Después de quedar cuadripléjico a causa de un accidente de parapente, un aristócrata contrata a un joven de los proyectos para que sea su cuidador.Después de quedar cuadripléjico a causa de un accidente de parapente, un aristócrata contrata a un joven de los proyectos para que sea su cuidador.Después de quedar cuadripléjico a causa de un accidente de parapente, un aristócrata contrata a un joven de los proyectos para que sea su cuidador.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 38 premios ganados y 40 nominaciones en total
Thomas Solivérès
- Bastien
- (as Thomas Soliveres)
Dorothée Brière
- Eléonore
- (as Dorothée Briere Meritte)
Émilie Caen
- Galeriste
- (as Emilie Caen)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'The Intouchables' is celebrated for its heartwarming portrayal of an unlikely friendship, addressing themes of resilience and social disparity. The film balances humor with emotional depth, avoiding sentimentality. Critics praise François Cluzet and Omar Sy for their performances and chemistry, bringing authenticity to their roles. While some find the film simplistic or clichéd, others appreciate its uplifting message and serious theme handling without melodrama. Its universal appeal and genuine character connection contribute to its success.
Opiniones destacadas
I am now trying to find words to describe this movie for an hour. I couldn't.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
10OttoVonB
Do not look at this through the prism of "Foreign Films". You'd be wasting your time and miss something far too important.
Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.
Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.
The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).
This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.
Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.
Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.
The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).
This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.
It has been 9 weeks now since Intoucblaes has come to the movie theaters. I did not give it much thought at first, but the universal acclaim I have heard convinced me to go see it. I don't over-stating the universality of the acclaim, people of various races, classes, colors & countries told me it was a must see. I had no expectations, and I was floored.
Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.
The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.
The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.
Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.
The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.
On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".
I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.
PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".
Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.
The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.
The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.
Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.
The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.
On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".
I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.
PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".
wow, what a wonderful movie!! full of love, friendship and laughs. just like i always said, when a french movie is good, it's not just good, it's great! and this movie simply explains it. no wonder this movie would have won some international awards, it really deserved it. with these two great actors of two generation, the performances of both is just a perfect casting job. this is an absolutely feeling-good movie, warm up your heart without any intention. in this movie, you will see how it's like day and night that the extreme poverty of the immigrant families and the extreme prosperity of the french rich people. by contrast, this movie used it to prove that oil and water could have mixed together and evolved into a very heartfelt social structure.
i enjoyed it 100%.
i enjoyed it 100%.
This movie surprised us. We checked on IMDb and saw 8/10 for a french movie, without hesitation we went to the movie theatre to watch the movie.
The subject is hard but the movie is really funny. In a few seconds you are fully projected within the film from the beginning to the end. There is no special effet but the actors are playing very well and the movie is based on a real story.
If you are skeptical for French movie don't be for this one ... it is a must see movie.
Enjoy the movie.
The subject is hard but the movie is really funny. In a few seconds you are fully projected within the film from the beginning to the end. There is no special effet but the actors are playing very well and the movie is based on a real story.
If you are skeptical for French movie don't be for this one ... it is a must see movie.
Enjoy the movie.
¿Sabías que…?
- TriviaAlthough the real-life 'Driss' was a young Algerian man called Abdel, directors Éric Toledano and Olivier Nakache changed the character's nationality to Senegalese, as they had enjoyed working with Omar Sy on Tellement proches (2009), and really wanted him to play the part. Sy also had the experience of living in the impoverished French suburbs, just like Driss.
- ErroresWhen the police car first appears behind Driss, you can hear a short burst of the siren, which is clearly an American-inspired tone (also used in UK etc.) When the pursuit begins, the police car has the recognizable and correct French siren tone.
- Créditos curiososFive percent of the profits from the film will be donated to the Association Simon of Cyrene - 15 rue de Suffren - 75015 Paris whose purpose is to create shared living spaces for disabled adults and friends.
- ConexionesFeatured in De wereld draait door: Episode #7.128 (2012)
- Bandas sonorasSeptember
(Maurice White/Allee Willis/Al McKay)
Performed by Earth Wind & Fire (as Earth, Wind & Fire)
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- How long is The Intouchables?Con tecnología de Alexa
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Detalles
Taquilla
- Presupuesto
- EUR 9,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,198,820
- Fin de semana de estreno en EE. UU. y Canadá
- USD 103,507
- 27 may 2012
- Total a nivel mundial
- USD 426,590,315
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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