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Nicolas Cage has been on a bad movie streak for a while now. Every now and then he makes a winner, but most are forgettable B-movies that he agrees to do for a paycheck: You can't blame the man for doing his job. However, not all B-movies are bad - in fact, they're ideal entertainment if you want to sit back, relax, and shut off your brain for a couple hours. Trespass provides that mindless entertainment in spades, with a few head-scratches along the way.

The premise of Trespass is simple: Nic Cage plays a diamond dealer who lives in a beautiful house with his wife and daughter, and some thugs break into the house one day to steal his stash. Nicole Kidman plays his wife who feels distant from her hard-working husband, and the daughter is a typical rebellious teen that sneaks out and goes to a party behind her parents' back. Nothing special.

What makes this movie interesting is the performances. Cage taps into his subtlety - something he rarely does these days - which helps the tension and uneasiness of the atmosphere build until he finally bursts (on more than one occasion). And you never really know what is going through his head. These characters have secrets, all of them, and herein lies most of the film's faults.

The villains in this movie are a mixed bag. Each of the burglars have their own agenda that we find out over the course of the movie through the use of flashbacks and security cam footage. Some of the reveals are a pleasant surprise, others leave you scratching your head. It gets to the point that they're trying to intertwine all these villains' motives together but it ends up feeling forced and underwhelming. However, it is nice that they tried to do something different. Also Ben Mendelsohn's performance as the lead maniac and his eccentric back-and-forth between Cage really adds to the gravity of the situation and makes for a gripping protagonist-antagonist dynamic.

So to wrap up, this is not a thinking man's movie. You can try to put all the pieces together at the end but you'll only end up confused and disappointed - it's not worth the effort. The best thing you can do is grab some popcorn, turn off your brain and watch the events unravel before your eyes. You won't remember this movie as one of Cage's best that's for sure, but it's far from his worst. A good date movie? Sure. It's only 90 minutes, and if you're a fan of Nicolas Cage, you'll surely get at least some enjoyment from Trespass.

One of the worst movies of always good Nicol Kidman and Nicolas Cage. Very mediocre movie, pretty slow developing and no tense pace. About all action goes in one place without any changes regarding drama development. Pleas of the tortured and tyranny of the robbers is about what is going on in most of the movie. But dull plot development is not the most surprising thing in this look like five days shot movie. It is an acting of a great actress Nicol Kidman. I have never seen her acting that bad. As a matter a fact, she is bringing the finest charm to every movie but in this one she looks like an actress just taught how to look hysterical most of the time and that goes for most of the scenes with her. So no, I do not hate this movie, I just felt like falling a sleep from time to time which I find very strange considering the synopsis.

When I heard about the new movie "Trespass" the actors were what reeled me in at first. Between Nicole Kidman, Nicolas Cage and Cam Gigandet, I had my hopes set pretty high for a well acted movie; and I was not disappointed in the least. The movie starts off with your typical wealthy family with an angst filled teenage daughter. The marriage of the characters Kyle and Sarah, Nicolas Cage and Nicole Kidman respectively, seems strained at first, with Sarah's needs not being met because of Kyle's being preoccupied with work. When 2 "police officers" come to the house however, terror ensues. A violent hostage situation grips the family and shows how far a father will go for his wife and his daughter. Not only does Nicolas Cage shine as a man with a tortured secret, he embodies how strong a person should be in such a situation. The shocking realism of this movie is bloody, but not too gory, and really thrills you to the last scene. All in all Trespass delivers tenfold and leaves the audience with a final thought: get out, or die trying.

As is usually the case when a movie gets bad press, I felt compelled to see it for myself. As a fan of Nicolas Cage and Nicole Kidman, I was also interested to see just how terrible they were.

In actual fact I think the critics have been a little cruel. As other reviewers have commented, this is no groundbreaking piece of work; it's a home invasion story and highlights the lengths people will go to for money (see Panic Room for more details....!). Yes there is a lot of screaming from Nicole and a lot of people saying "run" and no one runs anywhere, but to be fair if I was in their position, I would likely be in a corner papping myself with fear.

It seems that they follow a similar formula to Panic Room, in that the burglars are pretty brutal and one or two of them seem slightly unhinged, but this is clearly a device used to work up tension as they become more panicked and more unpredictable. In a sense I liked this element, which showed something more of the invaders' humanity; their fears and failings.

All in all this is not an amazing film, but nor is it that terrible. It also isn't half as violent as people make out - there is a fair amount of threat but I have seen a lot worse and I am not a fan of violent movies. So 6/10 seems a fair score, although personally I quite enjoyed it - it was easy enough to watch and I was interested enough to keep watching to the end. But maybe that's just me.

An actual good Cage performance, that we have forgotten about after over a decade of utter dreck. I will say at the time, this film was that very dreck. He has been doing these kind of performances, one after another since 2011, but when I go back and see Trespass, I wonder why? He did it all perfectly here, to where the others seem like imitation and are coming up shorter. That is because creating a character rings differently than just running through a 'mad man' shtick he repeats. I think it is because of Joel Schumacher. He was a real actors director, a master director who worked in the confines of mainstream film. Rediscovering his work from ground up from the 1980s, I see his mainstream films in a new light, from Phone Booth, to this, he never lost that artistry, even if it came in more outrageous packages.