CALIFICACIÓN DE IMDb
7.6/10
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TU CALIFICACIÓN
Historia de Benjamin Garcia el Benny que al ser deportado a Mexico regresa a su pueblo controlado por la mafia, en donde trata de salir adelante junto a su familiaHistoria de Benjamin Garcia el Benny que al ser deportado a Mexico regresa a su pueblo controlado por la mafia, en donde trata de salir adelante junto a su familiaHistoria de Benjamin Garcia el Benny que al ser deportado a Mexico regresa a su pueblo controlado por la mafia, en donde trata de salir adelante junto a su familia
- Dirección
- Guionistas
- Elenco
- Premios
- 28 premios ganados y 6 nominaciones en total
Opiniones destacadas
10eongay
Estrada's "El infierno" is a must see movie. Estrada has come back again in force from La "Ley de Herodes" (Herod's Law). In that movie, Estrada made a well depicted view of Mexican society in the late 1990s and we couldn't get worse back then. How wrong we were: It has. The satire portrayed in El Infierno shows how we are really at the gates of hell in a civil war that nobody wants to see or acknowledge. The movie has spectacular shots of the San Luis Potosi Desert that serve as a framework to develop all the memorable characters in the film, like Damian Alcázar Benny that transforms itself from a naive character to a ruthless hit man; or Joaquín Cosío (Cochiloco) both salvage and family man. Even with the pessimistic mood and end message of the film, it is commendable that has been partially financed by public funds and that is having a well-deserved attendance in commercial theaters. Highly recommended.
"El Infierno" is a satirical approach to the actual social situation of Mexico. This movie was released few days before of The Bicentennial Independence Day celebration. That fact gives a plus to this movie because it shows in a "funny" way how brutal the reality in this country is. Director Estrada wants to show that there is nothing to celebrate in a Nobody's land, where the law is made for those to have the money to corrupt a whole system. "El Infierno" shows not only a harsh present, but also a hopeless future.
The main topic of this movie is, of course, drug-trafficking; but, in this case, is only a pretext to show that drug-trafficking is not the problem itself, because it is only the consequence of a very long "tradition" of arrangements between mafia and government. The most characters in this movie were very well performed. I said the most characters, because Maria Rojo's performance was not so good as the other actors. This movie is easy to see and although it contains brutal violence it will be never so brutal as the headlines at the daily news.
The main topic of this movie is, of course, drug-trafficking; but, in this case, is only a pretext to show that drug-trafficking is not the problem itself, because it is only the consequence of a very long "tradition" of arrangements between mafia and government. The most characters in this movie were very well performed. I said the most characters, because Maria Rojo's performance was not so good as the other actors. This movie is easy to see and although it contains brutal violence it will be never so brutal as the headlines at the daily news.
This makes movies like Scarface look second rate. It's well made and high quality. The subject matter is impressively dealt with, though there are no surprises for those that know the subject.
The characters have real warmth, even though the events are presented in cold, brutal fashion.
Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.
The story packs in quite a lot, but in a relaxed style.
It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.
Worth watching before if you're about to snort cocaine. Just to see where your money goes.
The characters have real warmth, even though the events are presented in cold, brutal fashion.
Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.
The story packs in quite a lot, but in a relaxed style.
It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.
Worth watching before if you're about to snort cocaine. Just to see where your money goes.
I assure you that this movie's legacy will still be talked about in decades to come. Certainly, the sole fact that this movie came to be speaks wonders of how great cinema can be made in Mexico, together with its box-office companion, "Hidalgo".
There is a little something for everyone: emotional dilemmas, intellectual reflection, and scenes so well composed that they're worthy of being shown in film schools. For the general public, the tasteful black comedy, the strong symbolic images, as well as the numerous occasions it gives for yelling "burn!!" (or "pedradas", in Spanish) will be the most memorable.
The ideas behind the making of this movie are definitely genius, but it still should be taken with a grain of salt. It is a very simplified view of the lower levels of the narco industry, as it only portrays the case of how a small rural town, with typical small-town values and small-town conservatism, is affected. The movie has been warmly received by the Mexican public, who after only seeing the consequences of this battle against narco forces, have no idea of what this narco business really is about, and crave any type of inside scoop they can get their hands on.
This movie presents what feels like great insight in an easily digestible way.
There is a little something for everyone: emotional dilemmas, intellectual reflection, and scenes so well composed that they're worthy of being shown in film schools. For the general public, the tasteful black comedy, the strong symbolic images, as well as the numerous occasions it gives for yelling "burn!!" (or "pedradas", in Spanish) will be the most memorable.
The ideas behind the making of this movie are definitely genius, but it still should be taken with a grain of salt. It is a very simplified view of the lower levels of the narco industry, as it only portrays the case of how a small rural town, with typical small-town values and small-town conservatism, is affected. The movie has been warmly received by the Mexican public, who after only seeing the consequences of this battle against narco forces, have no idea of what this narco business really is about, and crave any type of inside scoop they can get their hands on.
This movie presents what feels like great insight in an easily digestible way.
I just got back from watching this movie, and I feel like a just got a beating, unfortunately, it's a beating of reality, and it's not pretty.
First of all, it's a raw human drama that grabs you right from the beginning and doesn't even let you breath right until the end. It pretty much portraits the dark side of the human soul: violence, corruption, greed, murder, revenge etc. everything under the sad reality of the narcos and drug trafficking in Mexico. It's interesting that you see this from the point of view of the narcos. And it even has the virtue of using some dark humor that doesn't make the viewing more comfortable.
Script, production, cinematography and acting are wonderful, especially Joaquin Cosio, absolutely brilliant (no wonder why he was picked as one of Bond's villains in Quantum of solace). I found valuable the fact that it is a hard criticism to the government, the authorities, the police, the justice system, and not just the actual ones, but the ones we've had in the past 80 years, and that, in a way, it's a slap in the face to the celebration of the 200 years of independence.
That said, it has to be understood that it reflects only a part of Mexico's reality, though it's a brutal one. Just like after watching City of God you can't assume that Brazil's whole reality are the favelas, the same way it'd be wrong to assume that Mexico is just narcos killing each other.
Powerful and brutal, not an easy watch, but, in my opinion a must see for any movie fan.
First of all, it's a raw human drama that grabs you right from the beginning and doesn't even let you breath right until the end. It pretty much portraits the dark side of the human soul: violence, corruption, greed, murder, revenge etc. everything under the sad reality of the narcos and drug trafficking in Mexico. It's interesting that you see this from the point of view of the narcos. And it even has the virtue of using some dark humor that doesn't make the viewing more comfortable.
Script, production, cinematography and acting are wonderful, especially Joaquin Cosio, absolutely brilliant (no wonder why he was picked as one of Bond's villains in Quantum of solace). I found valuable the fact that it is a hard criticism to the government, the authorities, the police, the justice system, and not just the actual ones, but the ones we've had in the past 80 years, and that, in a way, it's a slap in the face to the celebration of the 200 years of independence.
That said, it has to be understood that it reflects only a part of Mexico's reality, though it's a brutal one. Just like after watching City of God you can't assume that Brazil's whole reality are the favelas, the same way it'd be wrong to assume that Mexico is just narcos killing each other.
Powerful and brutal, not an easy watch, but, in my opinion a must see for any movie fan.
¿Sabías que…?
- TriviaThis film and "Un mundo maravilloso (2006)" are the films in the series that received less censorship during their projection in Mexico. This could be because the other two, "La ley de Herodes (1999)" and "La dictadura perfecta (2014)," were released when the most powerful and controversial political party of the country, PRI, known in Mexico for its intolerance to criticism, was ruling the country.
- ErroresThe close-up of the grenade tossed under the pickup truck reveals a big hole at the bottom of the grenade, which indicates it is a dummy grenade, usual Army surplus store stock and commonly used for training.
- ConexionesFollowed by La dictadura perfecta (2014)
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Detalles
Taquilla
- Total a nivel mundial
- USD 6,703,873
- Tiempo de ejecución2 horas 29 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was El infierno (2010) officially released in India in English?
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