CALIFICACIÓN DE IMDb
7.6/10
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TU CALIFICACIÓN
Un documental filmado por cineastas de todo el mundo que sirve como una cápsula del tiempo para mostrar a las generaciones futuras cómo era estar vivo el veinticuatro de julio de 2010.Un documental filmado por cineastas de todo el mundo que sirve como una cápsula del tiempo para mostrar a las generaciones futuras cómo era estar vivo el veinticuatro de julio de 2010.Un documental filmado por cineastas de todo el mundo que sirve como una cápsula del tiempo para mostrar a las generaciones futuras cómo era estar vivo el veinticuatro de julio de 2010.
- Premios
- 1 premio ganado y 5 nominaciones en total
Ester Brym
- Self
- (as Ester Brym Ortiz Guillen)
Opiniones destacadas
This movie blew my mind! How can an independent movie be so great? This movie shows every day people in the rawest form. You just do not see this in any other film. It shows people real points of view, although very subtle. I thought it was very interesting to see so many people's fears and allowed the viewer to relate to this movie. I think the best part of it all is the fact that they allowed everyone to view it for FREE on you tube. No high-budget movie would do that! It is refreshing to see a movie being shown to all in its purest form and getting the buy in it is most deserved from the viewer. This movie should be show everywhere! Get out and see it!
Without a doubt one of the worlds best examples of co-creation or even crowd sourcing if you like. How 4500 hours of film were carefully judged until 150 hours of film could serve as the basis for this 1,5 hour jewel will never seize to amaze me. The film touches every single emotion from joy to fear to disgust to sadness and relief, and does so in a totally natural way, probably as life itself does. Maybe somewhat besides the point of the film but what struck me was the notion that in whatever direction I would travel, except maybe slightly north, in general people are worse off than in my country. You could say seeing life on our planet makes me appreciate my particular life more. Probably it was about time something would...
Life in a Day is a historic cinematic experiment that attempts to capture what life looks like on one day, July 24th, 2010, around the entirety of the world. Thousands of hours of video were captured and then compiled to give a glimpse into what constitutes an average day amongst humanity.
This film is ultimately about connection; the connection of humans to one another and all of the mundane, regular, everyday things that we share despite our differences in culture, location, and upbringing. The fact that we all sleep. We all wake up in the morning. We all eat breakfast. We brush our teeth. We walk around. We smile. We love. We fear. We breathe. This film is an affirmation of the simple joys and sorrows that we experience merely as a result of living on this earth and being human. It is an affirmation of life at its rawest, truest, grittiest, and loveliest.
The summarization of this project can be found in the words a young teenage girl who vocalizes that, although she went through her whole day with nothing particularly out of the ordinary occurring, merely by partaking in this social experiment and something greater than just her own life, she was left with the feeling that something amazing was happening.
This simple statement speaks of our innate human desire to be a part of something that is larger than just ourselves. We long to belong, to connect, to be understood, and to be a part of something meaningful and worthwhile. This film speaks directly to this need and is able to transcend religion, culture, age, and gender to get at the heart of what it means to be a human being on earth today. What an amazing time capsule treasure for generations to come.
This film is ultimately about connection; the connection of humans to one another and all of the mundane, regular, everyday things that we share despite our differences in culture, location, and upbringing. The fact that we all sleep. We all wake up in the morning. We all eat breakfast. We brush our teeth. We walk around. We smile. We love. We fear. We breathe. This film is an affirmation of the simple joys and sorrows that we experience merely as a result of living on this earth and being human. It is an affirmation of life at its rawest, truest, grittiest, and loveliest.
The summarization of this project can be found in the words a young teenage girl who vocalizes that, although she went through her whole day with nothing particularly out of the ordinary occurring, merely by partaking in this social experiment and something greater than just her own life, she was left with the feeling that something amazing was happening.
This simple statement speaks of our innate human desire to be a part of something that is larger than just ourselves. We long to belong, to connect, to be understood, and to be a part of something meaningful and worthwhile. This film speaks directly to this need and is able to transcend religion, culture, age, and gender to get at the heart of what it means to be a human being on earth today. What an amazing time capsule treasure for generations to come.
A father and son document their lives caring for someone they love, who is stricken with cancer. A man steals from a grocery store. An elderly couple, their hair pristine white, finally tie the knot. A young man tells his grandmother via a phone call that he is gay and that he hopes she can come to love his significant other as much as him. A group of women sing as they perform their daily duties. A photographer describes his way of life. People walk, go to work, talk to each other, talk to the camera, as they do in life. Because this is life. Life is extraordinary and life is mundane. And life, no matter from what perspective we examine it, is mesmerizing. And Kevin Macdonald's film "Life in a Day" is all of that and more.
This is one of the most enthralling, captivating, and magnificent works of art ever produced by human hands. And that is the honest truth, since it was, in deed, created by hundreds of people. Some of them filmmakers, most of them just ordinary Janes and Joes like you and me. Detailing what happened in their lives on July 24, 2010 and submitting their footage to Mr. Macdonald and producer Ridley Scott, they provided the materials for a genuine masterpiece. "Life in a Day" is a masterpiece not because it is artistic or cared for with creative tenderness (even though it is). It's a masterpiece because it is unabashedly honest and personable. I watched the movie on its live Youtube debut while it was simultaneously screened at the Sundance film festival. And for an hour and thirty-four minutes, I sat there captivated. Nothing could have torn me from my seat. Even though most of what I saw was fairly ordinary, things I could see walking down any street in any town. Paradoxical as it sounds, the mundane is mesmerizing.
In his movie, Mr. Macdonald and his hundreds of co-directors examines human life as fact and with honesty. He reveals the frailties, tenderness, brutality, horrors, and beauty of life in our world all within that short window of an hour and a half. It's so captivating because it's all real and these are stories that many of us can identify with, and others we hope never to. That's when the movie really becomes a tear-jerker. Sometimes there are long stretches of time on particular subjects, other times it's a montage accompanied by truly wonderful, ear-worm music. There is so much that I want to say about "Life in a Day" but I must restrict myself. Because the movie really has to be seen to be believed. I cannot possibly do this film's emotional and psychological justice simply by writing about it. All I should (and will) do is tell you my reaction, as I just have. This is one of my most personal reviews and it's fair because it's a personal film. It engages the audience more than any documentary could ever do (though I haven't seen "Shoah" yet) and it leaves us with that utterly profound and beautiful sensation that only a great picture can do. Even though it is very, very simple in a lot of ways. After all, Steven Spielberg once said "Oftentimes the simplest ideas are the best ones." He was right. Boy, was he right.
"Life in a Day" is a masterpiece.
This is one of the most enthralling, captivating, and magnificent works of art ever produced by human hands. And that is the honest truth, since it was, in deed, created by hundreds of people. Some of them filmmakers, most of them just ordinary Janes and Joes like you and me. Detailing what happened in their lives on July 24, 2010 and submitting their footage to Mr. Macdonald and producer Ridley Scott, they provided the materials for a genuine masterpiece. "Life in a Day" is a masterpiece not because it is artistic or cared for with creative tenderness (even though it is). It's a masterpiece because it is unabashedly honest and personable. I watched the movie on its live Youtube debut while it was simultaneously screened at the Sundance film festival. And for an hour and thirty-four minutes, I sat there captivated. Nothing could have torn me from my seat. Even though most of what I saw was fairly ordinary, things I could see walking down any street in any town. Paradoxical as it sounds, the mundane is mesmerizing.
In his movie, Mr. Macdonald and his hundreds of co-directors examines human life as fact and with honesty. He reveals the frailties, tenderness, brutality, horrors, and beauty of life in our world all within that short window of an hour and a half. It's so captivating because it's all real and these are stories that many of us can identify with, and others we hope never to. That's when the movie really becomes a tear-jerker. Sometimes there are long stretches of time on particular subjects, other times it's a montage accompanied by truly wonderful, ear-worm music. There is so much that I want to say about "Life in a Day" but I must restrict myself. Because the movie really has to be seen to be believed. I cannot possibly do this film's emotional and psychological justice simply by writing about it. All I should (and will) do is tell you my reaction, as I just have. This is one of my most personal reviews and it's fair because it's a personal film. It engages the audience more than any documentary could ever do (though I haven't seen "Shoah" yet) and it leaves us with that utterly profound and beautiful sensation that only a great picture can do. Even though it is very, very simple in a lot of ways. After all, Steven Spielberg once said "Oftentimes the simplest ideas are the best ones." He was right. Boy, was he right.
"Life in a Day" is a masterpiece.
Morning, July 24, 2010. "It'll all end well," a man says to his younger son, who is currently throwing a tantrum. "It'll all end well," he reassures the boy. What will end well? This situation? This day? This life?
As Life in a Day progresses, the viewer travels through the lives on many, literally living vicariously through others. This amazing documentary, produced by the Scott Brothers (one of which is the famous Ridley Scott) and directed by Kevin MacDonald, travels all over the world on one all too regular day: July 24, 2010. Starting in the morning, a time filled with a happiness and renewal, and ending in the evening, a time of reconciling and sadness, Life in a Day profiles things that should be commonplace. The best part: these things are certainly not commonplace. The Earth is a beautiful place. Our lives are great. Why not display them on film? And that is just the point.
Like any great documentary, Life in a Day is a poignant film. But unlike many great documentaries, it follows a subject that should not be poignant. If you have ever seen Amelie, you know the great beginning sequence. An unseen narrator shows us two glasses dancing on a table, a firefly dashing across a yellow-lighted French street, and a man erasing the name of a dead friend out of his address book. Imagine a movie like this entire opening sequence and you've got Life in a Day. Beautiful imagery, such as a teenage boy shaving for the first time, is common throughout the entire film. One shot especially, that of a skydiver falling to Earth, is probably the best part of the entire film. In a scene reminiscent of Koyaanisqatsi, a woman tumbles through the upper layers of Earth's atmosphere. It is quiet for a brief minute, and then, as the clouds engulf her, the noise of the people seeps in. The couple laughs together, sharing a time like no other together.
And yet, there are some truly disturbing scenes. At a Love Parade, multiple people are shown getting trampled to death. A few rush over to help the fallen victims, but many carry on, screaming to their heart's content. One part that people will surely have a reaction to is the slaughterhouse scene. Fair warning: a cow is shot in the head twice. The cow is later decapitated graphically. As these scenes show, sometimes life isn't always great. The images may be ugly and bleak, but they are always beautiful.
Life in a Day is a beautiful time capsule of people in the new millennium. Simply put, it's a wonderful portrait of people who do regular things. On a more complex level, it's a documentary about how lives are constantly changing. Every action we do changes the next action that is going to happen. Time is important. It's also shaping these actions. What's going to happen tomorrow? After all, as Scarlett O'Hara once said, "Tomorrow is a new day."
As Life in a Day progresses, the viewer travels through the lives on many, literally living vicariously through others. This amazing documentary, produced by the Scott Brothers (one of which is the famous Ridley Scott) and directed by Kevin MacDonald, travels all over the world on one all too regular day: July 24, 2010. Starting in the morning, a time filled with a happiness and renewal, and ending in the evening, a time of reconciling and sadness, Life in a Day profiles things that should be commonplace. The best part: these things are certainly not commonplace. The Earth is a beautiful place. Our lives are great. Why not display them on film? And that is just the point.
Like any great documentary, Life in a Day is a poignant film. But unlike many great documentaries, it follows a subject that should not be poignant. If you have ever seen Amelie, you know the great beginning sequence. An unseen narrator shows us two glasses dancing on a table, a firefly dashing across a yellow-lighted French street, and a man erasing the name of a dead friend out of his address book. Imagine a movie like this entire opening sequence and you've got Life in a Day. Beautiful imagery, such as a teenage boy shaving for the first time, is common throughout the entire film. One shot especially, that of a skydiver falling to Earth, is probably the best part of the entire film. In a scene reminiscent of Koyaanisqatsi, a woman tumbles through the upper layers of Earth's atmosphere. It is quiet for a brief minute, and then, as the clouds engulf her, the noise of the people seeps in. The couple laughs together, sharing a time like no other together.
And yet, there are some truly disturbing scenes. At a Love Parade, multiple people are shown getting trampled to death. A few rush over to help the fallen victims, but many carry on, screaming to their heart's content. One part that people will surely have a reaction to is the slaughterhouse scene. Fair warning: a cow is shot in the head twice. The cow is later decapitated graphically. As these scenes show, sometimes life isn't always great. The images may be ugly and bleak, but they are always beautiful.
Life in a Day is a beautiful time capsule of people in the new millennium. Simply put, it's a wonderful portrait of people who do regular things. On a more complex level, it's a documentary about how lives are constantly changing. Every action we do changes the next action that is going to happen. Time is important. It's also shaping these actions. What's going to happen tomorrow? After all, as Scarlett O'Hara once said, "Tomorrow is a new day."
¿Sabías que…?
- TriviaFilmed on the 24th of July 2010
- Citas
Man: I actually love my refrigerator. It's such a cool thing. It remains at one corner. It keeps its mouth shut. I love my refrigerator. Nothing else but my refrigerator!
- ConexionesFeatured in Breakfast: Episode dated 14 June 2011 (2011)
- Bandas sonorasA Preda (The Rock)
Traditional Angolan Song
Sung by Ovimbundu Women
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- How long is Life in a Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Một Ngày Trên Trái Đất
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 252,788
- Fin de semana de estreno en EE. UU. y Canadá
- USD 45,202
- 31 jul 2011
- Total a nivel mundial
- USD 607,169
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
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By what name was Life in a Day (2011) officially released in India in English?
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