Anna

Why are all the English actors doing American accents? It's really throwing me off. I feel like they needed to dub Anna's mother's voice in after editing. It's all very bizarre.

Memory detectives have the ability to enter their client's memories. The largest memory detective agency is Mindscape run by Sebastian (Brian Cox). John Washington (Mark Strong) is one of the best but he had a break down. He needs the money and returns for another job. Sebastian gives him the supposed easy case of gifted Anna Greene (Taissa Farmiga) who refuses to eat. Her mother Michelle (Saskia Reeves) and stepfather Robert (Richard Dillane) are one of the richest family. Judith (Indira Varma) monitors Anna 24/7. As John dives into her memories, it becomes questionable what is the real truth.

I like the overall paranoid feel. However there seems to be some easier detective work that could provide proof outside of his memory work. I keep thinking that there are missing pieces or avenues in the movie. I don't know why John is not more suspicious of Anna. The final scheme is so convoluted and specific that it's unlikely to work out exactly like that. The writing by the Holmes need a few more passes and maybe by a fresh pair of eyes. Jorge Dorado is trying to step up to the big director's chair and delivers a workmanlike effort. Taissa Farmiga is intriguing and Strong is effective. However the script is not quite right. The idea itself is not particularly new but I do like the Hitchcockian feel. The final twist is obvious before the reveal but I still like it. The movie could be much better.

This movie has a 6.4 rating as of May 2014 which is slightly too low I think. I give it a 7.5 out of 10. I have noticed that thrillers, unless they are great thrillers like The Usual Suspects etc.. are scored very low because of two reasons. Firstly thrillers are general slow paced at first and build suspense and tension. Some people lose interest quickly. Secondly, some people just don't get it. Due to the audience not following the dynamics of the thriller they score it low.

The title Anna is a better title than Mindscape in my opinion because the story is a personal story about the character Anna and the main character's memory of his past love also named Anna.

The main concept of Anna is not original and there are little things in the movies that require you to suspend belief etc etc etc...like all movies it is not perfect...but I really enjoyed the movie..I think the acting was great from Mark Strong and the support cast..I didn't know that the young girl, played by Taissa Farmiga, is the younger sister of Vera Farmiga. She is excellent.

I think the story was predictable and I would have done something slightly different to make it less predictable but I can't explain further without spoiling. Having said that I still really enjoyed the movie. It is much better than most thrillers out there, some with much bigger budgets.

Some reviewers have posted on the message board that they didn't like the details..I loved the details, this is what elevates the movie above most..it may not always be believable but Hey! we are watching a movie about a guy who can enter peoples memories, what was everyone expecting...

It is a really interesting thriller that is well acted and despite being predictable it has a very clever plot versus underlying plot script...I recommend it above the majority of thrillers out there....great work!

Anna, or Mindscape as the original title goes, rides heavily on the presence and acting capabilities of its two main leads, Mark Strong as John, a psychologist with mind reading abilities, and Taissa Farmiga as Anna, his young and eerily disturbed patient. The film itself revolves around the idea that certain humans have developed their latent psychic abilities to such a degree that they can read the minds of others and thus help them overcome traumas and illnesses of the mind. Yeah, it's a bit Inception-esque, but it's different enough in style and atmosphere that you won't mind.

Still, the best part about this film is Mark Strong. His quiet dignified performance holds almost all of the scenes together and his interactions with Farmiga are very interesting to witness. Farmiga's performance suffers a touch from her relative inexperience, at least compared to Strong. You can definitely tell that she's acting in the earlier scenes, but she gets better quickly and her character as a whole nails the eery wonder child trope.

Plot-wise the film is nothing special, being relatively easy to predict and offering no real twists, but it's more of a moodpiece in any case. I would have liked for the actual mindscape scenes to be a bit more creative and the story as a whole to be a bit more overreaching in scope, but those lacks only mean that the film is merely good instead of great.

Mindscape is worth a watch if you're looking for a thriller with a more thoughtful tone and lacking in excessive brutality and gore.

Mindscape, given the less tantalizing title 'Anna' upon release, is a thinking person's thriller, and perhaps a little bit too much so. In the near future, or perhaps some alternate reality, some humans have evolved into pseudo clairvoyants who can enter the memories of other people and interact with their subjects within them. This talent has been trademarked by law enforcement, who employ 'memory detectives' to psychologically resolve conflict or retrieve otherwise out of reach information. Mark Strong is one such man, but his talents have dimmed a bit following the deaths of his family and a crippling stroke. Hauled out of retirement by his former boss (Brian Cox, sly as ever), he finds himself tasked with navigating the labyrinthine mind of Anna (Taissa Farmiga) a girl accused of murder and deemed a potential sociopath pending diagnosis. The film is deliberately dense and elliptical, not standard Hollywood fare at all, which is nice to see, but it also trips just a little bit on its own cognitive aspirations, especially in the third act. It's one of those pieces that's less like The Cell, and more like Vanilla Sky or Danny Boyle's Trance (two absolute favourites of mine) where so much of the story wades through muddy mindgames that at a certain point we think to ourselves 'well who's to say if any of this is actually real if it's gotten so complex', and indeed it's very difficult to piece together what has transpired here, especially with a conclusion that would require multiple viewings to even get an inkling. It's stylish as all hell though, given a clinical, steely grey palette punctuated by flourishes of startling red to show the capacity for violence lurking just out of sight within the opaque and enigmatic human psyche. The acting is top tier as well; Strong is reliably committed and intense, Farmiga is deeply disconcerting as the most fascinating and ambiguous character, showing blossoming talent that I look forward to seeing more of, while Cox steals his scenes as per usual. The film trips over itself a few times and like I said, overly convoluted, but it's one mesmerizing effort for the most part, albeit after a second or third viewing.