Livide: herencia maldita

From the directors of À l'intérieur (2007) this is their follow-up. Inside as it was called outside France was know as one of the holy gory french flicks so everybody was expecting the next Inside but it isn't.

One way I was glad that they didn't made a copy of Inside but on the other hand I was sad that this isn't one of French gore flicks. Still it's an excellent movie. I agree, I had difficulties with the end but regardless that fact I rather enjoyed this creepy flick which still has it's gory moments.

Lucy (Chloé Coulloud)has her first day as in-house caregiver. Everything goes well until she is asked not to follow inside the house of Mrs Jessel (Marie-Claude Pietragalla)but curiosity killed the cat and she does enter the house only to see an old which look-a- like woman laying in bed. On her neck a chain with a key. Going back home Lucy met her lover and his boyfriend William (Félix Moati) and Ben (Jérémy Kapone). Both not having a lot of money and Lucy telling of the key and the treasure connecting to end they enter the house. From there on this normal flick turns into a slow building creepy flick until the extreme gore comes in. The acting was okay but again it's the effects used for the gore (no CGI) that makes it all worth watching.

Being a bit of a supernatural thing some will turn it off after a while but keep waiting until Mrs Jessel wakes up out of her coma. A rather good surprise and I would recommend it to gorehounds but be warned, it isn't like the holy French goreflicks.

Gore 2,5/5 Nudity 0/5 Effects 4/5 Story 3/5 Comedy 0/5

The sexy Chloé Coulloud plays Lucy, a world weary girl in her late teens troubled by the death of her mother. On the first day of her latest dead end job as a care-worker her irritating boss Wilson, played by Catherin Jacob, takes Lucy to a creepy old house and introduces her to a comatose patient named Jessel. Lucy learns that Jessel was once a renowned dance instructor who's daughter, Anna, died at a young age. Wilson hints at the family wealth and teases Lucy with rumours of treasure hidden somewhere in the mansion.

When Lucy's relays the story to dead-beat boyfriend William he persuades her and his brother Ben to accompany him to the house that night with the aim of finding the treasure.

Livid is both haunting and horrific in equal measure. Scenes are dimly lit, taking place almost exclusively at night and where the only source of light is a torch or flickering bulb. The Gothic mansion is a perfect set piece for the unfolding treasure hunt and much of the imagery presented within the peeling facade of its ancient walls will linger in your memory long after the film is finished. The photogenic Coulloud is perfect as the dazed female protagonist, her sultry eyes, permanent pout and expressive yet somehow dormant features will have your attention in every one of her scenes.

The first 80% of the movie is a wonderful addition to the haunted house genre, featuring some of the creepiest moments I've seen in a film of this type in a long time. Unfortunately, the story loses its way toward the end, uncertain how and where to finish, and wraps up with a series of ambiguous metaphors before spiralling out of control into full fairytale mode and throwing all previous suspension of disbelief down the can.

Despite this disappointment, the majority is well worth a watch, guaranteed to give you chills and have you on the edge of your seat. It's hard to inject this kind of blanket horror into a film and for the effort and achievement Alexandre Bustillo and Julien Maury deserve full credit. More, however, should definitely have been invested in a conclusion more befitting the rest of the film.

I saw "Livid" at the FrightFest in London a few days ago and had neither particularly high nor low expectations before the film started. When the credits began to roll 88 minutes later the final result was similar to my opinion of Alexandre Bustillo and Julien Maury's directorial debut in 2007 with "Inside" – it was good but flawed. However, any comparisons of the two films end here as they are on the opposing sides of the same genre and very different in their own right.

The plot evolves around a young woman named Lucy who is beginning her training as an in-house caregiver. During her visit to an unattended old woman who is in a cerebral coma and living in an isolated, looming mansion, she discovers that years earlier she had allegedly placed a large treasure within one of its many locked rooms. As Lucy returns home the viewer learns of her struggles which are both financial and emotional due to a recent loss. Soon after she is persuaded to return to the house by her boyfriend and his brother in search for the supposed treasure and, in doing so, this is where their lives begin to go rapidly downhill…

Firstly, I'll start with the good elements of "Livid." The cinematography and visuals are absolutely beautiful and really make it a pleasurable viewing experience, especially when combined with the pulsing, brooding score of the film. The actress who plays Lucy is fantastic in her starring role, playing a likable character but with genuine depth, and there are no complaints to be made about the supporting cast. Furthermore, and probably the most importantly – the film is absolutely terrifying at times. This was primarily psychological but also aided by some fantastic imagery.

Regarding the weaker parts of the movie, I felt that the first two thirds of the film are substantially better than the final third. This is because, to put it simply, the film does not seem to know which genre it wants to be. The transaction it makes when switching is not a particularly smooth one. Because of this, many gaping plot holes are left open and at times it is a struggle to make sense of what exactly is going on. Another issue with "Livid" was that the filmmakers seemed too dependent on "jump" scares which cheapened the movie and often ruined both the tension and flow. Finally, I think the very ending was much sillier than intended.

So whilst I had my issues with "Livid" I still believe that the strength of the positives more than compensates for the negative aspects, and that overall this is a genuinely good movie. I would recommend this to any horror (or even fantasy) fan. Considering the graphic nature of their previous film, it was interesting seeing the filmmakers experiment with such a different approach to the genre. And all in all, I believe it was successful.

7/10

At first, I was a bit overwhelmed by this movie. There is a lot to unpack! But pay attention to the early minutes of the film and you can see the significance of Lucy and her caregiver trainer.

The whole film is basically a fantasy vampire/ fairy story if that makes sense.

The creatures inside the house all relate to the eerie, very unhealthy dance studio once run by the now comatose woman upstairs. They are very much alive, victims of the dance teacher.

It is the sad story of these girls and the subsequent interaction with Lucy, the inquisitive protagonist that drives the resolution to the film.

Yes, there are some odd flourishes in the house, but it looks like they are all part of the madness of the vampiric dance teacher. Stay with it!

My take is that its about manipulation, control, and ultimately liberation.

Its definitely one of the most interesting horror movies Ive watched in the last 10 years. Enjoy the special references and tidbits.

(source: www.top10horror.com ) I watched this movie during the Film 4 FrightFest Halloween marathon last year in London and next to Human Centipede II it was the most anticipated movie of the night. Being a French horror enthusiast I couldn't wait until the movie would be screened and after an awful show of Lulu Jarmen's "Bad Meat" (2011) it finally started.

Lucy, an absolutely adorable young girl, with two eyes of different colours is the main character of Livid. She is just starting her training as a caretaker under Wilson's eye, a woman you want to trust but she just seems old and bitter. Lucy is brought to a big mansion where she meets Mrs Jessel, an old lady who has been in a coma for many years. Wilson tells her a story about a treasure that is believed to be somewhere inside of the house and that, Wilson herself, has tried to find it but she never did.

After the first day of work Lucy meets her friends and tells them about the treasure rumour. The group of young people decide to break in Mrs Jessel's house with an intention to find the valuable objects to steal. They don't know what awaits them in the walls of the house though…

Seeing Alexandre Bustillo's and Julien Maury's "Inside" (A l'interieur) (Top 10 French Horror list) I knew to expect only the unpredictable. I was expecting a twist and a lot… tons of blood and French cinema didn't let me down at all.

At the very second I saw Lucy's eyes (you could totally see which eye is fake by the way) I remembered some stories I've heard about people with two-coloured eyes. Later Lucy explains that this is indeed called heterochromia and people are believed to have two souls, one for each eye. We learn a lot about Lucy's past through flashbacks (anyone recognizes the psycho woman from "Inside" as Lucy's mummy?) which makes us feel for the character. Everything framed with the beautiful music makes you feel nice and cosy watching the movie until… horrible stuff happens.

Overall a stunningly done horror film, that doesn't lack in everything a horror movie should have, ended up in my French favourite top 10 list and I would watch it again anytime I if had a chance. I definitely recommend this movie no matter what you are into. If you like mysteries, gore, paranormal movies, just go for it and enjoy the ride.