Un cuento chino

In Buenos Aires, the bitter and methodic Roberto (Ricardo Darín) is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari (Muriel Santa Ana) has an unrequited love for him, but Roberto is always evasive.

One day, Roberto sees a Chinese named Jun (Ignacio Huang) being expelled from a taxi while he is watching the landing of airplanes in the airport and he helps the man to stand up. Jun does not speak Spanish and shows a tattoo with an address on his arm. Roberto heads to the spot with Jun and discover that the place belonged to Jun's uncle that sold it three and half years ago. Roberto goes with Jun to the police station, to the China's embassy and to a Chinese neighborhood to seek out his uncle but it is a fruitless search. Roberto lodges Jun in his house and after a series of incidents, he finds a delivery boy that speaks Cantonese to translate Jun and he learns the dramatic story of the life of his guest.

"Un Cuento Chino" is a funny and dramatic film, with a refreshing story and excellent screenplay, direction and performances. Ricardo Darín is one of the best (if not the best) Argentinean actors these days; Ignacio Huang is great in the role of a Chinese that cannot speak Spanish and Muriel Santa Ana is very sweet with her beautiful smile. This film is another proof that for making a great film, budget is one of the least components. Story, screenplay, direction and performances are the most important.

The apparently absurd and bizarre idea of a cow falling from the sky on a boat is true and has happened in 1997 in the Sea of Japan, when a Russian cargo airplane with problems released a cow from a high altitude that hit a Japanese fishing boat that sank. My vote is eight.

Title (Brazil): "Um Conto Chinês" ("A Chinese Tale")

Interesting and somewhat fresh. Darin always knows how to insult properly, and we all Love that in Argentina. Its a movie about Life and its Magic, about rare events and Destiny. You will find the story quite relaxing and and end that boosts the movie just enough to make it a really good one. Not a classic so far of Argentinian Cinema in my opinion, I don't see it becoming One, is what I mean. But as I said, Solid, very watchable, funny here and there, and a message, nicely wrapped with good performances. And if you know about Buenos Aires Culture, its always a plus for this kind of movies. But if you are not familiar with our ways here, you are probably gonna miss some things but at the end, its a nice little journey.

I grabbed this DVD from the library with not much of expectations. The reviews on the cover were definitely convincing,but it is expected that no one will trash their own film. Having said that,i haven't seen the cover of "The Room". Surprisingly,the end result turned out to be a good,light comedy which was engaging till the end.

The movie tries to solve every puzzle and clears fog over many issues that stems while watching it. The opening short is a bit bizarre but the story is narrated in a beautiful manner to join the dots. Being a Wes Anderson fan,the small things about characters fascinates me and for a movie romantics,this film has loads of small bits which are likable and pivotal in the story-line. I enjoyed the movie and would recommend to anyone who is looking for a light comedy instead of wasting time elsewhere. Enjoy the movie.

Usually telling the end of a film is considered a spoiler. In the case of Argentinian director Sebastián Borensztein, 'Chinese Take-Out' ('Un cuento cino' in the Spanish version) it would be a spoiler to tell how it begins. I actually watched the usual late comers to the cinema hall and wondered whether the film experience is really complete for those folks who entered even only two minutes late after the start of the projection. So, I won't make the mistake of revealing the start of this quite charming feel-good film, I will just say it's quite relevant.

The film tells the story of a grumpy mid-aged owner of a hardware shop in Argentina named Roberto who lives alone, refusing almost any relation with other human beings excepting his suppliers and customers (well, even with these ones only to the point where they do not walk on his toes). He is a good and decent man, and a very bad communicator at the same time. The last thing he needs in life is the appearance of a young Chinese man, Jun, frightened and disoriented, who looks for his uncle in the search for somebody to support him in finding a new way in a new country and who has no-one to rely on but Roberto whom he met accidentally. None of them speaks any word in the language of the other, and each hides traumas from the bast that justify their own barriers in communication. The whole movie is about finding ways to communicate and building a friendship that will help both in overcoming the hurdles of life.

Films about overcoming cultural gaps doubled by barriers of language and making human communication possible despite of them have been made in the past, the one I happen to remember is the Israeli 'Noodle', which was telling the story of a stewardess who finds herself taking care of an abandoned Chinese kid. What makes the story different in 'Un quento cino' are the background stories of the two heroes and the fact that Ricardo Darin and Ignacio Huang are right on spot for the two leading roles. One of the nice ideas of the film is that Jun (Huang) does not really speak one word of Spanish during the whole film, he speaks Chinese, but no translation is available. The language gap is more than a emotional trick or a comic pretext in this film. It is the very glue upon which the relationship and eventually the friendship between the two characters is based upon. Although it is aimed eventually to be a feel-good movie (and succeeds to be so) 'Un quento cino' avoids falling into cheap melodrama because of the discrete humor built upon the day-to-day situations, also based on the fact that in the absence of words the characters need to use gestures which to some extent remind the pantomime style of the early cinema comedies. A discrete and pleasant film.

Very good movie. Intense from the beginning to the end. Crafted with few resources, as were done the movies in the good times of the Nouvelle Vague. Few resources in terms of few actors, few places where the scenes where recorded, no special effects, stunts, wreckage etc, and at the same time, an outstanding existential weight. Existential weight in the sens that each minute in the film is meaningful and cannot be lost. Ricardo Darin is again a great actor. Muriel Santa Ana inspires beauty and sensuality being very simple all the time. Ignacio Huang is dramatic in spite that no one understand what he says. In short, a film which suggests that it is good to plan some place for wisdom in our lives.