humour, moments of thrill, suspense, poignancy and warmth that is sure to tug at the viewers' heart.

Bekas was the opening movie at the Bangalore International Film Festival (BIFFES 2013) and has been appreciated at several international film festival festivals.

The children's acting was very good. it was a sincere, fun and sad film. there were stereotypes, but there were surprises. it was definitely a movie that I liked very much.

This is a great little movie (no pun intended), about friendship and about dreams. About growing up and about much more that covers part of life as well. It might seem impossible at times (especially considering what our main actors try to achieve), but it's always engaging enough to make you interested in what's going on currently.

With a movie like this, it's a question of how'd you end it. Because you do know that one thing will not happen. But then again, this movie has a way to show you that there can be more. That fate might intervene in your favor. Whatever that might be and whatever it will show you. The kids are really great and natural

I just wanna say one of the best movie i had seen. Karzan all kurdish people proud of you

There's almost always something special about a director's first feature film, as the charm comes from its inherent rawness, and perhaps willingness to take greater risks to get something finished. And this lack of experience at the helm also meant an appeal that audiences would be more forgiving, and open their hearts out in giving the film a chance. The magnificence is, when it works, like Bekas, you're going to embrace it wholeheartedly and completely.

Writer-director Karzan Kader draws deep from his own personal experiences of having to escape Kurdistan, Iraq as a young kid in the 90s, to come up with Bekas, a road trip tale of hope, following two orphaned boys Dana (Sarwar Fazil) and younger brother Zana (Zamand Taha), who have to fend for themselves at every corner and turn, growing up under harsh circumstances with little adult supervision. They have to rely on their street smarts, brotherly love and loyalty to each other to get themselves through day by day, earning their keep as shoe shiners for pittance, and homelessness meant sleeping out in the open at any random, but available rooftops.

And you would be mistaken to think that Kader would take the easy route out and flood his film with plenty of melodrama, to tug at your heartstrings at the plight of the boys. Instead, he fills his narrative with plenty of anecdotes and shenanigans that the two boys get into, which often result in either one, or both, being at the wrong end of a slap, ear pull, or in terms of greater insult, the slipper. But this is a story about growing up, and growing a hide that's thick to ensure survival, that the boys will have you in stitches most times when they get to the central plot device - of getting out of their predicament, and relying on any of their own means possible to get to America, and meet their idol Superman, whom they hope to enlist in a fight against Saddam Hussein, and to resurrect their dead parents.

Despite being non-actors, both boys Dana and Zana are set to charm your socks off with their banter, sibling rivalry, and inevitably, love. Kader knows when to push the right buttons in crafting scenes that will make you root for them to escape impossible situations, or to cheer them on as they encounter adversity after adversity in getting to their eventual destination, which is "just miles away" on a map that looks more like one from a discarded Risk board game. Anyone who thought Quvenzhane Wallis from Beasts of the Southern Wild, should take a look at these two boys, who are naturals despite their penchant to raise their voice most of the time. Whether or not it's Dana finding first love, or Zana being disappointed time and again by his older brother, these two boys put on a masterclass performance that makes your heart go out to them.

Filmed on location, the cinematography is excellent, capturing scenes seldom seen by many unless you've travelled to the region. And there's no more to ask for when the visuals have aural accompaniment that accentuated mood to provide that extra dimension of feelings. Through a road trip, Kader manages to link scenes up perfectly, as the boys go from episode to episode atop their donkey, and every other conceivable mode of transport from cars to trucks, to evade detection and capture as they pass through guarded borders. Whether or not they reach their destination, would be immaterial by the time the story ends, painting a bigger picture of hope and love, narrative themes which are far more powerful than the fictional deity they seek to locate in a foreign land, whom they probably found in each other.

Bekas is one fine film set in the Middle East, such as Son of Babylon, that will endear. A definite recommendation!