Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
Michael Kelly
- Agent Fuller
- (as Michael J. Kelly)
Jessica Lindsey
- Hermia
- (as Jessica C. Lindsey)
Caitríona Balfe
- Jasmine Tressler
- (as Caitriona Balfe)
Douglas M. Griffin
- Hypnotized Man
- (as Doug M. Griffin)
Opiniones destacadas
This is an interesting concept, surely not a genre played out much in Hollywood. The cast is jam packed with all stars giving great (but not their best) performances. The missing piece of the puzzle? Character development.
That's not to say that there is any lack of interesting characters, each of the four horsemen bring a very unique style to the movie (besides Henley, she's rather weak as a character), and the sheer amount of Talent present in each scene guarantees that you'll be entertained.
10/10? Hardly. But definitely a solid 8 for me. Entertaining, fun, and definitely a concept worth exploring on the big screen. Just remember, the closer you look, the less you'll actually see.
That's not to say that there is any lack of interesting characters, each of the four horsemen bring a very unique style to the movie (besides Henley, she's rather weak as a character), and the sheer amount of Talent present in each scene guarantees that you'll be entertained.
10/10? Hardly. But definitely a solid 8 for me. Entertaining, fun, and definitely a concept worth exploring on the big screen. Just remember, the closer you look, the less you'll actually see.
There are a lot of reviews already for this movie, so it is unlikely anyone will read mine. But I feel like I have to weigh in on this movie.
This is the most fun I've had watching a flick in a very, very long time. This movie is a riot! It isn't quite as clever as it thinks it is. Most of the surprises weren't terribly surprising; off the top of my head I can identify at least three that I saw coming. But I don't care.
It was fun! It was funny and engaging and I found myself simultaneously rooting for both sides. There is no shortage of action, the dialogue is peppy, and - unlike almost everything else I've watched lately - it's never boring.
Do yourself a favor and don't analyze. Just sit back and enjoy the ride. Movies don't have to be life-altering.
This is the most fun I've had watching a flick in a very, very long time. This movie is a riot! It isn't quite as clever as it thinks it is. Most of the surprises weren't terribly surprising; off the top of my head I can identify at least three that I saw coming. But I don't care.
It was fun! It was funny and engaging and I found myself simultaneously rooting for both sides. There is no shortage of action, the dialogue is peppy, and - unlike almost everything else I've watched lately - it's never boring.
Do yourself a favor and don't analyze. Just sit back and enjoy the ride. Movies don't have to be life-altering.
"First rule of magic: always be the smartest person in the room." J. Daniel Atlas (Jesse Eisenberg)
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
"Now You See Me" came out of nowhere and became the sleeper hit of 2013, getting good word of mouth during its theatrical run. Having seen the movie for myself, I am kind of puzzled by its popularity. Certainly, the movie is far from the worst movies I have ever seen - it's colorful, and doesn't have a dead spot despite running almost two hours long.
But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)
The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.
(Note to Michael Caine fans: His role is really just an extended cameo appearance.)
But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)
The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.
(Note to Michael Caine fans: His role is really just an extended cameo appearance.)
Now You See Me is a very entertaining movie, the cast is excellent, Jesse Eisenberg is very well, Mark Ruffalo for me is the best actor of the film, Woody Harrelson, Isla Fisher, Dave Franco, Melanie Laurent, Morgam Freeman, Michael Caine and etc., everyone is well, the direction of the film is good, most have some problems, I found the badly explained film, and the Plot Twist the film is somewhat predictable, has great moments in the film, the visual effects are good, the script even a little poorly explained, can sustain the film, the soundtrack is cool, plus the film loses some strength in the end, get well, more will lose some quality in the course of the movie, Now You See Me is a movie cool and fun, is a good pass time. Note 7.1
¿Sabías que…?
- TriviaThe card trick in the opening sequence is authentic. There is no editing. It is what is known as a "card force", wherein the magician makes the unsuspecting audience member pick a predetermined card. The audience member believes they have picked a random card, which is reinforced by the magician re-shuffling the deck several times, though this is just misdirection.
- ErroresINTERPOL is not a police agency, but an international organization formed to provide cooperation on international police cooperation.
It has no field agents.
- Citas
J. Daniel Atlas: The closer you think you are, the less you'll actually see.
- Créditos curiososIncludes the credit: "Magic Inspired By... David Copperfield"
- Versiones alternativasThe Blu-ray release includes an "Extended Edition" that adds almost nine-and-a-half minutes of material.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #21.153 (2013)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Now You See Me
- Locaciones de filmación
- Orpheum Theater - 842 South Broadway, Downtown, Los Ángeles, California, Estados Unidos(Interior of 'The Savoy, New Orleans')
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 75,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 117,723,989
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,350,389
- 2 jun 2013
- Total a nivel mundial
- USD 351,723,989
- Tiempo de ejecución
- 1h 55min(115 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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