Anatomía de una caída

Courtroom-based dramas aren't all created equal. Chances are you can think of a few timeless ones that stand the test of time (perhaps 'To Kill a Mockingbird,' 'A Few Good Men,' 'The Pelican Brief'). In Justine Triet's 'Anatomy of a Fall,' we can get to see the French judicial system on display in a tale of the struggle to decide when it's difficult to see the truth through a forest of hearsay.

There are a few aspects of 'Fall' that hold the audience's attention more so than other films in this genre. The way the story unfolds from the initial events to the verdict and aftermath is riveting, which makes it easy to understand how it earned an Oscar for best original screenplay. The performance of Sandra Hüller is exceptional, as she convincingly plays a conflicted writer who loves her half-blind son, Daniel (Milo Machado-Graner), yet must defend herself against an accusation of murder.

There are a few scenes in 'Fall' that are masterclass, including the recreation of an argument between Hüller and her onscreen husband, Samuel Maleski (Samuel Theis). This scene is intense, agonizing and feels completely authentic, and both actors deliver A+ work. Machado-Graner also does a superb job across the board, including an emotional testimony as a witness in the trial. Oh, and anyone who watches this movie will never be able to think of 50 Cent's "P. I. M. P." the same way again.

For such a simple premise, 'Anatomy of a Fall' manages to showcase the complexity of human nature and the importance of seeing both sides of a situation.

... the performance of the child actor: Milo Machado Graner. All the other actors were brilliant and amazing in their own ways, especially Sandra Hüller and Swann Arlaud. However, due to the demanding nature of the task at hand, Graner did superbly. He never phones it in. It's a calibre I've never witnessed before to this degree from a child actor. Surely I haven't seen all the classics and films in the world to make such a statement as there is still so much left for me to watch. Regardless, Graner's performance gives me so much confidence in proclaiming the following statement: this is the best performance I've witnessed from a child actor (ever?). There is mastery exhibited both in the quiet moments and dialogue-heavy scenes. Just from his body language, things can be inferred and implied. Graner is subtle as much as he is unsubtle. It's quite hard to put it into words, which is a sign of something great. You feel things that words cannot describe. That's art.

As for the film itself, I think it's pretty good. I was expecting something more due to the critical buzz and its success at Cannes, so I can't say I wasn't a little disappointed. I feel like the movie was a bit too long and/or slow, which I usually don't feel if the plot and narrative is as gripping that the film presents (I'm a fan of courtroom dramas). I think the film wants you to be second-guessing the characters' actions and motivations, which is a clear choice by the director and that is fine. However, personally I would've liked it to be more critical of the French legal system with a clearer voice. What Anatomy of a Fall boils down to is the law vs truth in the face of a tumultuous marriage between two writers.

Rating might go up on a rewatch but doubt I'll be watching it anytime again soon due to the pacing.

Also: loved the instrumental that plays on repeat in the beginning hahah.

There are so many things I got from this after watching it. So many subtle little thing that throw shade over both characters, thus showing such complex humans with flaws and virtues.

Technically it does not stand out but it's servicable for the themes and story. Was this the perfect long-game psychological crime? That last scene speaks volumes. The last courtroom scene with the kid was devestating and conclusive, even if that lawyer tried to flip it. Even him knew the conclusion at that moment. It was cathartic.

It was a very devastating and powerful film. I would very much like to see it again so I can absorb that excellent dialogue all over again.

The beauty of the film truly lies in how delicately it's paced throughout. Even when it takes the shape of a courtroom drama with great attention to detail, it still rests firmly on the emotional bonding between the lead characters - in this case, a mother (Sandra), her son (Daniel), and their dog. That never takes a backseat, despite the film turning into a murder mystery (of sorts) at several points. I absolutely loved the performances here, be it Sandra Hüller, Swann Arlaud, Milo Machado Graner, and Samuel Theis. And for all it's worth, the standout here is Snoop (the dog), and his presence not only drives the story forward at a pivotal juncture, but this wonderful canine also takes the audience's perspective in the beginning and at the end of the film. He's travelling with these characters just like us, while also playing the role of an unconditional guardian angel to Daniel.

When the writing digs deep into the intricacies of a marriage, it is poignant, relatable, and hard-hitting. Both the husband and the wife are writers essentially, and that makes their struggles and little victories all the more accessible. The changing dynamics in their relationship is brought to light through superbly shot flashbacks (just as their audio recordings are being played in court), and we as audiences, understand what each half of the couple is going through. The journey is dramatic alright, but since the outcome determines whether the mother gets to reunite with her son after a long, drawn-out trial, it always remains riveting to watch. The "lesser" moments - like a scene that depicts Sandra and her lawyer friend drinking together, are also beautifully staged.

A lonely chalet in the French Alps. A dead man laying in the snow in front of it. Apparently he fell out of the third floor window under the roof.

Was it an accident? Suicide? Or a murderess attack? Whoever expects a conventional crime thriller with a final simple solution will be badly disappointed by this complex psychological drama about a female author fighting for her independence, dignity and her own truth in the courtroom, where she stands under suspicion to have killed her husband. But beware: truth has different aspects and different sides, depending on whoever tries to catch it. It comes in disguises, often invisible, always subjective.

In the end it's up to the viewer to make up his own mind about the case. While the investigation is unfolded Triets movie proudly walks in the footsteps of Ingmar Bergman, a classic analyst of complicated couple relationships and she truly succeeds in doing so.