Elliot, un ex escritor exitoso con problemas, decide escribir sobre una esposa desaparecida y el siguiente juicio por asesinato de su esposo.Elliot, un ex escritor exitoso con problemas, decide escribir sobre una esposa desaparecida y el siguiente juicio por asesinato de su esposo.Elliot, un ex escritor exitoso con problemas, decide escribir sobre una esposa desaparecida y el siguiente juicio por asesinato de su esposo.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
- Juror #1
- (as Julienne Kim)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The story is good because it draws viewers in to both sides of the coin. Initially I am so convinced that Stephen is the victim, yet as the story unfolds we get to know how things may not be as it seems. The revelation that memories can be distorted, but we never question our own memories is quite a strong argument, and many of us can relate to that. It is an introspective and revelatory journey for Stephen, but I can relate to it as well.
James Franco is getting to the Point where No One can take Him Seriously anymore. So Overexposed and with Limited Ability to Transcend His Own Personality, He gives Performance after Performance Playing Himself.
A Best Selling Memoir from Author Stephen Elliott is the Source Material. The Plot of the Movie Explores Memory Confabulation. It's a Heady Affair that Lacks Focus. It Rambles with Borderline Incoherence Dealing with so many Profound Subjects that most of it is Lost in the Translation of Clichéd Sex and Drug Behavior Attempting to be "Indie-Edgy" with Sadomasochism.
Nothing is Drawn from the Personality Disorders or Family Dysfunction beyond "True Crime" Motivations and to be frank, not much is Realized even there.
A Mess of a Movie with Ed Harris Overacting to Burn Up the Screen with Hidden Clues about what Really Happened. In the End it is Doubtful You will Care. The Main Problem in the Movie is its Ambition to Group Dysfunction, Addiction, and Mental Illness into a Pot and Stir. The Cinematic Stew, Unfortunately is Tasteless and no where Near Fulfilling or Satisfying.
The "trial" component feels forced as an unnecessary element (maybe to convince us it's a thriller?). There isn't one relationship in this movie we ever actually care about and, as if to add insult to injury, the star seems to magically reconcile a lifetime of bad choices in the last ten minutes! Too bad this was a really bad vehicle for some otherwise good talent.
¿Sabías que…?
- TriviaStephen Elliott (played by James Franco) reviewed the film negatively, stating that the final result had little in common with his memoir and wondering "why calling the character Stephen Elliott was necessary." Stephen Elliott, born December 3, 1971, is an American writer, editor, and filmmaker living in Los Angeles who has written and published seven books and directed two films.
- Citas
[last lines]
Stephen Elliott: You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.
Neil Elliott: I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.
Stephen Elliott: Wanna go for a drive? I don't wanna see you for an hour.
Neil Elliott: Nah, we'd just argue.
Stephen Elliott: Fine. Then we'll just go. We'll agree not to talk. It doesn't matter. None of it matters.
Neil Elliott: All right. You gotta help me up here. Help your old dad get up...
- ConexionesFeatured in Half in the Bag: 2016 Movie Catch-up (2016)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- True Deception
- Locaciones de filmación
- Nueva York, Nueva York, Estados Unidos(location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 13,191
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,517
- 17 abr 2016
- Total a nivel mundial
- USD 15,364
- Tiempo de ejecución
- 1h 27min(87 min)
- Color
- Relación de aspecto
- 2.35 : 1