Life of Crime

"We need to find a way o put him against the wall." Frank Dawson (Robbins) is a businessman with many enemies. When a group of men are looking for revenge on him they decide to take what is most important to him, his wife Mickey (Aniston). They kidnap her and demand a ransom from him. The only downside is that he was going to divorce her and is with his mistress when they call so he's not all that concerned. This puts strain on the kidnappers when plans have to change. This is another movie based off an Elmore Leonard book. If you have seen the other movies from his books (Jackie Brown, 3:10 To Yuma, Get Shorty and most recently Justified) you will know what to expect. The feel of all of them are pretty much alike. This one does have more of a Get Shorty feel to it in the way that it is a very dark comedy and you aren't sure who to root for. The acting is very good and the movie keeps you interested and entertained but I never really got all that into it. I did like all the twists and the events of this but there was just something missing to make me really like it. I also wasn't a big fan of Get Shorty so if you liked that movie you will probably enjoy this much more then I did. Overall, a movie that I thought was OK and worth watching but nothing that really made me think wow, this is good. I give it a B-.

It's an interesting film that's trying to be a dark comedy but it's not as dark as I would have expected, which made the laughs long in-between.

I've seen this type of comedy in which the victim befriends the captives because their life was not as put together as hoped. This one takes a slower dramatic pace.

Their were some pretty top notch actors in the film like Tim Robbins, John Hawkes and even Mos Def. It's interesting that Jennifer Aniston took on such a small picture, but maybe they thought her appearance would put people in seats(which I guess is true).

Thought the story was good but the pace of the movie just puts me to sleep (Maybe I actually missed the really fun parts while snoring). Don't kill your time with this one.

I enjoyed this film a lot. It's not ground breaking or stylish or full of violence. It's nice and easy with funny characters and some laugh out loud moments. A we'll put together, charming film.

People should really stop claiming this movie is funny, and the trailer should be pulled for false advertising. There's, like, maybe 4-5 jokes in the whole film. I'm not saying 4-5 are funny, I'm saying there are only 4-5 times where the film briefly even tries to be funny.

This is a drama, but a drama written and directed as lightly and carelessly as a comedy. So we don't care about the characters and we don't care about the stakes. But it's not funny either and the romance is just going through the motions - there's no meetcute, there's no "will they, won't they" it's just "boy meets girl, boy spends time with girl, boy and girl are a thing now". The whole film is mostly filler.

It's strange because the casting, the 70's period stuff and the production values are quite good, and the plot makes sense (there are a handful of moments where characters do inexplicable/stupid things but it isn't clear if it's meant to be funny or the scriptwriter is just that dumb) it's just not clear why you would care to watch it. Most of what you end up watching is a couple of mediocre crooks try to figure out how to make a kidnapping work and struggle. If you want to spend 90+ minutes filling in the time wondering about how you might plan a better kidnapping, by all means watch this movie. If you want to be entertained, dramatically, romantically or comedically, please, watch anything else.

A loose prequel of sorts for the criminal players of Jackie Brown, based on Elmore Leonard's novel The Switch. It's not Jackie, no two ways about it, and it's unfair to compare the two... unfair, but inevitable since they're so spiritually related. The stakes are much lower this time, with a simple kidnapping plot the main point of action and few of the deliciously tangled interwoven story lines of the Tarantino flick. In Leonard's hands that still made for a wildly entertaining read, but on the screen it feels a bit on the shallow side. This translation is missing the charm and finesse of its source material, too, and a little of that spice can really go a long way. John Hawkes manages a really convincing, greasy De Niro impression as the soft-hearted enforcer Louis, while Mos Def's take on mastermind Ordell Robbie (originally played by Samuel L. Jackson) is less indebted to his predecessor. Jennifer Aniston is good as the repressed trophy wife / tennis mom / kidnappee, but the rest of the cast just seems like they're wearing costumes and playing games. They take themselves lightly, so it's tough for me to see the situation as all that serious. It's fine, superficial at worst, but there's little wonder why it slipped under the radar without a whimper when it hit the screens a couple of years ago.