Tanu Weds Manu

Despite the film's incredible success, I personally found it to be a simple film with nothing but overused clichés of Hindi cinema. A mess made for theatres, suitable as television serial, though has splendid actors in it, falls short because of it's boring screenplay.

Just because you take a bakwaas bollywood film, remove all of it's cringe parts, and make a Desi film out of it with Desi music filling incessantly, doesn't make your film award deserving. It was rather disappointing.

Having read the synopsis, I became interested in Aanand Rai's 'Tanu Beds Manu'. The film starts amusingly, even though full of clichés. The beep slangs were funny but it would have been funnier if there was no beep but then again the makers wanted to make the movie family friendly I guess. I liked the references it makes to other Hindi films. The interaction between the characters are fun especially in the first half and Manu's initial struggle after being turned down by Tanu and peer and parental pressure are shown amusingly. I also enjoyed the scenes with Kangana Ranaut and Madhavan in this portion of the movie. It's only after the introduction of Raja Awasthi that things rapidly head downhill. From then on it becomes another generic Bollywood love triangle that has been overdone in, well, numerous Bollywood movies. At this point the film drags on and on until the predictable and overstretched ending. Madhavan does a brilliant job as the slightly nerdy goofy Manu. Comedy may not be Kangana's fort but she tries and is quite alright. Jimmy Shergill is wasted. Deepak Dobriyal is excellent. Ravi Kishen is wasted. Overall, this could have been a decently entertaining lighthearted fare all the way if it weren't for the lacklustre second half.

Tanu Weds Manu is a typical romantic comedy movie which has got interesting characters to make the viewing pleasurable. Like Dilwale Dulhania Le Jayenge, this movie also makes the mistake of revealing the climax through its title. We know that at the end Tanu is going to wed Manu due to the hastily chosen title. R Madhavan and Kangana Ranaut play the lead roles and give decent performances. Kangana plays the effervescent, rebellious, emotional girl with perfection. However, Jimmy Shergill steals the show with him playing Raja who is a small time criminal who Kangana is about to marry before deciding that she was in love with Manu. The movie takes quite a lot of creative liberties as the number of coincidences that occur in the movie are highly unrealistic. But if you view the movie for what it is, that is a family entertainer that is not meant to be taken very seriously, then it does a good job. It is a feel good movie that works.

Movie was very much put on the tanu's perspective towards life, marriage, boys and manu but out of all of these Manu and his genuinity stands out through out the movie. Tanu seems dumb at times to unnotice or consider Manu and we may tend to go to the state where its tanus loss if she doesnt find interest in manu and his world. Overall movie was very well made and it hits the audience anxiety because it is shown from tanu's perspective. Because almost everyone will hate so much by the time of interval that only manu bears all her tantrum's. Acting wise kangana was very very good and i think this is the first film of hers where she proved herself with her acting. Madhavan was as usually a best fit into the character. Songs where good enough. Overall a Good Cinema.

Tanu Weds Manu is an enjoyable film but sadly it never manages to be outstanding. And it could have been, had it been handled better. The film starts on a very nice note, and the first half is very good. Later on it becomes a little messy. The messiness however never takes away from the film's feel-good nature, its colour and wonderful music. The narrative style in this sense is really very good, it's very musical and makes the entire thing flow really well even if the writing is not at its potential best. The romance is particularly well-done, there's a right amount of balance in how the tension is between the two main characters, who are polar opposites, is built.

Madhavan and Kangana Ranaut might be an unlikely couple at first, but it works well. Most of the credit goes to Madhavan's wonderfully subtle and profound performance. His Manu is kind and vulnerable and very easy to empathise with. As the wild Tanu, Ranaut looks prettier than ever and has a nice energy. She does get a little screechy and over-expressive at times, but her presence makes up for much of it. The supporting cast includes a host of familiar faces, and it is Swara Bhaskar who leaves a mark in a performance that is never less than convincing. The conclusion of the story is rather predictable but it's a nice one, as is this film, a watchable and culturally rich romance.