CALIFICACIÓN DE IMDb
6.3/10
5.4 k
TU CALIFICACIÓN
Dos hermanos luchan contra olas mortales, una sociedad conservadora y moteros despiadados para poner en marcha la industria moderna del surf, en la década de 1970.Dos hermanos luchan contra olas mortales, una sociedad conservadora y moteros despiadados para poner en marcha la industria moderna del surf, en la década de 1970.Dos hermanos luchan contra olas mortales, una sociedad conservadora y moteros despiadados para poner en marcha la industria moderna del surf, en la década de 1970.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 6 nominaciones en total
David Meadows
- Publican
- (as Dave Meadows)
Opiniones destacadas
As far as the sports genre is concerned, those featuring surfing are about as niche as you go. Only 12 films have ever grossed more than $1 million at the domestic box office let alone found any measure of breakout success. Those that did find some semblance of an audience, like Soul Surfer and Point Break, had the added aid of family appeal and incorporating a heist element respectively, but for the most part they land with a whisper – not anything like the thundering, mammoth waves these daredevils tackle.
But in spite of this subgenre's lack of mainstream appeal there is one thing they – and Australian import Drift – prove, and that is surfing looks damn cool, especially when presented so slickly and in such a high energy fashion. So it's a shame in the case of this period drama (which transports us back to the early years of the sport in the land down under) that the wet and wild sequences trump anything transpiring on dry land and that most of the human drama relies on unnecessary plot turns and the usual formula that accompanies almost all sport based fare.
Drift follows two brothers Jimmy (Xavier Samuel) and Andy Kelly (Myles Pollard) and their mother who reside in a small seaside town following a late night escape from their abusive father/husband. Already carrying a passion for surfing, the two grow with the hobby and view their actual jobs as mostly inconveniences. It's one day when their mother's seamstress occupation produces a homemade wetsuit that gives Andy the idea of marrying passion with profession and they endeavour to open their own surf shop with customized gear and boards. But of course, nothing is as easy as it seems as money, gangsters, the allures of the hippy age and rivalries all act as roadblocks to a newfound dream.
Things are kicked off even further by the arrival of a duo of righteous surfers played by a tubular Sam Worthington and his plutonic companion Lani, played by Spartacus: Blood and Sand's Lesley-Ann Brandt. So with this rag tag gang assembled they seek to revolutionize how surfers view the gear they use: surf attire made by surfers, not made by "the man" and promoted by models who have never hit the waves a day in their life. The premise, retro feel and fine performers make Drift seem like the right idea of how to approach this sport – using it as a backdrop to a family drama and a struggle for the little guy (with some awesome surf sequences tossed in for good measure).
While this is the case some of the time, Drift invests in too many unnecessary plot threads, including one about some thugs who for some reason have an issue with the Kellys, which eventually involves into an all out war as one of their own gets mixed up in the drug trade. With the Kellys already struggling with a mortgage, their start-up business and the trials of growing together, this added kink proves to be nothing more than a distraction (and is furthermore concluded in a laughably stunted fashion). There is also a bizarre storyline involving a completely underdeveloped, inexplicably evil banker trying to steal the Kellys farm, er, house which adds nothing but a cartoonish villain that makes Mr. Potter look chipper.
Worthington's character JB is also a bit of a perplexing entity, though the Aussie native's performance is certainly among the most natural he's ever given. His tippy motif is fine enough, never becoming to philosophic and grating, but his ideals seem completely jumbled. One moment he's stating (regarding the Kelly's plan to make their own surf line) that you can't beat the man by becoming the man and at another instance saying that you can't always fight and should sometimes just resign to what is. Additionally scenes of him using his passion for photography and filmmaking to help make these brothers distinct in the industry go nowhere until the very end, deviating from the main story for what become perfunctory attempts to add substance.
Then we arrive at the climax, which of course involves a local surf competition, the winnings from which could save the family farm, er, house and get those gangsters off their back. Again, while impressively staged (and not concluded in the most ridiculous way possible) it collectively doesn't get much more clichéd than that, and when you lump in the montages and other corny moments it truly softens the experience.
Not content on just examining an interesting moment in history, Drift piles on dramatic excess and contrived turns which are muted to some effect only by universally strong work from the cast and, again, those gripping surf sequences. So while certainly not boring and far from offensively bad, Drift isn't compelling enough to warrant anything other than a rental, and definitely not enough to spur any sort of revolution for the surf drama.
But in spite of this subgenre's lack of mainstream appeal there is one thing they – and Australian import Drift – prove, and that is surfing looks damn cool, especially when presented so slickly and in such a high energy fashion. So it's a shame in the case of this period drama (which transports us back to the early years of the sport in the land down under) that the wet and wild sequences trump anything transpiring on dry land and that most of the human drama relies on unnecessary plot turns and the usual formula that accompanies almost all sport based fare.
Drift follows two brothers Jimmy (Xavier Samuel) and Andy Kelly (Myles Pollard) and their mother who reside in a small seaside town following a late night escape from their abusive father/husband. Already carrying a passion for surfing, the two grow with the hobby and view their actual jobs as mostly inconveniences. It's one day when their mother's seamstress occupation produces a homemade wetsuit that gives Andy the idea of marrying passion with profession and they endeavour to open their own surf shop with customized gear and boards. But of course, nothing is as easy as it seems as money, gangsters, the allures of the hippy age and rivalries all act as roadblocks to a newfound dream.
Things are kicked off even further by the arrival of a duo of righteous surfers played by a tubular Sam Worthington and his plutonic companion Lani, played by Spartacus: Blood and Sand's Lesley-Ann Brandt. So with this rag tag gang assembled they seek to revolutionize how surfers view the gear they use: surf attire made by surfers, not made by "the man" and promoted by models who have never hit the waves a day in their life. The premise, retro feel and fine performers make Drift seem like the right idea of how to approach this sport – using it as a backdrop to a family drama and a struggle for the little guy (with some awesome surf sequences tossed in for good measure).
While this is the case some of the time, Drift invests in too many unnecessary plot threads, including one about some thugs who for some reason have an issue with the Kellys, which eventually involves into an all out war as one of their own gets mixed up in the drug trade. With the Kellys already struggling with a mortgage, their start-up business and the trials of growing together, this added kink proves to be nothing more than a distraction (and is furthermore concluded in a laughably stunted fashion). There is also a bizarre storyline involving a completely underdeveloped, inexplicably evil banker trying to steal the Kellys farm, er, house which adds nothing but a cartoonish villain that makes Mr. Potter look chipper.
Worthington's character JB is also a bit of a perplexing entity, though the Aussie native's performance is certainly among the most natural he's ever given. His tippy motif is fine enough, never becoming to philosophic and grating, but his ideals seem completely jumbled. One moment he's stating (regarding the Kelly's plan to make their own surf line) that you can't beat the man by becoming the man and at another instance saying that you can't always fight and should sometimes just resign to what is. Additionally scenes of him using his passion for photography and filmmaking to help make these brothers distinct in the industry go nowhere until the very end, deviating from the main story for what become perfunctory attempts to add substance.
Then we arrive at the climax, which of course involves a local surf competition, the winnings from which could save the family farm, er, house and get those gangsters off their back. Again, while impressively staged (and not concluded in the most ridiculous way possible) it collectively doesn't get much more clichéd than that, and when you lump in the montages and other corny moments it truly softens the experience.
Not content on just examining an interesting moment in history, Drift piles on dramatic excess and contrived turns which are muted to some effect only by universally strong work from the cast and, again, those gripping surf sequences. So while certainly not boring and far from offensively bad, Drift isn't compelling enough to warrant anything other than a rental, and definitely not enough to spur any sort of revolution for the surf drama.
this honest look at surfing and living in the 70's is not to be missed and you don't need to be a surfer to enjoy this classic piece of Australian cinema. beautifully shot from the land and in the ocean it draws you into the world of these two brother that are as different as chalk and cheese. but both love to surf.
sam worthington plays a drifter hippy who become part of there lives.bring a women with him to add fuel to there little world. but it there love of surfing and doing a job you love not a job you have too do that make the movie so enjoyable. and it not a surf movie that dies the minute it leaves the beach, you follow these guys in and out of the water with as much interest.
an all round great film that made me long for the beach and a simpler time.if you want to see a good Australian drama that not just made for TV check it out.
sam worthington plays a drifter hippy who become part of there lives.bring a women with him to add fuel to there little world. but it there love of surfing and doing a job you love not a job you have too do that make the movie so enjoyable. and it not a surf movie that dies the minute it leaves the beach, you follow these guys in and out of the water with as much interest.
an all round great film that made me long for the beach and a simpler time.if you want to see a good Australian drama that not just made for TV check it out.
Really enjoyed this movie. Some nice Australiana and look back into the culture in the 60s and 70s.
Enjoyed the whole movie, just wished the soundtrack was relevant to the era.
Worth a chilled watch.
Enjoyed the whole movie, just wished the soundtrack was relevant to the era.
Worth a chilled watch.
I can't stop watching all these surfing films. I'm a huge fan of Chasing Mavericks and this was up to standard! It wasn't as good as Chasing Mavericks, but still really good, the old Hippie-Flower-Power thing is making it even better.
The choice of actors/actresses was fantastic, Sam Worthington, Xavier Samuel and Lesley-Ann Brandt, just to mentions a few - did a really good job. This movie gave both joy and emotional moments and the contents were perfect. This movie is for a person who's in to surfing, and who likes the sixties. The film begins with black and white color effect, which shows us the past and then switches to color when they are grownup. Like I said the story is really interesting, and it gets even more interesting when you know it has happened!
I recommend almost anyone to watch it, and especially you who've seen "Chasing Mavericks"!
The choice of actors/actresses was fantastic, Sam Worthington, Xavier Samuel and Lesley-Ann Brandt, just to mentions a few - did a really good job. This movie gave both joy and emotional moments and the contents were perfect. This movie is for a person who's in to surfing, and who likes the sixties. The film begins with black and white color effect, which shows us the past and then switches to color when they are grownup. Like I said the story is really interesting, and it gets even more interesting when you know it has happened!
I recommend almost anyone to watch it, and especially you who've seen "Chasing Mavericks"!
10wc_ling
Totally entertaining. We all know modern day culture even the surfer culture so I'll not expound on that. Just the surfing shots in this film make it a 10. Actng is excellent. At the beginning you're told: this is based on actual events, and it isn't hard to see why. We live in a world today where evil abounds... there are some good as well as bad choices in this film. Hopefully the viewers will comprehend the better decisions and if challenged in their life with such... will make the right choices. One can put all aside and just enjoy the surfing; which makes one want to leave the cities and live the life of the GREAT outdoors!
¿Sabías que…?
- TriviaMorgan O'Neill: Owner of the Surf Hut in Venice Beach, CA.
- ErroresNear the beginning of the movie, the characters visit the Seacliffe hotel, however at the end of the movie the "Drift" store is located next door to the "Nannup Hotel" where the movie was filmed.
- ConexionesFeatured in Gyan: I'm Alive (2013)
- Bandas sonorasJohnny B. Goode
Written & Performed by Chuck Berry
Published by Arc Music Corproation USA / Jewel Music Publishing Company Ltd / Campbell Connelly (Austrlia) Pty Ltd
Under license from Geffen Records
Licensed courtesy of Universal Music Australia Pty Ltd
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- How long is Drift?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Дрифт
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- AUD 11,000,000 (estimado)
- Total a nivel mundial
- USD 1,135,498
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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