Atmen

This is yet another brilliant Austrian film. It is the directing debut of the well-known Austrian actor Karl Markovics and it is a stunning first film. Perhaps the main reason for this is the acting of Thomas Schubert in the main role. Seldom has a young guy so quietly taken over the big screen and he lives and breathes his character so thoroughly that it's almost hard to believe you are watching a movie and not a documentary. All the supporting actors are likewise presented in a very realistic mode. It is filmed under overcast skies (yes, Vienna has many days of sunshine but not in this film.) When the film quietly ends in a pan-out of another overcast sky, you realize how touched you are by Roman (Thomas Schubert) the main character who's trying to find a path he can travel on through life. Thumbs up!!

The actor Karl Markovics has made a beautifully low-key directorial debut with this rumination on freedom, mortality and coming-of-age and the parallels between these things. He has a gift for imbuing a 'slice of life' story with a narrative engine that supplies tension and interest despite "not much happening" on screen, and his visual style is very well developed for a debut.

His greatest gift is directing actors - the ensemble here is magnificent. But he shouldn't take all the credit for the performing here - Thomas Schubert in the lead gives one of the best debut performances I've ever seen, completely lucid, emotionally immediate and "there", creating a tangible character that, over the course of the film, we get to know as closely as a good friend. He's a total natural, but that's not to say that he lends his characterisation a calculation and rigorous emotionality on par with the best professionals. Here's hoping for a long career ahead of him.

Austria has been hitting aces with films like THE COUNTERFEITERS and REVANCHE and again with BREATHING, the country proves it has got what it takes to be considered amongst quality film making countries.

The film is small and poignant driven by a brave, bold and haunting performance by Thomas Schubert. The boy delves deep into the character and comes up with a nuance and sincerely enriched performance stating that he clearly lived every second of the film and literally felt the character making him able to wear the character over himself like a costume.

The supporting cast was adequate and served their purpose decently.

Karl Markovics is a known actor who inspired me with his acting skills in THE COUNTERFEITERS but here he comes up with an even better film and inspires with his directing and writing skills. The scenes were meticulously crafted, the feelings of the reclusive lead character were so rich that one watching the film can easily feel the mental pain and torture that he goes through.

The scenes i like best were when the Schubert releases the trapped bird, it carefully tells how his character has evolved into someone less brutal and caring person.

The score by Herbert Tucmandl and cinematography by Martin Gschlacht was cool and provided with the accurate mood of the film; dense, low but yet beautiful.

This movie might not be appealing to everyone but the lovers of art-drama films will surely cherish this small gem from Austria.

Thomas Schubert is Roman Kogler, a kid who's serving time in a juvenile detention center. He has a day job as a morgue attendant. He is socially awkward and can't connect with anybody. Can he find the connection that he so desperately need?

This movie moves rather slowly. It meanders along as we follow Roman around. There isn't anything dramatic going on until the final third of the movie. So we're relying on this being a character study. A character study has major problems here. The actor is not charismatic and the character is supposed to be withdrawn. Again that doesn't make for compelling watching. A final reveal is very enlightening about his incarceration. However, I think a violent action scene at the beginning would inject much needed tension into this character. It would serve the movie much better to see the incident at the beginning rather than hear about it at the end.

This is a movie about guilt, dreams, redemption and ultimately hope. You won't like 18 year old Roman Kogler at first. He is sullen, uncommunicative, and in prison. Nobody else seems to like him either. He doesn't like himself. Beset by inner demons, he has committed some unspeakable crime. His only ally is the probation officer who is helping him to find a job that will convince a parole board that Roman is worthy to be released back into the community. Through the course of the movie we learn that he is a boy who has been dealt a bad hand in life. Brought up in care, he has been a lost soul who made a tragic mistake that caused him to spend his teenage years in detention. A job in the city morgue proves to be the turning point in the movie, and in his life. This job is the symbol of his eventual redemption. As his prison peers turn away from him in disgust at his choice of job, his equally wary co-workers, initially sceptical at having a convicted criminal in their midst, soon become accepting of the boy, and eventually encourage him to develop in his new role. A stroke of fate during a call-out one day, leads Roman down a path of self-discovery, which will help him to understand why he became the person he now is, and allows the audience to explore the damaged relationship, which needs to be repaired before the boy can address his inner demons and move on with his life. This is stark, often graphic, but never dull. You will end up liking Roman. As he understands what has brought him to this point in his life, he begins to like himself more. He exhibits an inner strength and confidence that belies his young years. You can be sure he will make a success of himself, in spite of the bad start that life offered him.