Una salchicha se esfuerza por descubrir la verdad sobre su existencia.Una salchicha se esfuerza por descubrir la verdad sobre su existencia.Una salchicha se esfuerza por descubrir la verdad sobre su existencia.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 26 nominaciones en total
Seth Rogen
- Frank
- (voz)
- …
Kristen Wiig
- Brenda
- (voz)
Jonah Hill
- Carl
- (voz)
Michael Cera
- Barry
- (voz)
Ian James Corlett
- Apple
- (voz)
- …
Michael Dobson
- Queso
- (voz)
James Franco
- Druggie
- (voz)
Bill Hader
- Firewater
- (voz)
- …
Ian Hanlin
- Beet
- (voz)
Salma Hayek
- Teresa
- (voz)
Anders Holm
- Troy
- (voz)
Nick Kroll
- Douche
- (voz)
Opiniones destacadas
I knew what to expect going in to this, coming from the insane minds of Seth Rogen and Evan Goldberg. I saw the trailer, and thought to myself this is gonna be one insane ride. When I came out of The Secret Life of Pets with my mom and my nephew, saw the poster to Sausage Party, I told my mom "Don't be fooled by the poster, that is not a kids movie".
The story speaks the insanity for itself, about food in a grocery store, and that is all I'm gonna tell ya. The animation is top notch, spoofing those Pixar films. The actors really do voice there characters well. Seth Rogen really brings his humor well to his role has a hot dog. If your not a fan of vulgar humor, and gross out gags, then you should probably avoid this like the plague, cause this pulls no punches, it goes straight for the throat. It was very funny, there is perfect timing to all of the gags. It's not a masterpiece, but just a fun time for fans of this type of humor. Expect nothing or less.
The story speaks the insanity for itself, about food in a grocery store, and that is all I'm gonna tell ya. The animation is top notch, spoofing those Pixar films. The actors really do voice there characters well. Seth Rogen really brings his humor well to his role has a hot dog. If your not a fan of vulgar humor, and gross out gags, then you should probably avoid this like the plague, cause this pulls no punches, it goes straight for the throat. It was very funny, there is perfect timing to all of the gags. It's not a masterpiece, but just a fun time for fans of this type of humor. Expect nothing or less.
This film was genuinely funny. What's the problem? That the film questions religious beliefs? Or that it makes references to previous and modern-day conflicts? Or was it the profanity? I like to think that well-placed swear words only add substance and make us feel alive. I abhor films that use "gosh darn it" or "friggin'" or some other avoidables. Say it like you mean it. I was thoroughly impressed by how the film managed to assign a backstory to each product, in line with their country/region of origin. There are so many details I am sure I overlooked that I will definitely have see it at least a couple of more times.
Good job, guys.
Good job, guys.
Sausage Party, the latest button-pusher from Seth Rogen and his usual crew, has so far grossed $135 million on a $19 million budget, receiving mainly positive reviews from critics and assisted by strong word-of-mouth thanks to a climactic scene which won't allow you to look at a hot dog in quite the same way again. Essentially a movie about anthropomorphic, sexually repressed food items who long to escape the confines of their supermarket home to reach the 'Great Beyond' - taken home by us humans - Sausage Party is a mixed bag. On one hand, it's a bold religious parable featuring some extremely creative animation, but on the other, at least comedy wise, this is on par with some of Rogen's most mediocre output.
In a supermarket named Shopwell's, the various tasty treats that line the shelves spend their days praying they will be picked and taken to the great unknown by shoppers, who they view as gods. Each morning starts with a sing-a-long, and they try to live their life by a set of rules they believe will led to them being chosen, including no sex until they're out of their packet. Hot dog Frank (Rogen) only allows himself to touch tips with the bun he's in love with, Brenda (Kristen Wiig), saving themselves for the inevitable day when they get carried off into paradise. But with the return of Honey Mustard (Danny McBride), who claims that he witnessed torture and horror at the hands of the 'gods' who devoured some of his friends, Frank sets off on a journey of discovery and awakening.
Similar in many ways to Pixar's Toy Story trilogy, Sausage Party imagines what it would be like if the food we consume to eagerly could talk to each other and wonders what they would make of us. But while Woody and co. would flop to the ground whenever a human walked in the room, the characters here exist in the 'fourth dimension', unseen by humans. This allows more freedom for directors Greg Tiernan and Conrad Vernon to deliver as many outlandish set pieces as they would like, and two scenes in particular - one inspired by Saving Private Ryan (1998) and the other featuring an Irish potato being skinned alive while his friends watch - are actually quite terrifying. The film is certainly at its best during these moments, and there are scenes of real ingenuity amongst the carnage.
The first half whizzes by and is a blast, but then the film seems to lose direction and wander aimlessly from one scene to another. It also struggles to tickle the funny bone, and relies too heavily on tired food puns, familiar shtick from the likes of James Franco, Jonah Hill, Michael Cera, Paul Rudd and Bill Hader, and outright vulgarity. Someone should point out to the writers - which include Rogen and regular collaborator Evan Goldberg - that using "f**k" every other word doesn't automatically make a film 'adult', but quickly becomes unpleasant and completely unnecessary, especially when the characters are otherwise perfectly likable. Also, the inclusion of Douche (Nick Kroll), the cavity-cleaner who holds a grudge against Frank, serves only a distraction from the more interesting central plot.
Still, despite its many flaws and irritating tics, I very much enjoyed Sausage Party for what it is, and it's like nothing I've ever seen before. If you haven't enjoyed much of Rogen's previous output, chances are you won't love Sausage Party, although there's plenty of visual splendour to savour in between the d**k jokes. At its best, it offers interesting parallels to real-world issues, such as the relationship between a lavash named Kareem (David Krumholtz) and a bagel named Sammy (Edward Norton doing a pitch-perfect Woody Allen impression), and their bickering over shelf space. Of course, this is the edible version of the Israeli-Palestinian conflict, and while it may embrace comedic stereotyping throughout, Sausage Party never intends to offend, and instead offers a surprisingly sympathetic message about the necessity of religion. Whatever your view, the fact that a film like this can be greenlit and unleashed on a mainstream audience is cause for celebration.
In a supermarket named Shopwell's, the various tasty treats that line the shelves spend their days praying they will be picked and taken to the great unknown by shoppers, who they view as gods. Each morning starts with a sing-a-long, and they try to live their life by a set of rules they believe will led to them being chosen, including no sex until they're out of their packet. Hot dog Frank (Rogen) only allows himself to touch tips with the bun he's in love with, Brenda (Kristen Wiig), saving themselves for the inevitable day when they get carried off into paradise. But with the return of Honey Mustard (Danny McBride), who claims that he witnessed torture and horror at the hands of the 'gods' who devoured some of his friends, Frank sets off on a journey of discovery and awakening.
Similar in many ways to Pixar's Toy Story trilogy, Sausage Party imagines what it would be like if the food we consume to eagerly could talk to each other and wonders what they would make of us. But while Woody and co. would flop to the ground whenever a human walked in the room, the characters here exist in the 'fourth dimension', unseen by humans. This allows more freedom for directors Greg Tiernan and Conrad Vernon to deliver as many outlandish set pieces as they would like, and two scenes in particular - one inspired by Saving Private Ryan (1998) and the other featuring an Irish potato being skinned alive while his friends watch - are actually quite terrifying. The film is certainly at its best during these moments, and there are scenes of real ingenuity amongst the carnage.
The first half whizzes by and is a blast, but then the film seems to lose direction and wander aimlessly from one scene to another. It also struggles to tickle the funny bone, and relies too heavily on tired food puns, familiar shtick from the likes of James Franco, Jonah Hill, Michael Cera, Paul Rudd and Bill Hader, and outright vulgarity. Someone should point out to the writers - which include Rogen and regular collaborator Evan Goldberg - that using "f**k" every other word doesn't automatically make a film 'adult', but quickly becomes unpleasant and completely unnecessary, especially when the characters are otherwise perfectly likable. Also, the inclusion of Douche (Nick Kroll), the cavity-cleaner who holds a grudge against Frank, serves only a distraction from the more interesting central plot.
Still, despite its many flaws and irritating tics, I very much enjoyed Sausage Party for what it is, and it's like nothing I've ever seen before. If you haven't enjoyed much of Rogen's previous output, chances are you won't love Sausage Party, although there's plenty of visual splendour to savour in between the d**k jokes. At its best, it offers interesting parallels to real-world issues, such as the relationship between a lavash named Kareem (David Krumholtz) and a bagel named Sammy (Edward Norton doing a pitch-perfect Woody Allen impression), and their bickering over shelf space. Of course, this is the edible version of the Israeli-Palestinian conflict, and while it may embrace comedic stereotyping throughout, Sausage Party never intends to offend, and instead offers a surprisingly sympathetic message about the necessity of religion. Whatever your view, the fact that a film like this can be greenlit and unleashed on a mainstream audience is cause for celebration.
There are two sequences in this animated film, one in the first half and the other in the second half, that are both hilarious and I don't say that often. The rest is good enough, but it's those two parts that make this special, though I suppose a somewhat dirty cartoon for adults is in itself kind of special. It's the humorous, though also sad, story of store foods that believe that when they are sold they go the some sort of paradise. A few are non-believers and thus begins the religious metaphors. The voice work is great especially from Seth Rogan who is pretty much the lead as well as one of the co-writers. Not all of this works, but what does is pretty cool.
¿Sabías que…?
- TriviaSeth Rogen described this film as a dark take on Disney films, saying, "People like to project their emotions onto the things around them: their toys, their cars, their pets . . . So we thought, 'What would it be like if our food had feelings?' We very quickly realized that it would be fucked up."
- ErroresInanimate non-foodstuff objects such as the Douche, and the condom, are anthropomorphic, but many objects (such as the various blades) are shown throughout the film as having no anthropomorphic features.
- Créditos curiososThe title doesn't appear on screen until the end.
- Versiones alternativasThe TV spot edited on FX Brenda says "Stay away from my sausage, you psycho!"
- Bandas sonorasThe Great Beyond
Music by Alan Menken
Lyrics by Glenn Slater, Seth Rogen, Evan Goldberg, Ariel Shaffir and Kyle Hunter
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- How long is Sausage Party?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Sausage Party
- Locaciones de filmación
- Los Ángeles, California, Estados Unidos(location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 19,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 97,685,686
- Fin de semana de estreno en EE. UU. y Canadá
- USD 34,263,534
- 14 ago 2016
- Total a nivel mundial
- USD 140,705,322
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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