The Oregonian

Just finished seeing the last showing here at Sundance, over a quarter of the audience walked out. Audio blares through the whole film in a way that leaves even the most patient film goer in pain. The film itself lacks much of a story. I have seen some disturbing and painful horror, but this is just plain ridiculous. It tries for the lost in woods feel of Blair Witch, but substitutes screams and flashed images for genuine scares.

Story wise, it seems like they were trying to do an Alice In Wonderland finds herself in hell. The lead role does an admirable job acting, but the juxtaposed story never really takes you anywhere. You will scratch your head after seeing this one, wondering what was the point? If the filmmakers were trying to troll sundance, I would say they succeeded.

Complete garbage. Zero redeeming value. We following a clueless automobile accident victim through a series odd little events as she makes an effort to understand what has happened to her. The viewer has no interest in anyone or anything that takes place in this story. Is she dead? Is she alive? Is it a dream? We don't care.

How movies like this reach the public is the real mystery here. Terrible writing and storyline. The acting is stiff and forced Looks like it was shot with an iPhone and the soundtrack was recorded on a 1970 Tascam porta studio

I love the "Winner of the .... award" in the description on the Kanopy Site. Maybe winner of the Charmin Award.

I watched it with my wife and she gave me that "you made me sit through another POS movie". On a more positive note, it was a free movie.

The Oregonian is a vastly under-appreciated bit of Indie mastery. This terrifying, relentless Lynchian journey into Hell never lets up.

The imagery is stark, shocking, strange and compelling, and the acting is spot on.

Reeder is obviously creating something of an homage to David Lynch, using some of his scariest techniques in a frantic death-ride to oblivion.

It's bleak, horrific and brilliant.

Lindsay Pulsipher in particular is spot-on, and completely believable, as are the cast of mad characters capering in and out of her reality.

Destined to be a cult classic, and deservedly so.

reeder's film is dreadful. it tries too hard to be creepy and what's funny about comes off as camp. the lynchian humour comes off as obvious. what i may have liked about it seemed to be reeder's attempt to depart from lynch and leave his own mark, to be imaginative and elliptical, departing f which is sadly only ten percent of the film. the film is so hollow it feels silly. it just goes to show you that no one can do what David lynch does, lacking emotional intensity, the fails to be subversive. what is supposed to be disturbing comes off as contrived. you think you're getting something different when he's playing a hipster making fun of hipsters, but reveals himself as a wannabe director making a b-movie that somehow got way too much attention because everyone leaves it to lynch. what tries to be funny feels more like a gimmick. "oh we're all so much smarter-isn't this cool?" no, it's not. it's annoying. it's not an art film. it's too graphic and dull to be lynch. it's too stupid to be a psychological suspense.

And you'll want that 80 minutes back, if you waste them on this movie. You're better off making out with a cheese grater if you want cheap, bloody thrills. Which this film has none....give the audience some credit. Yes, we've seen Eraserhead, and this is no Erasehead. Absolutely no pay off, just shaky camera work, no dialogue, not nearly enough gore for horror fans, just lots of close ups of very ugly faces. I get it, you like David Lynch. But not that much because this was a terrible effort. Ed Wood looks like Eastwood compared to this tripe. But there are people out there that will argue the merits of tripe, saying that it is good, the way my grandmother prepares it. But it's not, it's the lining of a cows stomach.........