Dallas

Well, well, well... ...as probably one of the biggest fans of the original series (and a German tourist who actually visited Southfork as some sort of "sacred" place in 2003) I must admit that I actually didn't know about the new series until it had already started. Having watched the first season now I must say that I don't care about glitches in the plot, far-fetched stories and somewhat ludicrous biographies. The question I asked myself is: Was I entertained? And the answer is: YES YES YES! J.R. is better than ever, actors' performances (even those of Chris and John Ross) are sometimes (not always) superb.

After all those years of abstinence it was about high time to see the Ewings back in the ring. I thank you TNT!!!

I would assume, at this point that, every one knows, at least a little of what Dallas (2012) is all about. I remember being a little girl, in Tennessee, and watching the original Dallas, with my mama. I loved it then, although,I didn't understand as much in the 80's as I do know. I have recently watched the older episodes, for nostalgic purposes, and loved them! The 2012 version is just as good!I am hooked! It is as dramatic, and beautiful, if not more, than the original! It is a "DRAMA"! I don't know what anyone excepted, when they turned on the T.V., but it delivers ALL desired and I am sure there is much MORE to come! :) I already know what my Wednesday nights will be. No comparison to some of the newer shows they have put on air. Dallas is my new guilty pleasure!

This is a new generation of South Fork lies, backstabbing, deceit and greed. For the older generation who enjoyed the original series, there is enough continuity and history in the show to keep you intrigued. However, it is the new generation of Ewing's that have history repeating, and with delight! In my opinion, it is certainly the aged cast that intrigues me the most, and know that the show will heavily rely on the new blood. That doesn't mean that J.R., Bobbie and Sue Ellen won't have their moments to shine. John Ross, and Christopher Ewing are at the forefront of this new series, and there is much to say about the sibling rivalry of the past, coming forth into this cousin rivalry. I think the writing was well done, the opening sequence was similar enough to the original for the die hard fans, and the new cast certainly has a lot to live up to, and I think they will soar! I look forward to many more episodes, and perhaps some other cameos.....

I started watching "Dallas" in the fall of 1978; frankly, I couldn't pass up the opportunity to watch Victoria Principal rise up out of the pool, practically bursting out of a black swimsuit. I quit watching "Dallas" the season after the death of "Jock Ewing" (the late, great Jim Davis). The show was never the same after Davis' death and the scripts began repeating themselves; only the characters involved changed ("JR" and "Bobby" nearly die in a plane crash; "Dusty Farlow" is crippled in a plane crash; "Pam's mother" dies in a plane crash. Give me a break.) However, I couldn't keep myself away from watching the "Dallas" reunion a few years back; I was pretty shocked how bad Victoria Principal looked, though she still had that heart-stopping figure. Anyway, I was curious to see how the updated version would be; and I have to admit, I am pleased. While the epic dramatic tension and warmth has not yet appeared (and none of the women can hold a candle to the young VP), the plot machinations are, if anything, better than the original show. Clearly, "John Ross" and "Christopher are MUCH more complex characters than "JR" and "Bobby," and "Elena" (Jordana Brewster) promises to essay a much stronger woman than "Pam Barnes (Victoria Principal)and clearly won't be saddled with the "Goody Two-Shoes" passivity which, I am sure frustrated Principal and led to her dramatic departure from the show. It is clear much of the dramatic conflict of future episodes will revolve around the "lover's triangle" of "Elena," "John Ross" and "Christopher," and that is a good thing. This trio promise to become compelling enough to eventually carry the show as "Bobby," "Sue Ellen" and "JR" leave by attrition. After all, Larry Hagman is 80 years old and has been in poor health.

On a less positive note, I am really disheartened that David Jacobs, who created "Dallas," has been, reportedly, very badly treated by the new show's producers. I believe that is a mistake, as I read Jacob's book, "Dallas," which was published shortly after the premiere of the original show, and he is a VERY good writer. The book was much too raunchy for the 70s or 80s, but would past muster on any cable network now; though, even now, Jacobs' "Dallas," would probably feel much more at home on FX than TNT. No bother; the raunchy elements were not what made "Dallas" compelling; Jacobs ability to create memorable characters and situations was. I'm sure he could still teach these new producers a thing or two about creating compelling television. That being said, "Dallas" 2012 shows great promise and is off to a very good start. I give it a "7".

Who'd have thought it? It looked doomed to disaster, but in fact it's great. It has exactly the same crazed atmosphere and bizarre plot twists as the original series. I never thought they'd crack it.

There's lots to love: Linda Gray seems to have metamorphosed into an anorexic animatronic puppet, with the skin precariously stretched over her face bones. You feel she might shatter at any moment - but she is still strangely attractive and fascinating to watch. She can still pack a punch as Sue Ellen. Admittedly in season two she undergoes a complete mentality switch in no time flat, but, hey, it's Dallas. Bobby and J R are still very good (though J R's just died here in the UK run).

Perhaps more importantly the two cousins are very good actors. Josh Henderson is great as John Ross. The make-up and hair department have let him down a little by overdoing the sleazy look - who'd buy a gallon of anything from this man? Jesse Metcalfe is the perfect counterfoil. He has a more difficult part to play as the goodie, since in drama is notoriously harder to make a goodie interesting. The young women are only so-so. Elena is just a younger and less interesting skeleton than Sue Ellen and Pam just pouts most of the time. Neither of them can hold a candle to Victoria Principal in her prime, or to Linda Gray. However, Brenda Strong is excellent and has the best acting ability on the set, at least among the women.

Don't cancel it, TNT. We want to see it here in the UK, despite the ridiculous time slot Channel 5 has given it.