Titanes del Pacífico

Sometimes when I sit down and watch a movie I just want to be swept away and be dazzled with both sight and sound. The movies don't have to be dramatically perfect just capable of blowing all my sensors.

Battleship and Pacific Rim are 2 of those movies.

Pacific Rim takes a cool concept for a story, Monsters vs Machines and entwines a human element (the pilots) to result in a really fun extravaganza. The movie is not deep but has enough story to piece together the fighting sequences.

Sit down, hit the lights, pump the volume, disengage brain and have a blast :)

Unlike some, I had no problem with the high concept of the piece: Transformers vs Godzilla. It had a lot of potential. And when the movie concentrates on what we are all here to see (giant creatures and robots beating on each others with oil tankers and smashing through skyscrapers) it is very successful. But when things get quiet... less so. Too much time spent on "Top Gun" like fighter pilot shenanigans. Not enough nuance in the characterizations. An ultra linear plot with few attempts to confound expectations. The acting isn't bad - and isn't required to be great in this sort of film - but it is nothing special either. Sort of universally "meh". Good for a Blu Ray rental.

This film starts of with a monologue that explains in twenty seconds how big monsters start appearing from the sea and destroying everything. The only defence against them is to kick their heads in with massive robots. Cool! Starting so quickly out the blocks I expected this to be a fast paced action movie.

It really isn't. About every film element ever used, runs its course before the inevitable big battle. You get a fall from grace, a rivalry, a training period, a love story, forgiveness, reconciliation, etc. etc.

The battle sequences are epic, the monsters and robots are amazing, Kids especially will love them, and the action goes on and on.

The dialogue is cheesier and hammier than a 60 foot pizza monsters, and coupled with the extended scope of this film can make watching it gruelling if you are not instantly gripped.

This will keep any kids gripped for hours (nearly three of them) but if sci-fi isn't your thing get comfy and bring a pillow.

It was a curious thing being on line for certain Hollywood programmers in summer 2013, mediocre stuff like 2 Guns or White House Down that neither impressed nor offended too much, and then the split in hearing some other folks talking about Pacific Rim and how awful it looked.

Perhaps I came to it with a small chip on the shoulder – this is THE Guillermo mother-flipping del Toro, after all, a man who has created dark, supremely designed imaginations with Pan's Labyrinth and the Hellboy movies, and here he is getting to take on stuff he loves in a completely B-movie landscape: gnarly monsters, giant robots, comic-book stakes, and action with some substance. And Pacific Rim, for what it set out to accomplish as a sensational blockbuster, reached its aims for what I wanted. When taken in total, it may not have much more or less action than a Man of Steel, but it is much smarter, or just more creative and skilled and knowing of its audience, in layering out its action set pieces, and even in the broad strokes it takes as, basically, a B-level Saturday matinée flick. Del Toro cares about these characters, or at least tries to, deep down, and can show some of that like with the Asian pilot Mako Maori.

Is any of this deep? I'm still not sure. Does it need to be an artistic meditation on the cancelling of the apocalypse? Maybe another watch or two of five - because there will always be a part of me that can keep a hold on to an inner 13 year old - will bring that into focus. And aside from the monsters-and-robot work, which contains such good sights to behold, weight and depth to the designs, and the know-how to pace the action and to let us see it – in 2D, anyway, I didn't bother with 3D so I can't speak to that experience – there's some just good fun dialog (Charlie Day! Ron Perlman!!) and a sense that, 'Yes, this is a Godzilla experience, but we can still make it EXCITING'. So much of what I wanted this summer and only got in smaller doses (look at the end of the article for a bit on that) was in full-bloom in this production, which had a 190 million budget and the money looked like it was up on the screen, and not just in the CG but in the big sets and technology, and a story told by a Big Kid that would only hope the rest of the audience can genuinely feel like Big Kids if they aren't young already.

In other words, the director accomplished what Michael Bay has, over and over again, failed to do: inspire wonder, and put some basic thought into the process itself, in story and craft, and without a large dollop of cynicism.

Lately movies that claim to be monsters and action have proved a complete failure, and, to be honest I thought this was not going to be the exception.

Any change to see a real action movie with almost unstoppable battles monsters, and a dose of special effects so amazing you just leave you with your mouth open.

Of course, not everything is good, but entertaining plot is somewhat similar to that of other films: The hero gets a big pain that leaves the battle, then when the world needs the triumphant return finds the love of his life between the two due to the bad, the nearly died, and finally live happily ever after (like a soap opera).

We must clarify that thanks to special effects, battles, and good performances, the plot is not uncomfortable. I really think it's worth watching.