La vida según Attenberg

Dark, unpleasant movie about contemporary Greece, set by a dying father and a lost-soul daughter. Strange how you can fall in love with an actress you haven't seen before, as I did with Ariane Labed playing Marina. I guess she reminded me both physically and spiritually of an ex-girlfriend. Attractive, somehow boyish, always making the other move, both at a distance and now and then unexpectedly intimate. All the talking in other reviews about Marina being emotionally 'dead' is total nonsense. You have to (try to) understand this character, but not many men are willing or able to. To me she was the shining light in this portrayal of a depressed, bankrupt and humiliated country. This movie worked like a magnet to me. After I finished watching it, I was almost certain the director had to be a woman of about my age. I was right. I suppose Ariane has a great filming future ahead of her, but I hope she will perform in movies like this one. But it could just as well be her best role already.

Wihtout much info regarding the writer/director or a film presentation it's hard to solve the puzzle of what I've just watched (I have Chevalier in my watchlist: good reason to watch it sooner than later).

While I'm not sure if Attenberg is about human ethology, about a father-daughter bond, about Greece, industrial districts, young women, modern relationships or modern relationships of Greek young women in industrial districts...

OR simply autobiographical...

While I'm not sure of any of these, I can say that Attenberg is a pleasing and powerful watch.

It's weird, it's fresh, it's new, it's youth portrayed. I loved it, it's one of those films that stick with you even days after seeing it. It's a pretty simple plot but the interactions of Marina with her friend, her lover and specially her father are thoughtful, intimate, funny and very interesting to watch. The feeling of this movie is not to take very seriously major life events. In a way, it's a very positive, weird, original and funny movie. The intimacy achieved by the main actress it's amazing, and as much as I loved it, I understand not everyone will get it, or feel it the way I had. But to me, it was a journey whom I connected deeply with. The misanthropic and weird nature, but also positivity and amazingness of Marina captivated me. I'm very grateful I had the opportunity to watch it through MUBI. Plus! the soundtrack fu*king rocks, I love the band Suicide. It's a greek gem, and it certainly has become one of my favorites.

This movie, despite seeming like a mess, makes a lot of sense to me.

Human existence is defined by essential contrasts. The sexual and the unsexual reflect the conflict between instinct and choice; death and life, the transience that gives meaning to the present.

Human existence is marked by contrasts that define and challenge us. Between the sexual and the unsexual lies the dilemma of creation and restraint, of desire and renunciation. What is instinctive clashes with what is chosen, revealing the boundaries and freedoms of our being.

Wisdom is the discernment that illuminates ignorance, while knowledge and the unknown coexist, reminding us of our limits. Finally, the rational and the animal find balance, uniting reason and instinct, showing that to be human is to embrace these dualities.

Very, very good!

According to one of the main characters, Greece is a country which has moved from keeping sheep to IT, without passing industrialism. And this is not the Greece you see in postcards. It's post modernism in an ugly shape, the remains of an overrated 20th century.

One of the girls here is 23 years old and has always rejected both sex and love. Her female friend is on the other hand very experienced. Their relationship is somewhat cold, although finds expression in their dancing together in a yard.

A father and architect dies, not any longer believing in his 1900s. The 23-year-old girl almost talks a relation with a man into pieces. This is a form experiment, but it's not that successful. But it very much rejects that old bad century.