Wish You Were Here

The plot is simple, two couples visit Cambodia but only three people return, and the film spends its time skilfully cutting between then and now until we understand what went on during the trip, and also understand the unfolding dramatic relationship between the three who make the return trip.

As a film I thought the acting, the script, the cinematography and the sound were all very commendable. Although the plot format is not original it is very well done after a seemingly confusing opening few minutes leaves you thinking you may have blinked once too often, as the opening credits run with the film. But once the film has settled down the action is driven by the acting and the script, which are always thoughtful. The film makes no attempt to sentimentalise anything but reveals the story as if we are eavesdropping on the actors. There are several poignant moments which are down to great performances by all concerned.

It would be good to see some more output from this stable because there is real promise on show.

Saw this recently on a flight from Bangkok and although it was only on the incredibly small screen, I think it was about the right size for the story. It was a very simple tale, with not too much drama and fairly predictable narrative wrapped around a very obvious dialogue. The main lead acted well and that in my mind magnified the shortcomings of the story.

There were obvious gaps in the story that the actors tried to fill with raw emotion but that didn't quite gel with me and there was the willing suspension of disbelief with regard to the final scenes that were meant to sum up so much but instead left you feeling that the tale had been dragged out somewhat.

Wish You Were Here is a directorial debut for actor Kieran Darcy-Smith and written by Darcy-Smith and his wife Felicity Price. The premise of the movie is promising: four Australian friends are enjoying a holiday in Cambodia, but one goes missing after a particularly "heavy" night of partying. The movie is superbly shot and mostly well acted, but I was nevertheless disappointed.

We see the holiday firstly as a 10 minute sequence which moved too rapidly for me. As the movie progresses the holiday is shown in beautiful flashbacks, which give us insight into the characters as well as depicting some of the events that took place. When husband and wife, Dave and Alice (Joel Edgerton and Felicity Price) return to Sydney, they leave Alice's sister, Steph (Teresa Palmer), to try to find out what happened to her boyfriend, Jeremy (Antony Starr). Dave is uneasy and troubled, and even more so when Steph arrives home and the first of many secrets is uncovered.

Joel Edgerton is marvellous as a man wracked with guilt and tormented by secrets and lies he dare not reveal. Teresa Palmer is also very good, but unfortunately her part is underwritten. I found that I became a bit bored with Felicity Price's character, Alice, especially when we start to see more and more of her and less of Dave. About half way through, the movie seemed to become stuck, and I was wanting the original storyline to develop and to give answers to the mystery. When truth is finally revealed, it is terrifying, but it feels anti-climactic, because we've had to wait too long.

I found it hard to sweep my expectations aside and see the movie as the writers/director intended it to be: a story about the effect on family life when one spouse hides a dark truth from their partner. I was expecting more of a thriller, and even as I tried to accept the way the plot unfolded, I still found it disappointing. At certain times I felt sympathy for the characters and I felt their pain; but there were scenes where the magnitude of emotions that the characters were experiencing was not adequately conveyed, (for example, the ending). Obviously, Wish You Were Here was not as engrossing for me as it was for others, but I wish it had been.

While on holiday in Cambodia, two couples, Dave and Alice Flannery (Joel Edgerton and Felicity Price) and Steph McKinney and Jeremy King (Teresa Palmer and Antony Starr), partake in all the traditional tourist attractions the impoverished country has to offer, but after attending an underground dance party, Jeremy unexpectedly disappears and a dark secret is buried within the circle of friends. What starts out like a third chapter in "The Hangover" franchise quickly morphs into a simple and dismal story of betrayal that drags its feet through the first two acts, only to conclude on an intriguing high note. However, the compelling conclusion only leaves an irritating aftertaste, since the journey certainly isn't worth the pay off. Director Kieran Darcy-Smith neglects his characters' foundations and significance to such a degree that viewers have little to invest in. In turn, everyone's wavering fates are insignificant and disposable. In the same fashion of the story, Edgerton and Price float through the film without devoting too much into their characters, but once the finale comes into play, they immediately switch gears and display their true acting abilities.

Here is a review based on my enjoyment of the film, bearing in mind I have no film background or any credentials as a film critic. Basically I am just telling you my own personal perspective, which I fully accept others may or may not agree with: The acting was convincing and engaging, the settings were authentic (I really felt like I was there with them in Cambodia)... It's just that the movie goes on and on and on... and there really is no mystery in the end (I don't want to say more bc it might spoil it for you). I spent most of the movie trying to entertain myself - surfing the net, taking breaks to do laundry and chores - so I could still watch but keep myself occupied bc basically I was bored. I thought the ending was good as it pulls the story together. I just would have preferred they got to the ending quicker. Wish it had been a 45 minute movie, instead of 1.5 hours. I did watch the beginning of the movie (it was good), and I watched the end of the movie - it was mostly the stuff in the middle that ran over-long.