Mientras la guerra entre la humanidad y las criaturas marinas monstruosas avanza, un antiguo piloto y un aprendiz se unen para conducir un arma aparentemente obsoleta en un esfuerzo desesper... Leer todoMientras la guerra entre la humanidad y las criaturas marinas monstruosas avanza, un antiguo piloto y un aprendiz se unen para conducir un arma aparentemente obsoleta en un esfuerzo desesperado por salvar al mundo del apocalipsis.Mientras la guerra entre la humanidad y las criaturas marinas monstruosas avanza, un antiguo piloto y un aprendiz se unen para conducir un arma aparentemente obsoleta en un esfuerzo desesperado por salvar al mundo del apocalipsis.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 7 premios ganados y 48 nominaciones en total
- Chuck Hansen
- (as Rob Kazinsky)
Opiniones destacadas
Battleship and Pacific Rim are 2 of those movies.
Pacific Rim takes a cool concept for a story, Monsters vs Machines and entwines a human element (the pilots) to result in a really fun extravaganza. The movie is not deep but has enough story to piece together the fighting sequences.
Sit down, hit the lights, pump the volume, disengage brain and have a blast :)
And this is a lot of fun, a decent popcorn flick for a change and a film that's well made enough to erase memories of the disappointing TRANSFORMERS movies. It's a great Hollywood tribute to Japanese cinema, filled with all of the wonderful effects and super-sized action that you'd hope for. Del Toro is one of those directors who hasn't made a bad film yet; you can always rely on him for entertainment.
Sure, the stuff with the human characters isn't as interesting as the giant stuff. But at least we get plenty of British actors in the cast (Burn Gorman, Idris Elba, Rob Kazinsky, Charlie Hunnam) which keeps it fresh and interesting. The CGI effects are excellent, as you'd expect, and while the storyline is very predictable, that's not the point. The point is to deliver huge bouts of destructive action, and that's what del Toro does. And it's a lot of fun.
Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.
This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.
I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).
This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
Any change to see a real action movie with almost unstoppable battles monsters, and a dose of special effects so amazing you just leave you with your mouth open.
Of course, not everything is good, but entertaining plot is somewhat similar to that of other films: The hero gets a big pain that leaves the battle, then when the world needs the triumphant return finds the love of his life between the two due to the bad, the nearly died, and finally live happily ever after (like a soap opera).
We must clarify that thanks to special effects, battles, and good performances, the plot is not uncomfortable. I really think it's worth watching.
¿Sabías que…?
- TriviaApproximately a hundred Kaijus and a hundred Jaegers were designed, but only a fraction of them appeared in the film. Every week, the filmmakers held a vote for their favorites.
- Errores(at around 1h 14 mins) Gipsy Danger is said to be immune to an EMP because it is "nuclear powered" and therefore "analog". This would be nearly impossible as the two have nothing to do with one another. Most nuclear reactors have many digital parts and computers controlling them. Furthermore, the cockpit of Gipsy Danger is filled with what appear to be digital computers.
- Citas
Stacker Pentecost: Today. Today... At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are *canceling* the apocalypse!
- Créditos curiososAt the end of the closing credits, a Kaiju roar is heard.
- Versiones alternativasIn the North American release, the scene where Mako is introduced has her and Raleigh speaking in Japanese. Some international releases have this scene dubbed in English - not in Denmark and Norway though, where the Japanese is intact. To the exception of France where all Japanese dialogs are subtitled even in french dubbed versions.
- ConexionesFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- Bandas sonorasJust Like Your Tenderness
Written by Liang Hong Zhi
Executive Produced by Ivy Wang and Mathew D
Performed by Luo Xiaoxuan
Courtesy of R2G Music/Coden Music
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Pacific Rim
- Locaciones de filmación
- Papenburger Meyer Shipyard, Lower Saxony, Alemania(Factory, where the Jaeger are built)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 190,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 101,802,906
- Fin de semana de estreno en EE. UU. y Canadá
- USD 37,285,325
- 14 jul 2013
- Total a nivel mundial
- USD 411,002,906
- Tiempo de ejecución2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1