Atormentado

Take Shelter is an intelligent, thought provoking, nicely shot film featuring an excellent performance by Michael Shannon (an Oscar nomination, surely?), who was also great in director Nichols' previous/first film, Shotgun Stories. The film explores the line between fear and paranoia, or objectivity and subjectivity, as it's protagonist - a blue-collar family man of few words - wrestles with apocalyptic dreams and visions of a strange, possibly supernatural storm, responding to them as best he can as both literal warnings AND possible signs of mental illness. The film has a brooding, at times Hitchcockian atmosphere and a very timely feel to it (think financial and environmental disasters). Set in a rural community, we have plenty of lovely wide shots of the land- and sky-scape (also a strong element of Shotgun Stories) with some added CGI on the latter for the dream/visions. Shannon's performance constitutes at least 50% of this films worth but the rest of the cast are good too. It's a slow mover and, at around two hours and fifteen minutes, perhaps a bit too long. My wife and I did have a few criticisms after watching it (at the Sydney Film Festival), but I wouldn't want to discourage anyone from seeing this film, which will no doubt be a hot topic and bring Nichols deserved recognition when it goes on general release (September 30 2011 in US)

The family man and construction worker Curtis LaForche (Michael Shannon) is happily married with Samantha (Jessica Chastain) and they have a beloved deaf daughter, Hannah (Tova Stewart). Curtis works with his friend Dewart (Shea Whigham) in his team and his mother Sarah (Kathy Baker) has been interned in a clinic since she was thirty years old with paranoid schizophrenia.

Out of the blue, Curtis has nightmares and visions of an apocalyptic storm and he becomes obsessed to build a well equipped storm shelter for his family and him in his backyard. Curtis spends the family savings and gets a loan from the bank to prepare the shelter. His obsession affects his work and his relationship with the locals and Curtis loses his job. Does Curtis have a premonition or is he losing his sanity?

"Take Shelter" is an original drama developed in slow pace with magnificent performances. The screenplay is very well written and despite the running time of 120 minutes, the movie keeps the attention of the viewer until the very last ironic scene. My vote is eight.

Title (Brazil): "O Abrigo" ("The Shelter")

Note: On 21 August 2024. I saw this film again.

I hear it so much now. Our national discourse is rich with portent. "It's going to get worse before it gets better", "Something horrible is coming, you'll see", "Soon there will be riots". I'm told these things at conventions and while talking to my neighbors and at breakfast with my mother's old friends. Now Jeff Nichols takes an exhausted phrase in storytelling, ("There's a storm coming") and crafts out of it the movie of the moment. A dark, symbolic mapping of the last five years of the middle-class American experience that's bursting at the mental and financial seams. I have yet to see a finer artistic expression of the current existential crises we face. Michael Shannon is the Noah of our hour, plagued with calamitous visions and barely bearing up under the weight of constant anxiety. In fact, the whole endeavor is buried in quiet distress and prescience. And when the movie finally finds the heart to redeem it's long suffering protagonist, it is through the worst of all possible outcomes. Essential viewing for our times.

Greetings again from the darkness. What a beautiful piece of filmmaking that up-and-coming writer/director Jeff Nichols (Shotgun Stories) delivers. Not only will the story grab you and hold tightly, but Michael Shannon's performance will stun your senses. All of that from a film with very few special effects and a story based in a quiet, rural Ohio town? Yes.

Shannon (Boardwalk Empire, Revolutionary Road) plays Curtis, a quiet, hard-working husband and father. His friend and co-worker Dewart is played by Shea Whigham (also Boardwalk Empire). Early on, Dewart tells Curtis (with a touch of envy) that he has a good life, and that's about the best thing you can say about a man. It's about this time that all heck breaks loose for Curtis. He has apocalyptic dreams and visions that a world-changing storm is coming.

Being the strong man and protective head of the family that he is, Curtis tries to keep this quiet. However, his behavior grows more strange as he builds out a storm shelter in the backyard, gets rid of the family dog, and messes things up at work. Most of this wouldn't stand out for most people, but Curtis is the "normal" guy - the one who is consistent and predictable. At least he once was.

Curtis' wife Samantha (Jessica Chastain) and hearing impaired daughter Hannah (Tova Stewart) are supportive and try to give him space, but the family demands are such that a husband and wife confrontation is not long in the making. Turns out Curtis has a family history that drives him to dig a little deeper and even seek help.

After much emotional wrangling, there is a scene at a fundraising dinner where Curtis and Dewart have it out. Shannon's rant is one of the more powerful scenes you will ever see on film, and may have just clinched him an Oscar nomination.

This is a thought-provoking and emotional film that doesn't beat you over the head. Things unfold at a natural pace, in fact, it may be too slow for some viewers. The score is haunting and never once over-bearing as we battle through these stages with Curtis.

The ending may prove controversial, but I just smiled a very satisfied smile in appreciation of one beautiful film. There could be comparisons to Peter Weir's The Last Wave, or even The Coen Brothers' A Serious Man (sans humor), but to me, this one stands on its own as a story of love, support and strength.

In "Take shelter" Curtis La Forche (Michael Shannon) is afraid of a devastating storm. Soon this fear dominates his life and he decides to make an underground shelter in his backyard.

"Take shelter" is about fear but it is also about the apocalyps.

The apocalyps takes in this film the form of a devastating storm. It's a storm of biblical proportions, but less religious spectators maybe inclined to make a connection with global warming. Apparently each time has it's own image of what Armageddon is like, because in the 80's of the last century I'm quite shure the film would be about a nuclear Holocaust.

Whatever the form the apocalyps takes, the remedy is more stable: an underground shelter. Watch for example the video clip Donald Fagen made for his 80's hit "New frontier".

"Takes shelter" is also a film about fear, just like for example "Cleo, from 5 to 7" (1962, Agnes Varda), in which the lead character is afraid of having an incurable illness. In both films the clues indicating whether the fear is justified or not are mixed.

Justified or not, for sure the fear in "Take shelter" is not functional. At first it puts the main character in social isolation and (in an ironic twist of fate) when his fear may materialise his shelter is way out of reach.

The social context of the film is firmly American. When the lead character loses his job during the film, he also loses his health insurence. For a family with a disabled child this is nothing less than a disaster. Something similar happened in "The insider" (1999, Michael Mann).