El príncipe del desierto

Well the movie has only the best intentions I assume. It tries hard to be as politically correct as possible, while trying to show extremities and cultural differences. That doesn't work as good as the filmmakers might have expected. I think the tone is uneven, while it still may hold some surprises for some people I guess.

Some good acting is involved here and you get the beautiful Freida Pinto in a major role. You also get Riz Ahmed from Four Lions, who's repeating his comedic role (in another tone obviously, but still very funny of course). The sets are nice and you get a history lesson (more or less) from a region that some (most) of you may not know yet ...

Super-high production values here. That's why I rented it. I knew they'd spent some money. To some(me too, initially), it looks like a "B" flick you've never heard of.

In that regard it might exceed some people's expectations.

In hindsite, however, the story is an excellent platform for a great drama, but unfortunately, that drama never comes to fruition.

And I'm not sure why. The film needed more dialog between its lead character(Auda, played by Tahir from 'A Prophet' fame), and both of his "fathers". We get far too little quality acting and dialog, and way too much meandering amongst the desert. Mark Strong is excellent as usual - too bad he has 5 or 6 lines in the entire film(most coming in the first 10 minutes).

The film should have worked dynamically, but the lack of quality dialog and the lack of drama ruin the film. One of many balls that were dropped. The "falcon" storyline and connection - also dropped like a 16-pound bowling ball. The final scene between Banderas and Rahim, ditto.

Watch this film for what it should have been - one of the best made for TV epics ever put on the living room screen.

The film deserves some credit for not selling-out to the geek squad, and for not boring me(entirely), but the film really could have been great.

It's quite beautiful to look at, and most of the acting is passable, but again, it lacks the drama to give it the emotional power to match its 'look'.

60/100 and considering it's 50 million-dollar budget - I won't be adding it to the B-Movie-Marathon anytime soon(even though its total-lack of box-take makes it eligible).

not bad for out-of-the-redbox with low-expectations.

i was deeply moved and excited by this great movie. finally, there's a movie that told us how the kingdom of Saudi Arabia was built. this is a movie not only gave us great scenes of the desert, the people and one of the greatest fighting scene since 'lawrence of Arabia', but also gave us some great love romance between the two younger generations of the Saudi reigning tribes, their loyalty and their faith to each other during the turmoil time. there was also a beautiful romantic touch from that beautiful exquisite free-will young woman from the southern tribe, she not only saved the future king, helped him regaining the land but also left him with a forever nostalgic memory.

the casting did a great job signed up two great actors to play the foe against each other. the development of the young hostage son from a geeky bookworm nerd to a great man with a vision for its land and its future was also very well crafted.

too shame that the extremity of the strong belief of the Muslim religion didn't free that country but enslaved it later with tyranny and totalitarianism. but for this movie itself, this outcome was not what the screenplay and the director really wanted to portray in the first place. what they've tried to tell by this movie were love, loyalty, truthfulness and humanity before that black gold buried and suffocated the whole country's past and future. its later corrution and cruelty of the house of the saud were not included in what they wanted to tell in this particular movie.

this is a wonderful and fantastic film with great cinematography and sound track. an almost perfect romantic saga.

It draws you in slowly as most great movies do and delivers an unusual punch and caress in places you don't expect. Also, an unusual softness of direct male sentiment that is surprisingly well communicated in parts without being preachy or too sentimental. And, in this fashion, is quite scarce in movies today. It has all the sweetness, drama, brutality and humor many movies rarely do without crossing lines or insulting your intelligence. The dialog and acting is exceptional and the cinematography (among other things) is quite reaching in its ability to paint a truly encompassing picture. The shortcomings in this movies are rather few and I tend not to dwell on negatives. I honestly recommend it and will indeed watch it again.

'Black Gold' is an old fashioned epic about feuding fiefdoms in 1930's Arabia, when oil had just been discovered in the region. Mark Strong & Antonio Banderas are the two rulers with a long standing rivalry that metamorphoses into a temporary truce, only to flare up again when their very divergent views inevitably come in the way. Tahar Rahim & Freida Pinto as their respective children, married to each other in what is essentially a politically motivated gesture, attempt to play the peacemakers. Performances - particularly Strong, Rahim & Pinto - are very good. Rahim, playing a Michael Corleone-ish character, does a commendable job. Pinto looks lovely, and Strong as the devout Sultan with a conscience, is nicely understated. As is customary in director Jean-Jacques Annaud's films, the locales & cinematography are breathtaking. The action sequences are crisp & filmed in a raw, realistic manner. Where the film falters, is in taking too long to tell a story that in fact needs far less time. Some passages get boring whereas others keep the viewer completely engrossed. It is this unevenness in the film's pacing that dents the possibility of it soaring high. Overall though, not a bad way to spend a couple of hours.